All Screen articles in 05 May 2011 – Page 2
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FeaturesCannes 2011 film profiles: Directors Fortnight & Critics Week
The low-down on all the films in Directors’ Fortnight & Critics Week, with international sales contacts for each project.
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FeaturesCannes 2011 film profiles: Competition, Out of Competition and Un Certain Regard
Screen profiles the competition and out of competition films as well as Un Certain Regard titles, with international sales contacts for each project.
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Features
Cannes films on Screenbase
See Cannes selections on our newly redesigned European production database, Screenbase.
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FeaturesStay tuned for all the buzz on the Palme d'Or race
Welcome to Screen’s new Cannes 2011 Competition blog.
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FeaturesThe French 50
France has a dynamic film industry with a global outlook, and its leading players will all be in Cannes. Screen profiles the industry insiders, producers, distributors, sales companies and financiers it pays to know
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Features
Down but not out
Without Avatar or Alice In Wonderland to set the pace, the first quarter global box office in 2011 was down on 2010. Screen examines what the numbers reveal.
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Features
Sellers gain from capital
Access to capital is the key for top-tier sales agents to secure A-list projects in today’s ultra competitive, slimmed-down marketplace.
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FeaturesStrong arm of the law
Sylvie Barnaud must be one of the most credited police chiefs in the history of IMDb. Julie & Julia and The Da Vinci Code are just two of the productions to mention the Paris-based police commander for her help during shoots.
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FeaturesParis when it sizzles
After one false start in 2006, Woody Allen has finally made a film in Paris, which has been selected to open Cannes this year. Melanie Goodfellow discovers how the master film-maker shot all over the city last summer
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Features
Fund times in Europe
What do producers really think about the manner in which national funds choose projects and allocate money? Screen profiles a selection of European bodies and gauges local opinion on how they operate. We also look at the role played by public bodies in Canada and Australia in supporting film production
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FeaturesMobilising for MEDIA
The future role of the European Union’s MEDIA programme in the continent’s film industry remains unclear following plans to restructure arts spending in Europe. Martin Blaney reports
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Features
Something to defend
As the British Film Institute takes over the distribution of public film funds to UK producers, Screen asks what makes a good national film fund and how can success be measured?
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FeaturesMiramax's third act
Well-respected former Fox executive Mike Lang is making an impression at the head of the newly re-independent Miramax Films. He talks to Jeremy Kay about exploiting the library, rebooting production and working with the Weinsteins
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FeaturesOn Egypt's front lines
Young Egyptian film-makers are emerging to portray their lives on the big screen. As Cannes prepares to pay tribute to Egypt as its first guest country, Screen asks if there is a market and finance for this new Arab generation
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Features
The new European studios
What has happened to the dream of a European studio? Screen looks at the new model for pan-regional buying partnerships and discovers the challenges in releasing independent films across multiple territories
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FeaturesThe world from Wilshire
UTA independent film group is using its international insight to connect film-makers to innovative financing partners. Screen talks to Rena Ronson and Rich Klubeck about comedies, co-productions and Cannes
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NewsFilm Factory takes international sales rights to thriller The Path
Spanish outfit Film Factory Entertainment has picked up international sales rights to Miguel Angel Toledo’s hotly anticipated feature debut The Path (La Senda), co-written with Juan Carlos Fresnadillo.
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NewsWe Believed takes seven awards at Italy's Davids
Daniele Luchetti’s Our Life (La Nostra Vita) wins best director; 20 Cigarettes also honoured.
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NewsCannes adds new films from Jafar Panahi, Mohammad Rasoulof
Good Bye added to Un Certain Regard; This Is Not A Film will be a Special Screening.
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News
Cinemavault brings two new thrillers to Cannes market
Toronto-based Cinemavault has acquired international rights to the crime-thriller A Violent State [pictured] and sci-fi thriller Recreator.
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