Top stories

  • Highest-grossing summer ever pushes UK-Ireland box office ahead of 2019

  • ‘The Echo Chamber’ review: Andrea Pallaoro turns Bernardo Bertolucci’s final script into precise, somewhat odd study of love and dependency

  • May el-Toukhy says #MeToo advances have rolled back amid Venice gender imbalance

  • ‘Possible Love’ review: Lee Chang-dong explores class, desire and exploitation in powerful Venice competition return

  • Venice day 5: Which Italian films could make a splash? - The Screen Podcast