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<title>Fine tuning</title>
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<description>Movie acquisitions for US TV channels are steady but the picture will soon get more complex as studio output deals come up for renewal and SVoD players step up.</description>
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<pubDate>Tue, 27 Mar 2012 12:30 GMT</pubDate>
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<title>European pictures</title>
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<description>How are Europe’s broadcasters adapting their film acquisition policies in the face of changing consumer patterns and economic crisis?</description>
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<pubDate>Tue, 27 Mar 2012 11:31 GMT</pubDate>
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<title>Case Study: Titanic</title>
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<description>The UK-Canada-Hungary co-production for TV written by Julian Fellowes will be seen in more than 85 countries.</description>
<author>wendy.mitchell@screendaily.com (Wendy Mitchell) </author>
<pubDate>Tue, 27 Mar 2012 12:33 GMT</pubDate>
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<title>Case Study: Parade's End</title>
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<description>Tom Stoppard reteams with Shakespeare In Love producer David Parfitt for the BBC-HBO mini-series Parade’s End, which shot in the UK and Belgium.</description>
<author>sarah.cooper@screendaily.com (Sarah Cooper) </author>
<pubDate>Tue, 27 Mar 2012 11:32 GMT</pubDate>
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