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Market news

  • Greece set as Cannes Marché du Film 2027 country of honour

  • Director-producer Garrett Patten talks Cannes market, TBK Productions’ slate

  • 193 inks Cannes market deals on ‘Brigands’, ‘Bitcoin’ and more

  • Japanese stop-motion animation ‘The Bear Hunter’ set as first feature from Taiyo Kikaku

  • ‘Missing Child Videotape’ director Ryota Kondo readies fresh horror ‘Afunruparo’

  • Cesc Gay’s Spanish romantic comedy woos buyers for Filmax

  • Park Chan-wook’s ‘The Brigands Of Rattlecreek’ set for Warner Bros Clockwork in North America

  • Iraqi Film Fund forges major partnership with pan-Arab studio MAD Solutions

  • Key Asian titles secure strong business at Cannes market

  • Concourse closes key sales in Cannes on romantic comedy ‘Vision Board’, starring Lucy Hale

Market features

  • Cannes TPs 2026

    Seven talking points from Cannes 2026: Market perks up, Dogma returns, AI moves in

  • Clay Epstein

    “My risk-aversity has contributed to my longevity,” says Clay Epstein of 10 years of Film Mode

  • 'Carte Blanche'

    Cannes market 2026: 15 buzz titles from Europe

TOP STORIES ON SCREENDAILY

  • The Death Of Robin Hood

    ‘The Death Of Robin Hood’ review: Hugh Jackman is the tortured ageing outlaw in sombre, uninspired drama

  • (L-R): Labrador – Autopsy Of Silence, Jail Time Records

    ‘Labrador – Autopsy Of Silence’, ‘Jail Time Records’ earn three Tribeca awards apiece

  • Low Expectations

    ‘Low Expectations’ rides high with multiple fresh territory deals after Cannes debut

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