In the last few years, Hollywood has learned to play alongside TV in the Comic-Con sandbox. This year, it will have to settle for second best.
“I’d rather face reality than make movies about superheroes,” says the Narcos executive producer, who is currently tackling Brazil’s Petrobas scandal.
The director’s feature debut plays in competition at this year’s Jerusalem Film Festival.
This year’s expanded selection of short films in competition at Jerusalem Film Festival features a majority of women directors. Tom Grater finds out why.
Israeli directors and producers seek to meet all-important international partners at the festival’s annual Pitch Point event. Melanie Goodfellow reports
International sales companies and financiers are in town to get the first glimpse of new projects from the prestigious Sam Spiegel International Film Lab. Melanie Goodfellow reports.
The dynamic Jerusalem Film & Television Fund has a wide brief that includes attracting local and international production to the city and jump-starting its animation and VFX sectors. Geoffrey Macnab reports.
For a relatively small country, Israel boasts a multitude of film funds. Geoffrey Macnab discovers how vital these are to both local and international film-makers
Jerusalem Film Festival is paying tribute to late Israeli actress and director Ronit Elkabetz. Her friends and colleagues tell Melanie Goodfellow about their beloved collaborator.
The midpoint between Cannes and Toronto, Karlovy Vary (July 1-9) has still managed to carve out a winning niche. Tom Grater speaks to artistic director Karel Och about this year’s programme.
The UK team behind the new feature take on children’s classic Swallows And Amazons tell Tom Grater how the project set sail.
Celebrating its 20th anniversary, Bucheon International Fantastic Film Festival (July 21-31) has a new festival director and an expanded industry event. Jean Noh reports.
Virtual reality, SVoD and the return of the US networks to the documentary arena will be among the topics on the table at the 27th edition of Sunny Side Of The Doc (June 20-23). Melanie Goodfellow reports.
Riding high after its $1bn year in 2015, Imax is planning high-profile moves into original film production, one-off TV specials and virtual reality.
Photo-real humans are now regularly used in VFX-heavy films but ensuring it is seamless and invisible is a tricky business. John Hazelton reports.
A growing arsenal of immersive technologies is being deployed this summer by international exhibitors to tempt consumers off the sofa and into cinemas. Adrian Pennington reports.
From barefoot stars championing gender equality to the arrival of virtual reality and a noisy Palme d’Or debate, Melanie Goodfellow reflects on what went down on the Croisette this year.
Data analysis is changing the landscape of an industry in which experience and instinct are still heavily relied on, but the analysts argue more can be done.
As the world’s longest continually running festival marks a very special anniversary, Edinburgh’s artistic director Mark Adams talks Michael Rosser through this year’s energetic line-up and Wendy Mitchell spotlights the event’s Finland focus.
British Council supports a delegation of three emerging Cuban filmmakers, and one Colombian filmmaker with a Cuban project, to attend Sheffield Doc/Fest with their new works that explore Cuba in its moment of transition.
Annecy’s spectacular setting and convivial environment make it one of the most popular events on the circuit. But just how good is it for doing real business? Geoffrey Macnab reports.
Screen spoke to Sheffield Doc/Fest curator Mark Atkin about the festival’s Alternate Realities programme.
British Council partners with FilmLab: Palestine to send five Palestinian delegates to this year’s Sheffield Doc/Fest.
British Council partners with Sheffield Doc/Fest and Docudays UA on the training and mentoring programme.
Leading US independent distributors talk to Ben Roberts, director of the BFI Film Fund, about their film acquisitions strategies and what they look for in UK films.
Virtual reality looks set to be the next big thing in film-making. The programming and panels at the Marché’s annual NEXT event offered a glimpse of things to come.
The discussion at Screen’s VoD panel centred on the relative virtues of different platforms and subscription models, and why the industry remains tight-lipped on viewing figures.
With Doc Day talking place today, Laura Poitras speaks to Screen about her Cannes world premiere Risk and the thrill of working on short-form documentaries at her new company Field of Vision.
The Cannes Classics selection follows Billy Hayes, the subject of Midnight Express, as he returns to Turkey.
Selection of upcoming Palestinian projects to be presented at a Marché du Film Producers Network breakfast on Tuesday (May 17) in Cannes.
In a preview of his talk at Sundance Film Festival London on June 4, the American industry veteran looks at the challenges of how to define a film in the era of multi-platform content.
Screen profiles the world premieres at the 69th Cannes Film Festival as the global superstars of film take their place once again on the Croisette
With brother Pedro in Cannes Competition with Julieta, Agustin Almodovar reflects on their role as international producers and why he is less than thrilled with Spain’s film landscape. By Elisabet Cabeza
The full line-up of world premieres In Competition at the 69th Cannes Film Festival with details on each title including sales contacts.
The full line-up of world premieres Out of Competition at the 69th Cannes Film Festival with details on each title including sales contacts.
The full line-up of world premieres playing in Un Certain Regard at the 69th Cannes Film Festival with details on each title including sales contacts.
The full line-up of Directors’ Fortnight world premieres at the 69th Cannes Film Festival with details on each title including sales contacts.
The full line-up of Critics’ Week world premieres at the 69th Cannes Film Festival with details on each title including sales contacts.
The full line-up of world premiere Special Screenings at the 69th Cannes Film Festival with details on each title including sales contacts.
The full line-up of Midnight Screenings world premieres at the 69th Cannes Film Festival with details on each title including sales contacts.
Director John Cameron Mitchell brings Elle Fanning and Nicole Kidman to a seedy east London location for his latest feature, a punk-alien love story. Wendy Mitchell reports from the set
Vertical Entertainment has expanded from being a US distributor focused on independent releases to becoming an international player in global day-and-date distribution. Jeremy Kay reports
As Bac Films expands into English-language production, Melanie Goodfellow meets its ambitious CEO David Grumbach and discovers this is just the beginning for a company with big plans.
As wifi becomes increasingly available on airplanes, how is it changing the way we consume films and TV while travelling and what impact is this having on the airline rights business?
Investor confidence in the UK film industry is growing thanks to the country’s embedded tax credit and the efforts of an increasing number of dynamic private financers. Geoffrey Macnab reports
What do the cutbacks and restructuring at French media giant Vivendi mean for its film and TV arms, Studiocanal and Canal Plus, two of European film-making’s biggest backers?
While there is space in the market for the mid-budget, adult-oriented fare no longer pursued by Hollywood, buyers and agents warn against bringing a mediocre project. Jeremy Kay gauges the mood ahead of Cannes
Read Screen International’s Cannes Marche bumper product guide.
Find out who are the hottest upcoming agents from around the world.
Behind the scenes of the UK film and television industry 2016-17.
Download the digital edition of our Doha special.
DIGITAL EDITION: Showcasing the world’s film, TV and commercial locations.
Radical change is needed to redress the imbalance of female directors in the UK, according to a new report by Directors UK. But what does the industry make of the findings?
Screen International Presents: Cannes 2016 Product Guide
What happens in a year without Star Wars or Bond? On the eve of CinemaCon (April 11-14), John Hazelton looks at how US exhibitors plan to keep audiences visiting the big screen.
Among the most anticipated Spanish productions of the year are a Paleolithic period drama, the new Almodovar and a regal role for Penelope Cruz.
Who are the exciting new film-makers emerging from Spain? Elisabet Cabeza profiles seven to keep an eye on.
Mainstream Spanish films are thriving as TV broadcasters fill the gap in public funding. But at what cost to auteur film-making? Could a new Pedro Almodovar emerge now?
The cinema world’s growing love affair with TV will be more evident than ever at this year’s MIPTV.
Screen’s selection of MIPTV titles to look out for from both broadcasters and streaming players.
Browse Screen’s training features on visual effects, e-learning, EMBAs, diversity and the London Film School.
Huge numbers of people are working around the world in the rapidly expanding VFX and computer animation sector. But where is the next generation of specialised talent coming from?
E-learning initiatives are breaking down the economic and geographical barriers to training for European producers.
Film executives looking to hone their business smarts have a new EMBA in the UK to consider, created with Oscar-winning UK producer and former Hollywood chief David Puttnam.
The UK’s diversity challenge is being tackled by both film schools and high schools. Geoffrey Macnab reports on the efforts being made to ensure every child and teenager in the country considers the creative industries a viable career choice
As the London Film School celebrates its 60th anniversary, its director Jane Roscoe talks to Stuart Kemp about what sets the institution apart.
The AFCI Locations show in Los Angeles (April 21-23) is where the world’s film commissions come to catch the eye of Hollywood. John Hazelton gives the lowdown on how to get the most out of the event
The Latin American country’s spectacular locations, film-friendly environment and cash rebate are helping to win over an increasing number of international film-makers.
PROMOTIONAL FEATURE: Now in its fourth year, Film London’s Build Your Audience initiative is empowering UK producers to develop a tailored distribution plan for their projects.
As the UK industry eyes the end of the controversial Virtual Print Fee, Geoffrey Macnab looks at how well it has worked, and asks whether it has adversely affected foreign-language and specialist film distribution
A devastating loss of influence and financial support or a liberating release from knotty European regulations? Geoffrey Macnab plunges into the Brexit debate to explore the potential impact of a UK withdrawal from the EU on the country’s film industry.
Modest budget films are outperforming bigger budget fare in India, while Hollywood films doubled their market share in 2015.
UKTI’s presence at Hong Kong’s Filmart 2016 is helping the UK film industry make the most of the opportunities emerging from Asia.
Charles Gant chronicles the evolution of London’s long-running LGBT film festival.
An exciting crop of Hong Kong and mainland China projects are spotlighted by Liz Shackleton, who reports on the increasing efforts to support Cantonese-language film-making
Profiles of projects from the 14th Hong Kong - Asia Film Financing Forum (HAF).
Working with China is not easy but a year on from its much-vaunted treaty, UK producers are learning fast. Melanie Goodfellow looks at the increasing collaboration between the two countries.
Four decades on, Hong Kong International Film Festival has long introduced challenging Asian and international work to enthusiastic local audiences. Silvia Wong looks at how the event has evolved.
Hong Kong Filmart has evolved in line with Asia’s flourishing film businesses to become an event that is much more than buying and selling. Liz Shackleton reports.
Chinese investment is now racing into Hollywood and for once Hollywood is not in the driving seat. Liz Shackleton looks at what this means for the global film industry and discovers the smart money is now on the entrance of China’s tech giants.
Virtual reality (VR) was embraced in the European Film Market’s Startup Programme, now in its second year.
Screen talks to this year’s selection of European Shooting Stars.
SCREEN SUBSCRIBERS: Argentina looks ahead
SCREEN SUBSCRIBERS: From domestic crime thrillers to broad comedies about debauched youth, Jeremy Kay previews a selection of the most anticipated local productions poised for release this year.
SCREEN SUBSCRIBERS: Argentina is booming, with record admissions, dynamic directors making films local audiences are flocking to see, and widening global ambitions.
Screen profiles the features making their world premieres - and key international premieres - at the 66th Berlin Film Festival.
The full line-up of world premieres in Special Galas at the 66th Berlin Film Festival with details on each title including sales contacts.
The full line-up of world premieres in Panorama Documentaries at the 66th Berlin Film Festival with details on each title including sales contacts.
The full line-up of world premieres in Panorama at the 66th Berlin Film Festival with details on each title including sales contacts.
The full line-up of world premieres Out Of Competition at the 66th Berlin Film Festival with details on each title including sales contacts.
The full line-up of world premieres in Competition at the 66th Cannes Film Festival with details on each title including sales contacts.
A resurgence of interest in shooting on film is giving a new lease of life to international film labs.
Drones are increasingly being used by film-makers to achieve shots that would have previously been impossible.
PROMO FEATURE: UK Trade & Investment (UKTI) is gearing up for a raft of activities at the Berlinale’s European Film Market aimed at helping UK film-makers develop the relationships to succeed on an international level
Read Screen International’s Berlin European Film Market bumper product guide.
SCREEN SUBSCRIBERS: The UK’s VFX facilities are growing on the back of rising global demand. But how is the pressure to meet deadlines affecting business models and employees?
SCREEN SUBSCRIBERS: The Irish film industry is walking tall thanks to the success of Brooklyn and Room, and a record seven titles launching at Sundance. Tom Grater looks at how Ireland aims to build on its creative prosperity.
The Sundance plays made by Fox Searchlight for The Birth Of A Nation and Amazon for Manchester By The Sea will be hot topics at the European Film Market (EFM). Jeremy Kay explores what the deals mean for the independent sector.
Long before the #OscarsSoWhite furore ignited, the British Film Institute had thrown down the gauntlet to the film industry with its new and extended diversity standards. Are the provisions on their own enough to bring more varied faces and stories to UK screens and meeting rooms?
As Alex Garland’s Ex Machina vies for five Baftas and two Oscars, the film-makers look back on its production and debate the pros and cons of an international release strategy that saw the sci-fi film become a sleeper hit in the US. Mark Salisbury reports.