Drama about a young man who returns home after serving time in prison, but is not forgiven by the local community, played in Directors’ Fortnight.
The film was the first ever Punjabi-language to feature in a competitve section of the festival.
Korean director Shin Su-won is following up her second feature fiction film Pluto - a gritty high school thriller that won a Special Mention at the 2013 Berlinale - with Madonna in Un Certain Regard.
Taiwan has a tendency to get under the skin of visiting film-makers. Just ask Luc Besson and Isao Yukisada.
Marco Mueller, general advisor to the Beijing International Film Festival, talks to Liz Shackleton about Chinese audiences, censorship and positioning the fledgling festival as a bridge between the China market and the rest of the world.
Filmart is the centre of the world for global buyers and sellers focused on Asian content. As it enters its 19th edition, Louise Tutt examines its enduring appeal.
Liz Shackleton spotlights the hottest productions at Hong Kong Filmart.
Sales agents from South Korea are in town with a line-up of intriguing character-driven dramas, period action titles and offbeat stories. Jean Noh profiles a selection
Get all the exclusives, reviews, features and screening times from the Hong Kong International Film & TV Market (Filmart).
Screen Editor Matt Mueller looks ahead to this year’s festival… and beyond.