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By Frank Hatherley2007-03-07T11:40:00
Rolf De Heer, perhaps relaxing from the extreme directorial hardships of last year's Ten Canoes and the grim themes of The Tracker (2002) and Alexandra's Project (2003), has with Dr Plonk produced a featherweight comic curiosity. The result is a silent, monochromatic, fixed-camera homage to early slapstick film-making that transmits ...
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