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Latest – Page 200
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FeaturesProducer Frank Doelger talks life after 'Game Of Thrones' as he preps 'The Swarm'
Doelger spoke about his new role as creative director at Germany’s Intaglio Films.
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FeaturesHow Bruna Papandrea is powering her production outfit with female-centric content
Her TV and film slate at Made Up Stories includes ‘The Undoing’ and ‘The Vanity Fair Diaries’.
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FeaturesAn industry in flux: five top commissioners discuss Europe's TV drama market
Screen speaks to commissioners from five key European territories.
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FeaturesQ&A: Piers Wenger, controller of drama commissioning, BBC
Upcoming BBC commissions including ‘A Suitable Boy’ and ‘Dark Mon£y’.
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FeaturesQ&A: Anna Croneman, Head of drama, SVT
Croneman’s credits as producer include Emmy-nominated ‘Kronprinsessan’.
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FeaturesQ&A: Fabrice de la Patelliere, Head of drama, Canal Plus
Canal Plus’ Creation Originale label has worked on ‘Versailles’ and ‘The Bureau’.
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FeaturesQ&A: Fernando Lopez Puig, Head of drama, Radio Television Espanola
Lopez was recently promoted to RTVE head of content, channels and production.
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FeaturesQ&A: Heike Hempel, Deputy director of programmes, ZDF
Heike has produced TV movies including ‘Dresden’ and ‘Generation War’.
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FeaturesWatch out Netflix? How Apple TV+, WarnerMedia and Disney+ could shake up the SVoD landscape
The streaming wars are about to kick off in the US, but only a few brave souls are willing to predict the winners.
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FeaturesHow Europe is addressing skills shortages to keep up with the production boom
Film production has grown 50 percent over the past decade.
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FeaturesThe MoviePass effect: is the cinema subscription model here to stay?
Screen profiles the companies following in the footsteps of MoviePass.
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FeaturesCan EIS funding still be used successfully for film?
Changes in the UK’s approach to financing have caused many to question whether the EIS funding mechanism still has any relevance to the film industry.
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FeaturesAi Weiwei talks new doc 'The Rest', criticises global film industry for working with China
Chinese artist and filmmaker’s new project is a follow-up to Human Flow and will premiere at CPH:DOX festival.
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FeaturesItalian producers of 'The Name Of The Rose' explain how the English-language TV series came together
”We could have shot in Latin but really I don’t think it would have brought any added value.”
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FeaturesThe rise of TV festivals: can the industry keep up?
Series Mania and Canneseries start within a week of each other.
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FeaturesCPH:DOX 2019: Festival chief talks Europe, gender equality and testing the appetite for fiction films
The doc-focused event opens today in Copenhagen.
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FeaturesFilmart: Wayne Chang on moving into international co-production with GaragePlay
Chang set up GaragePlay in 2012.
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FeaturesFilmart: how Hong Kong's One Cool Film Production found its feet
The company launched in 2013
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FeaturesVue CEO Tim Richards: "No industry can stand still"
Richards wrote an open letter to Bafta protesting Netflix’s win for ‘ROMA’.
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FeaturesCannes 2019: who’s in the running?
Screen has been talking with producers, sales agents, distributors and territory experts to find out what could be ready for Cannes 2019.