Awards season blues: films fighting films Subscription Required

11-Mar-2010 | By Mike Goodridge

Now that the awards season is over, it’s time to get back to judging films on their own merits, rather than creating artificial battles.

David versus Goliath Subscription Required

4-Mar-2010

As the Oscars approach, the showdown between Avatar and The Hurt Locker has tapped into a wider issue

Pamela Forte

Collaborating on film development - Why trust doesn’t come into it Subscription Required

25-Feb-2010

Media lawyer, Pamela Forte of Forte Law, explains why trust is no substitute for a legally binding agreement when it comes to collaborating on feature film development material.

Mike Goodridge

A window to the future Subscription Required

25-Feb-2010 | By Mike Goodridge

Exhibitors have survived many technological advances but they are now facing an even tougher challenge; a generation that demands movies instantly and is indifferent to whether that is on a big screen or iPod.

Mike Goodridge

Berlin: Balance Shifts Back To Independents Subscription Required

18-Feb-2010 | By Mike Goodridge

The imminent collapse of the independent sector, loudly predicted at last year’s Berlin, has not only failed to materialise; this year’s festival suggest is may even benefit from the crumbling studio model.

Mike Goodridge

The price of festivals Subscription Required

4-Feb-2010 | By Mike Goodridge

Film festivals may not be cheap to attend but, on a cultural level, they still have an important role to play in screening ambitious and challenging films that struggle to find mainstream distribution.

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Box office

Global: March 05-07

  • 1Alice In Wonderland ($211.4m)
  • 2Shutter Island ($31.4m)
  • 3Avatar ($31m)
  • 4Percy Jackson & The Olympians: The Lightning Thief ($14.5m)
  • 5Brooklyn's Finest ($13.4m)
  • 6Cop Out ($9.3m)
  • 7Valentine's Day ($9.2m)
  • 8The Crazies ($8.2m)
  • 9Doraemon The Movie: Nobita's Mermaid Legend ($6.1m)
  • 10The Wolfman ($5.8m)

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