<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:cf="http://www.microsoft.com/schemas/rss/core/2005" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">
<channel>
<title>Screen - Interview</title>
<link>http://www.screendaily.com</link>
<description>http://www.screendaily.com</description>
<image>
<url>http://www.screendaily.com/magazine/graphics/logo.png
					</url>
<title>Screen</title>
<link>http://www.screendaily.com</link>
</image>
<item>
<title>David Hasselhoff</title>
<link>http://www.screendaily.com/festivals/cannes/david-hasselhoff/5056334.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/festivals/cannes/david-hasselhoff/5056334.article</guid>
<description>David Hasselhoff took to the beach in Cannes this week, this time for business meetings not for Baywatch duty.</description>
<author>wendy.mitchell@screendaily.com (Wendy Mitchell) </author>
<pubDate>Sat, 18 May 2013 06:05 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/8/2/2/1172822_David-Hasselhoff.jpg" />
</item>
<item>
<title>Amit Kumar, Monsoon Shootout	</title>
<link>http://www.screendaily.com/reports/amit-kumar-monsoon-shootout/5055995.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/amit-kumar-monsoon-shootout/5055995.article</guid>
<description>Leon Forde talks to Amit Kumar about his feature debut Monsoon Shootout, which screens in Cannes as a Midnight Screening.</description>
<author></author>
<pubDate>Sat, 18 May 2013 06:00 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/3/8/5/1172385_Headshot_Amit_Kumar_copy.jpg" />
</item>
<item>
<title>Terry Gilliam, The Zero Theorem</title>
<link>http://www.screendaily.com/reports/terry-gilliam-the-zero-theorem/5056232.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/terry-gilliam-the-zero-theorem/5056232.article</guid>
<description>Jeremy Kay talks to Terry Gilliam about his latest feature The Zero Theorem, which just wrapped production in Romania.</description>
<author>jeremykay67@gmail.com (Jeremy Kay) </author>
<pubDate>Sat, 18 May 2013 06:00 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/6/8/5/1172685_Terry_Gilliam.jpg" />
</item>
<item>
<title>Jeremy Thomas, Last Emperor 3D</title>
<link>http://www.screendaily.com/reports/jeremy-thomas-last-emperor-3d/5056260.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/jeremy-thomas-last-emperor-3d/5056260.article</guid>
<description>Andreas Wiseman talks to Jeremy Thomas about the 3D conversion of Bernardo Bertolucci’s feature, which screens in Cannes Classics.</description>
<author>andreas.wiseman@screendaily.com (Andreas Wiseman) </author>
<pubDate>Sat, 18 May 2013 06:00 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/7/2/4/1172724_jeremy_thomas.jpg" />
</item>
<item>
<title>Marcel Ophuls, Ain’t Misbehavin</title>
<link>http://www.screendaily.com/reports/marcel-ophuls-aint-misbehavin/5056070.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/marcel-ophuls-aint-misbehavin/5056070.article</guid>
<description>Andreas Wiseman talks to the great documentarian Marcel Ophuls about his new film Ain’t Misbehavin and returning to the Croisette after 20 years.</description>
<author>andreas.wiseman@screendaily.com (Andreas Wiseman) </author>
<pubDate>Fri, 17 May 2013 08:00 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/4/8/4/1172484_Marcel_Ophuls.jpg" />
</item>
<item>
<title>Mark Cousins, A Story of Children and Film</title>
<link>http://www.screendaily.com/reports/mark-cousins-a-story-of-children-and-film/5056259.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/mark-cousins-a-story-of-children-and-film/5056259.article</guid>
<description>Michael Rosser talks to Mark Cousins about his latest documentary, which has its world premiere in Cannes Classics tonight [May 3].</description>
<author>michael.rosser@screendaily.com (Michael Rosser) </author>
<pubDate>Fri, 17 May 2013 09:44 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/7/2/3/1172723_mark_cousins.jpg" />
</item>
<item>
<title>Nicolas Winding Refn: playing God</title>
<link>http://www.screendaily.com/reports/nicolas-winding-refn-playing-god/5055881.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/nicolas-winding-refn-playing-god/5055881.article</guid>
<description>Nicolas Winding Refn’s Only God Forgives started as a fight movie and morphed into a twisted tale of a mother-son relationship. Wendy Mitchell talks to the Danish writer-director about his anticipated follow-up to Drive.</description>
<author>wendy.mitchell@screendaily.com (Wendy Mitchell) </author>
<pubDate>Mon, 13 May 2013 00:01 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/1/0/8/1172108_936full_nicolas_winding_refn.jpg" />
</item>
<item>
<title>Alain Attal: first blood</title>
<link>http://www.screendaily.com/reports/alain-attal-first-blood/5055882.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/alain-attal-first-blood/5055882.article</guid>
<description>It all began in a restaurant for the producer of Guillaume Canet’s Cannes title Blood Ties. Alain Attal tells Melanie Goodfellow about his US debut.</description>
<author></author>
<pubDate>Mon, 13 May 2013 00:01 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/1/1/1/1172111_Alain_Attal.jpg" />
</item>
<item>
<title>Lara Thompson, eOne: buying power</title>
<link>http://www.screendaily.com/reports/lara-thompson-eone-buying-power/5055883.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/lara-thompson-eone-buying-power/5055883.article</guid>
<description>eOne is one of the industry’s most significant buyers. Andreas Wiseman speaks to EVP of filmed entertainment Lara Thompson about the company’s Cannes acquisition strategy.</description>
<author>andreas.wiseman@screendaily.com (Andreas Wiseman) </author>
<pubDate>Mon, 13 May 2013 00:01 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/1/1/2/1172112_Lara_Thompson.jpg" />
</item>
<item>
<title>Case study: Bullhead</title>
<link>http://www.screendaily.com/territories/europe/case-study-bullhead/5050134.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/territories/europe/case-study-bullhead/5050134.article</guid>
<description>The challenges of producing and distributing Belgian drama Bullhead [pictured] were discussed by Savage Film producer Bart Van Langendonck and Celluloid Dreams boss Hengameh Panahi. The pair spoke to Screen at the Les Arcs European Film Festival.</description>
<author>michael.rosser@screendaily.com (Michael Rosser) </author>
<pubDate>Wed, 19 Dec 2012 09:41 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/4/7/3/1164473_Bullhead.jpg" />
</item>
<item>
<title>Anurag Basu</title>
<link>http://www.screendaily.com/reports/one-on-one/anurag-basu/5050002.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/one-on-one/anurag-basu/5050002.article</guid>
<description>Anurag Basu talks to Screen about Barfi!, India’s official entry for consideration in the Academy Awards’ Best Foreign Language Film category.</description>
<author>ian.sandwell@screendaily.com (Ian Sandwell) </author>
<pubDate>Fri, 14 Dec 2012 09:35 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/3/2/7/1164327_Basu.JPG" />
</item>
<item>
<title>Ibrahim El Batout, Winter Of Discontent</title>
<link>http://www.screendaily.com/reports/one-on-one/ibrahim-el-batout-winter-of-discontent/5050004.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/one-on-one/ibrahim-el-batout-winter-of-discontent/5050004.article</guid>
<description>Ibrahim El Batout talks to Screen about his latest film Winter of Discontent.</description>
<author></author>
<pubDate>Fri, 14 Dec 2012 08:00 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/3/2/9/1164329_Ibrahim-El-Batout.jpg" />
</item>
<item>
<title>Tripling up on talent</title>
<link>http://www.screendaily.com/reports/interviews/tripling-up-on-talent/5049834.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/interviews/tripling-up-on-talent/5049834.article</guid>
<description>XYZ Films’ Nate Bolotin, Nick Spicer and Aram Tertzakian talk about their busy company,which is building on the global success of The Raid [pictured]. Jeremy Kay reports</description>
<author>jeremykay67@gmail.com (Jeremy Kay) </author>
<pubDate>Tue, 11 Dec 2012 10:01 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/9/8/1/1163981_the_raid_2.jpg" />
</item>
<item>
<title>Richard Gere </title>
<link>http://www.screendaily.com/richard-gere/5049323.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/richard-gere/5049323.article</guid>
<description>Richard Gere could be in line for his first Oscar nomination for his portrayal of a conflicted financial executive and family man in Arbitrage.</description>
<author>wendy.mitchell@screendaily.com (Wendy Mitchell) </author>
<pubDate>Fri, 23 Nov 2012 17:30 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/2/0/0/1163200_richard_gere_in_arbitrage.jpg" />
</item>
<item>
<title>John Gatins</title>
<link>http://www.screendaily.com/john-gatins/5049320.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/john-gatins/5049320.article</guid>
<description>Screenwriter John Gatins tells Jeremy Kay about his marathon struggle to write the screenplay that triggered arguably the finest performance of Denzel Washington’s career</description>
<author>jeremykay67@gmail.com (Jeremy Kay) </author>
<pubDate>Fri, 23 Nov 2012 17:31 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/1/8/7/1163187_John-Gatins.jpg" />
</item>
<item>
<title>Caper crusader</title>
<link>http://www.screendaily.com/reports/interviews/caper-crusader/5049085.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/interviews/caper-crusader/5049085.article</guid>
<description>It took producer Mike Lobell more than a decade to get Gambit into production, traversing a range of potential backers, film-makers and stars before aligning the Coen brothers, Michael Hoffman, Colin Firth and Cameron Diaz. He tells Jeremy Kay why it has been an ‘amazing education’</description>
<author>jeremykay67@gmail.com (Jeremy Kay) </author>
<pubDate>Thu, 22 Nov 2012 12:54 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/8/4/5/1162845_Mike-Lobell.jpg" />
</item>
<item>
<title>Raising Embargo</title>
<link>http://www.screendaily.com/reports/interviews/raising-embargo/5045751.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/interviews/raising-embargo/5045751.article</guid>
<description>A bumper 2012 has seen the UK production company’s films at Berlin, Cannes, Locarno, Edinburgh and Toronto. Screen talks to the company’s founders about their projects from Nick Love’s The Sweeney to Paul Andrew Williams’ forthcoming Miss You Already.</description>
<author>andreas.wiseman@screendaily.com (Andreas Wiseman) </author>
<pubDate>Tue, 28 Aug 2012 16:21 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/3/2/1/1158321_Barnaby_Southcombe_Felix_Vossen_Christopher_Simon_lo_res.jpg" />
</item>
<item>
<title>Clifford Werber</title>
<link>http://www.screendaily.com/reports/interviews/clifford-werber/5041794.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/interviews/clifford-werber/5041794.article</guid>
<description>Clifford Werber of Fluent Entertainment talks about the company’s studio-aligned equity finance model for local-language films, and its new deal with Sony. Jeremy Kay reports.</description>
<author>jeremykay67@gmail.com (Jeremy Kay) </author>
<pubDate>Wed, 16 May 2012 07:03 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/1/0/8/1153108_clifford_werber.jpg" />
</item>
<item>
<title>FilmNation building</title>
<link>http://www.screendaily.com/reports/interviews/filmnation-building/5033961.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/interviews/filmnation-building/5033961.article</guid>
<description>FilmNation’s Glen Basner and Aaron Ryder reveal to Jeremy Kay their recipe for success: whip up commercial productions, add a sales roster from leading directors, and feed a network of international distribution partners</description>
<author>jeremykay67@gmail.com (Jeremy Kay) </author>
<pubDate>Sun, 6 Nov 2011 01:24 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/3/1/2/1143312_Glen_Basner_8501_1_.jpg" />
</item>
<item>
<title>Most wanted</title>
<link>http://www.screendaily.com/reports/interviews/most-wanted/5032861.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/interviews/most-wanted/5032861.article</guid>
<description>Stephen and Simon Cornwell, the sons of writer John le Carré, tell Screen why their company Ink Factory (with Rhodri Thomas) is following the models used by Unknown and Tinker Tailor Soldier Spy to produce a slate of upscale thrillers with global appeal out of Europe</description>
<author>wendy.mitchell@screendaily.com (Wendy Mitchell) </author>
<pubDate>Mon, 24 Oct 2011 18:48 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/9/0/7/1142907_Stephen_Cornwell_2.jpg" />
</item>
<item>
<title>Independent streak</title>
<link>http://www.screendaily.com/reports/interviews/independent-streak/5031688.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/interviews/independent-streak/5031688.article</guid>
<description>Steve Bersch leads the formidable Sony Pictures Worldwide Acquisitions team, which has made its mark on numerous indie hits in recent years. He tells Screen what they will be looking for at Toronto.</description>
<author>jeremykay67@gmail.com (Jeremy Kay) </author>
<pubDate>Thu, 8 Sep 2011 00:57 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/9/5/1/1139951_Steven-Bersch.jpg" />
</item>
<item>
<title>Special relationship</title>
<link>http://www.screendaily.com/reports/interviews/special-relationship/5030120.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/interviews/special-relationship/5030120.article</guid>
<description>UK marketing outfit FIVE33 has been making waves on both sides of the Atlantic. CEO Emily Castel talks about the company’s global ambitions.</description>
<author>andreas.wiseman@screendaily.com (Andreas Wiseman) </author>
<pubDate>Fri, 22 Jul 2011 10:55 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/7/8/6/1137786_emily_castel.jpg" />
</item>
<item>
<title>Against all odds</title>
<link>http://www.screendaily.com/reports/in-focus/against-all-odds/5029093.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/in-focus/against-all-odds/5029093.article</guid>
<description>When the financing on Stephen Frears’ new drama Lay The Favorite, starring Bruce Willis, fell apart twice, producers Paul Trijbits and Anthony Bregman faced a race against time to re-assemble and refinance the project and keep the director and all the cast on board.</description>
<author>sarah.cooper@screendaily.com (Sarah Cooper) </author>
<pubDate>Mon, 11 Jul 2011 08:09 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/9/9/9/1136999_favorite_trio.jpg" />
</item>
<item>
<title>Warp speeds ahead</title>
<link>http://www.screendaily.com/reports/interviews/warp-speeds-ahead/5029095.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/interviews/warp-speeds-ahead/5029095.article</guid>
<description>UK production outfit Warp Films has a reputation for innovative, low-budget film-making. Now the 10-year-old company is shifting up a gear with international partners, bigger budgets and intriguing titles.</description>
<author>wendy.mitchell@screendaily.com (Wendy Mitchell) </author>
<pubDate>Thu, 30 Jun 2011 08:28 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/5/0/4/1136504_mark_herbert.jpg" />
</item>
<item>
<title>Where money finds talent</title>
<link>http://www.screendaily.com/reports/interviews/where-money-finds-talent/5028300.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/interviews/where-money-finds-talent/5028300.article</guid>
<description>The film finance department at CAA is thriving as the agents work as strategic consultants to high-net-worth individuals, gaining investment for mid-range projects. Screen talks to Roeg Sutherland and Micah Green.</description>
<author>jeremykay67@gmail.com (Jeremy Kay) </author>
<pubDate>Tue, 7 Jun 2011 15:51 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/5/4/1/1135541_CAA_Roeg_sutherland_micah_green.jpg" />
</item>
<item>
<title>In their Element</title>
<link>http://www.screendaily.com/reports/interviews/in-their-element/5028298.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/interviews/in-their-element/5028298.article</guid>
<description>Ireland’s Element Pictures is ramping up its international co-production activity and is increasing its focus on Irish distribution. As the firm marks its 10th anniversary, Screen talks to Ed Guiney, Andrew Lowe and Lee Magiday</description>
<author>wendy.mitchell@screendaily.com (Wendy Mitchell) </author>
<pubDate>Tue, 7 Jun 2011 15:52 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/5/4/2/1135542_ed_guiney_andrew_lowe.jpg" />
</item>
<item>
<title>The world from Wilshire</title>
<link>http://www.screendaily.com/reports/people/the-world-from-wilshire/5026876.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/people/the-world-from-wilshire/5026876.article</guid>
<description>UTA independent film group is using its international insight to connect film-makers to innovative financing partners. Screen talks to Rena Ronson and Rich Klubeck about comedies, co-productions and Cannes</description>
<author>jeremykay67@gmail.com (Jeremy Kay) </author>
<pubDate>Fri, 6 May 2011 18:23 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/8/1/7/1133817_uta_group.jpg" />
</item>
<item>
<title>Tarak Ben Ammar</title>
<link>http://www.screendaily.com/reports/one-on-one/tarak-ben-ammar/5025529.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/one-on-one/tarak-ben-ammar/5025529.article</guid>
<description>Quinta Communications chief Tarak Ben Ammar talks about his role in the recent popular uprising in Tunisia and what he believes are the implications for the Arab entertainment business</description>
<author></author>
<pubDate>Thu, 14 Apr 2011 16:20 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/9/2/7/1131927_Ben_Ammar.jpg" />
</item>
<item>
<title>The prize fighters</title>
<link>http://www.screendaily.com/the-prize-fighters/5024537.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/the-prize-fighters/5024537.article</guid>
<description>David Hoberman and Todd Lieberman, who together run Mandeville Films and Television, tell Jeremy Kay about the challenges of bringing two wildly different projects — The Fighter and The Muppets — to the screen</description>
<author>jeremykay67@gmail.com (Jeremy Kay) </author>
<pubDate>Tue, 15 Mar 2011 17:23 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/1/1/2/1131112_The_Fighter_2.jpg" />
</item>
<item>
<title>Taking the stage</title>
<link>http://www.screendaily.com/reports/interviews/taking-the-stage/5023327.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/interviews/taking-the-stage/5023327.article</guid>
<description>Cross Creek Pictures, a new film fund backed by US oil and gas players, has jumped onto Hollywood’s radar with its first investment, Black Swan. Its president, Brian Oliver, tells Mike Goodridge the company’s gameplan</description>
<author>mike.goodridge@emap.com (Mike Goodridge) </author>
<pubDate>Wed, 9 Feb 2011 08:27 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/1/8/6/1131186_Black_Swan_2.jpg" />
</item>
<item>
<title>A new sphere</title>
<link>http://www.screendaily.com/reports/people/a-new-sphere/5021462.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/people/a-new-sphere/5021462.article</guid>
<description>Launched at the AFM, the Hemisphere Media Capital fund is utilising Japanese partners to invest in studio films. Liz Shackleton talks to co-founder Jean-Luc De Fanti</description>
<author>lizshackleton@gmail.com (Liz Shackleton) </author>
<pubDate>Thu, 9 Dec 2010 15:50 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/9/2/2/1126922_The_Men_Who_Stare_At_Goats.jpg" />
</item>
<item>
<title>Parallel lives</title>
<link>http://www.screendaily.com/reports/interviews/parallel-lives/5021116.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/interviews/parallel-lives/5021116.article</guid>
<description>Arguably India’s biggest film star, Aamir Khan has had a prolific year as a producer, with Peepli Live named this year’s Indian Oscar submission. But he also chose to star in his latest production Dhobi Ghat and, Khan tells Mike Goodridge, he wants his fanbase to know what to expect when this lo</description>
<author>mike.goodridge@emap.com (Mike Goodridge) </author>
<pubDate>Wed, 1 Dec 2010 11:22 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/3/6/6/1126366_Aamir_Khan.jpg" />
</item>
<item>
<title> World Exclusive</title>
<link>http://www.screendaily.com/reports/interviews/-world-exclusive/5020192.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/interviews/-world-exclusive/5020192.article</guid>
<description>Nigel Sinclair and Guy East talk to Mike Goodridge about building Exclusive Media Group, now in its third year of operations, into a diversified global operation for the digital age</description>
<author>mike.goodridge@emap.com (Mike Goodridge) </author>
<pubDate>Thu, 4 Nov 2010 17:02 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/3/4/5/1125345_THE_WAY_BACK.jpg" />
</item>
<item>
<title>Exclusive's Nigel Sinclair and Guy East</title>
<link>http://www.screendaily.com/reports/interviews/exclusives-nigel-sinclair-and-guy-east/5020015.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/interviews/exclusives-nigel-sinclair-and-guy-east/5020015.article</guid>
<description>Nigel Sinclair and Guy East talk to Mike Goodridge about building Exclusive Media Group, now in its third year of operations, into a diversified global operation for the digital age</description>
<author>mike.goodridge@emap.com (Mike Goodridge) </author>
<pubDate>Tue, 2 Nov 2010 22:14 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/1/8/5/1125185_Nigel_Sinclair.jpg" />
</item>
<item>
<title>Graham King</title>
<link>http://www.screendaily.com/graham-king/5019157.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/graham-king/5019157.article</guid>
<description>With two mega-budget films in production under a new deal at Sony Pictures and the launch of their own distribution outfit, FilmDistrict, Graham King and his business partner Tim Headington have become Hollywood’s most ambitious empire-builders.</description>
<author>mike.goodridge@emap.com (Mike Goodridge) </author>
<pubDate>Thu, 7 Oct 2010 17:07 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/1/0/3/1124103_Graham_King_2010.jpg" />
</item>
<item>
<title>Festival Scope</title>
<link>http://www.screendaily.com/reports/features/festival-scope/5017712.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/features/festival-scope/5017712.article</guid>
<description>An online service is looking to help rights holders and festivals to take their films to a wider industry viewing base.</description>
<author>mike.goodridge@emap.com (Mike Goodridge) </author>
<pubDate>Tue, 7 Sep 2010 14:16 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/6/5/8/1122658_dooman_river.jpg" />
</item>
<item>
<title>Ealing hands</title>
<link>http://www.screendaily.com/reports/people/ealing-hands/5016546.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/people/ealing-hands/5016546.article</guid>
<description>One of the UK’s most commercially successful producers, Ealing Studios chief Barnaby Thompson has ambitious plans to bring a slate of big-budget commercial films to the independent marketplace. Geoffrey Macnab reports.</description>
<author>geoffrey@macnab.demon.co.uk (Geoffrey Macnab) </author>
<pubDate>Thu, 5 Aug 2010 12:46 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/3/0/6/1121306_Barnaby_thompson.jpg" />
</item>
<item>
<title>Profile: Vertigo Films</title>
<link>http://www.screendaily.com/reports/interviews/profile-vertigo-films/5015936.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/interviews/profile-vertigo-films/5015936.article</guid>
<description>The success of StreetDance 3D has given UK producer-distributor Vertigo Films ambitions for larger-scale films. Wendy Mitchelltalks to Rupert Preston and James Richardson.</description>
<author>wendy.mitchell@screendaily.com (Wendy Mitchell) </author>
<pubDate>Tue, 13 Jul 2010 15:54 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/6/5/3/1120653_Cinemaniablog_streetdance3d.jpg" />
</item>
<item>
<title>Profile: Razor Film</title>
<link>http://www.screendaily.com/reports/interviews/profile-razor-film/5015926.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/interviews/profile-razor-film/5015926.article</guid>
<description>Roman Paul and Gerhard Meixner’s Razor Film has become one of the most prolific production houses in Europe. The principals tell Mike Goodridge how they got there.</description>
<author>mike.goodridge@emap.com (Mike Goodridge) </author>
<pubDate>Tue, 13 Jul 2010 15:51 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/5/7/1/1120571_Womb.jpg" />
</item>
<item>
<title>A New Hope</title>
<link>http://www.screendaily.com/reports/interviews/a-new-hope/5013656.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/interviews/a-new-hope/5013656.article</guid>
<description>George Lucas talks to Conor Dignam and a group of young film-makers about the technological changes revolutionising the film industry and how opportunity for all means the end of the studio system.</description>
<author>conor.dignam@mb-insight.com (Conor Dignam) </author>
<pubDate>Tue, 18 May 2010 09:00 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/1/8/3/1118183_George_Lucas.jpg" />
</item>
<item>
<title>George Lucas Q&amp;A</title>
<link>http://www.screendaily.com/george-lucas-qa/5014082.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/george-lucas-qa/5014082.article</guid>
<description>The Films Without Borders participants quiz George Lucas on the lessons learned from a lifetime in film</description>
<author></author>
<pubDate>Tue, 18 May 2010 08:57 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/5/9/6/1118596_Films_without_borders.jpg" />
</item>
<item>
<title>The content converters</title>
<link>http://www.screendaily.com/the-content-converters/5013589.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/the-content-converters/5013589.article</guid>
<description>Run by Mark Ordesky and Ileen Maisel, former senior production executives at New Line Cinema, with New Line stablemate Jane Fleming and documentary film-maker Lawrence Elman, Amber Entertainment is combining new film paradigms with old. The principals talked to Mike Goodridge.</description>
<author>mike.goodridge@emap.com (Mike Goodridge) </author>
<pubDate>Tue, 18 May 2010 08:55 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/1/2/6/1118126_Paris_Connections.jpg" />
</item>
<item>
<title>The bigger picture</title>
<link>http://www.screendaily.com/reports/features/the-bigger-picture/5013037.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/features/the-bigger-picture/5013037.article</guid>
<description>Blacklight Transmedia has ambitious plans to create original franchises that can be exploited across multiple platforms ? and has a rare first-look deal with Imagine Entertainment. Jeremy Kay reports.</description>
<author>jeremykay67@gmail.com (Jeremy Kay) </author>
<pubDate>Thu, 22 Apr 2010 14:26 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/5/2/4/1117524_Eric_Lieb_and_Zak_Kadison_of_Blacklight.jpg" />
</item>
<item>
<title>Life in public</title>
<link>http://www.screendaily.com/life-in-public/5011812.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/life-in-public/5011812.article</guid>
<description>DreamWorks Animation CEO Jeffrey Katzenberg talks to Mike Goodridge about the DWA business model, the attention the company pays to international distribution, the relationship with Paramount and the pressures of running a public company</description>
<author>mike.goodridge@emap.com (Mike Goodridge) </author>
<pubDate>Fri, 19 Mar 2010 11:52 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/8/4/6/1115846_Jeffrey_Katzenberg.jpg" />
</item>
<item>
<title>Local films from a global giant</title>
<link>http://www.screendaily.com/local-films-from-a-global-giant/5011816.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/local-films-from-a-global-giant/5011816.article</guid>
<description>Fox Filmed Entertainment’s two-year-old local production unit, Fox International Productions (FIP), started the year with local hits in China and India. President Sanford Panitch tells Jeremy Kay about FIP’s expanding ambitions</description>
<author>jeremykay67@gmail.com (Jeremy Kay) </author>
<pubDate>Fri, 19 Mar 2010 11:42 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/8/4/9/1115849_Sanford_Panitch.jpg" />
</item>
<item>
<title>The bridge builder</title>
<link>http://www.screendaily.com/reports/interviews/the-bridge-builder/5011341.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/interviews/the-bridge-builder/5011341.article</guid>
<description>The veteran producer tells Jeremy Kay about his 100th film, partnering with Imagenation and why he wants to make connections between east and west</description>
<author>jeremykay67@gmail.com (Jeremy Kay) </author>
<pubDate>Fri, 26 Feb 2010 17:28 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/2/8/5/1115285_AA_Premonition_01.jpg" />
</item>
<item>
<title>Choosing wisely</title>
<link>http://www.screendaily.com/reports/interviews/choosing-wisely/5010173.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/interviews/choosing-wisely/5010173.article</guid>
<description>In the two years since it was founded, WestEnd Films has prospered in backing titles which have scored theatrical sales in a tough global marketplace. The principals talk to Geoffrey Macnab.</description>
<author>geoffrey@macnab.demon.co.uk (Geoffrey Macnab) </author>
<pubDate>Thu, 28 Jan 2010 16:11 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/6/1/8/1113618_Sharon_Harel.jpg" />
</item>
<item>
<title>The new internationalist</title>
<link>http://www.screendaily.com/the-new-internationalist/5009916.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/the-new-internationalist/5009916.article</guid>
<description>With ambitious plans to build on Bavaria Film’s successful local film-production activities, the company’s head tells Martin Blaney why he believes international co-productions are the key to its future</description>
<author>screen.berlin@googlemail.com (Martin Blaney) </author>
<pubDate>Fri, 22 Jan 2010 11:22 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/2/4/6/1113246_Matthias_Esche_of_Bavaria_Film_1.jpg" />
</item>
<item>
<title>Setting the pace</title>
<link>http://www.screendaily.com/setting-the-pace/5009673.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/setting-the-pace/5009673.article</guid>
<description>WME Global, the packaging, financing and distribution consultancy arm of William Morris Endeavor Entertainment, is paying close attention to new distribution models. Jeremy Kay speaks to division head Graham Taylor and his team.</description>
<author>jeremykay67@gmail.com (Jeremy Kay) </author>
<pubDate>Thu, 14 Jan 2010 16:39 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/9/0/3/1112903_Graham_Taylor_WME_Global__1_8_08_.jpg" />
</item>
<item>
<title>Hitting a Homerun</title>
<link>http://www.screendaily.com/reports/interviews/hitting-a-homerun/5009496.article?referrer=RSS</link>
<guid isPermaLink="true">http://www.screendaily.com/reports/interviews/hitting-a-homerun/5009496.article</guid>
<description>Daniel Yun is galvanising the Singapore film community with his latest venture — Homerun Pictures. He tell Liz Shackleton how he is setting up film funds with China and Australia and launching an international sales outfit</description>
<author>lizshackleton@gmail.com (Liz Shackleton) </author>
<pubDate>Fri, 8 Jan 2010 15:29 GMT</pubDate>
<enclosure type="image/jpeg" length="10000" url="http://www.screendaily.com/pictures/90xAny/6/8/1/1112681_Daniel_Yun.jpg" />
</item>
</channel>
</rss>
	