Why Reggie Yates won’t let a mid-shoot shutdown kill the vibe on his directorial debut ‘Pirates’ | Features | Screen

Skip to main content
Skip to navigation

Home
News
- Back to parent navigation item
- News
- Production
- Distribution
- Funding
- Streaming
- Exhibition
- Sales
- Staff moves
- TV
- Box office
- Territories
  - Back to parent navigation item
  - Territories
  - UK & Ireland
  - North America
  - Europe
  - Asia Pacific
  - Middle East & Africa
Reviews
- Back to parent navigation item
- Reviews
- Territories
  - Back to parent navigation item
  - Territories
  - UK & Ireland
  - North America
  - Europe
  - Asia Pacific
  - Middle East & Africa
- Festivals
  - Back to parent navigation item
  - Festivals
  - Cannes
  - Berlin
  - Sundance
  - Toronto
  - Venice
  - More
Features
Festivals
- Back to parent navigation item
- Festivals
- Europe
  - Back to parent navigation item
  - Europe
  - Cannes
  - Berlin
  - Venice
  - Rotterdam
  - Karlovy Vary
  - Locarno
  - CPH:DOX
  - Sarajevo
  - San Sebastian
  - Tallinn
- North America
  - Back to parent navigation item
  - North America
  - Toronto
  - AFM
  - Sundance
  - SXSW
  - Tribeca
- UK
- Asia Pacific
  - Back to parent navigation item
  - Asia Pacific
  - Busan
  - Tokyo
  - Filmart
- Middle East
  - Back to parent navigation item
  - Middle East
  - Jerusalem
  - Cairo
  - Red Sea
Box Office
- Back to parent navigation item
- Box Office
- Box Office Reports
  - Back to parent navigation item
  - Box Office Reports
  - International
  - UK
  - US
- Analysis
Awards
Subscribe
Stars of Tomorrow
Berlin jury grid

Reggie Yates on the set of 'Pirates'.

Reggie Yates and crew on the set of 'Pirates'