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Market news

  • Japanese stop-motion animation ‘The Bear Hunter’ set as first feature from Taiyo Kikaku

  • ‘Missing Child Videotape’ director Ryota Kondo readies fresh horror ‘Afunruparo’

  • Cesc Gay’s Spanish romantic comedy woos buyers for Filmax

  • Park Chan-wook’s ‘The Brigands Of Rattlecreek’ set for Warner Bros Clockwork in North America

  • Iraqi Film Fund forges major partnership with pan-Arab studio MAD Solutions

  • Key Asian titles secure strong business at Cannes market

  • Concourse closes key sales in Cannes on romantic comedy ‘Vision Board’, starring Lucy Hale

  • Ventana Sur unveils dates for 2026 Montevideo edition

  • Anonymous Content pledges to double number of European productions

  • Koreeda’s Bunbuku teams with Johnny Depp’s IN.2 Film on Kohki Hasei’s ‘Kutheran’

Market features

  • Clay Epstein

    “My risk-aversity has contributed to my longevity,” says Clay Epstein of 10 years of Film Mode

  • 'Carte Blanche'

    Cannes market 2026: 15 buzz titles from Europe

  • 'The Conviction'

    Cannes market 2026: 15 buzz titles from France

TOP STORIES ON SCREENDAILY

  • 'I See Buildings Fall Like Lightning'

    ’I See Buildings Fall Like Lightning’ wins Directors’ Fortnight audience award

  • 'La Bola Negra'

    ‘La Bola Negra’ review: Penelope Cruz and Guitarricadelafuente star in sprawling exploration of Spain’s queer culture

  • Victorian Psycho

    ‘Victorian Psycho’ review: Maika Monroe is gloriously gonzo in fun, feminist 19th-century horror

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