European animation - Case Study: Arthur and the Invisibles - 'We had no clue how tough it was going to be'
In making Arthur And The Invisibles, Luc Besson (pictured) refused to accept the conventional wisdom that European animation was a cottage industry. It looks as if his gamble has paid off, with the film already scoring more than 6.2 million admissions in France. The aim now is to shoot the two sequels, Arthur And The Vengeance Of Maltazard and Arthur And The War Of Two Worlds back to back, taking advantage of economies of scale.
Continue reading – simply subscribe below
It takes just two minutes and you’ll immediately gain full access to ScreenDaily.com, PLUS Screen International monthly magazine delivered to your door.
Screen International Subscribers:
If you are a Screen International subscriber please sign in with your email address and click submit:
Not a Screen International subscriber?
Sign up today for immediate and complete access to screendaily.com and the monthly Screen International magazine for as little as £19.95 a month!
Find out more about all the benefits of a subscription to Screen International.