All Screen articles in 24 July 2009
View all stories from this month.
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CommentCurse of the time bandits
As Harry Potter racks up its 15th hour of celluloid adventure and the Transformers battle it out for two-and-a-half hours, Mike Goodridge is watching the clock.
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CommentA tale of two industries
The British industry has been reported to be doing well, but is it a fair assessment?
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CommentWhere's the profit in online distribution?
People have been saying for years that the future of film distribution is online. John Flahive, managing director of Wavelength Pictures, is still waiting for a viable business model.
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NewsNolan's Inception starts shoot across five countries
Warner Bros has started production on Christopher Nolan’s Inception, which started shooting in the UK on July 13.
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FeaturesThe strength of independent ties
Metrodome and Palisades Tartan are the latest to strike a deal, as distributors are forced to make alliances in a changing market.
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FeaturesFrom conception to Womb
Could his contemporary fairy tale about cloning, starring Eva Green and Matt Smith, push Hungarian director Benedek Fliegauf into the mainstream? Martin Blaney visits the German set of Womb.
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FeaturesIndia digs for box-office gold
A surge in multiplex construction is expected in the still under-screened Indian market now the producers’ strike is over. But can air-conditioning and plush seats alone finally prise open the box office for foreign films?
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FeaturesPerry gears up for fight
As the Irish government considers scrapping the Irish Film Board, Simon Perry tells Geoffrey Macnab why the board is vital to Irish film culture.
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NewsPoliakoff's Glorious 39 to world premiere in Toronto
UK writer-director Steven Poliakoff’s war-time thriller Glorious 39 will make its world premiere at the upcoming Toronto International Film Festival, as TIFF added eight Special Presentations to its lineup today.
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NewsVenice jurors to include Gina Kim, Ramin Bahrani, Stuart Gordon
The Venice Biennale has announced the international juries for three sections.
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NewsPicturePlay to launch with Levinson's City Of Angels
US producers Janet Harrison and Scott Rosenfelt have launched bi-coastal production company PicturePlay Films to make films with budgets ranging from $5m-$20m.
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NewsEurocentric Venice Critics' Week to present Berlusconi project Videocracy
The 24th edition of the Critics’ Week has unveiled a line up of ten world premiere first features to be presented at the 66th edition of the Venice Film Festival (Sept 2-12).
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News
Macrograph, Entourage line up Korea’s first 3D horror
Korean visual effects house Macrograph and production company Entourage are joining forces on Korea’s first 3D horror film, Soul Mate, to be directed by Kim Ji-hwan.
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NewsSony extends De Luca's first-look deal through 2011
Sony Pictures Entertainment has extended its first-look deal with producer Michael De Luca through 2011.
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NewsHanif Kureishi to adapt The White Tiger for Smuggler, Ascension
New York-based Smuggler Films has signed famed UK screenwriter Hanif Kureishi to adapt Man Booker Prize-winning novel The White Tiger for the big screen.
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NewsForbidden Door takes top honours at PiFan
The Forbidden Door, a thriller from Indonesian director Joko Anwar, was awarded the Best of Puchon prize at the Puchon International Fantastic Film Festival (PiFan) on Thursday night.
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NewsNAFF’s second edition praised by guests
PiFan’s Network of Asian Fantastic Films (NAFF) wrapped its second edition (July 20-23), with guests applauding the quality of the project meetings, and the impressive roster of decision-makers that it managed to attract.
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FeaturesSpanish financiers tune in to Lope
Spain is hoping to tap into the revival of the swashbuckler with Lope, the story of 16th playwright Lope De Vega, directed by Brazil’s Andrucha Waddington and shot in Morocco.
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FeaturesPaths of glory
The historical thriller Glorious 39 is Stephen Poliakoff’s first film for 10 years and will have its world premiere at Toronto.
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NewsScreen Australia's development plans include internship at Film 4
The UK’s Film 4 figures in Screen Australia’s new plans to help early-career filmmakers to make outstanding Australian content.















