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‘The Housemaid’ review: Amanda Seyfried and Sydney Sweeney play dirty in schlocky adaptation
Paul Feig directs a dull, style-over-substance adaptation of Freida McFadden’s viral novel
‘Early Days’ review: Elegant Mumbai-set debut explores intrusive impact of social media
Red Sea New Visions title is a strong calling card for writer/director Priyankar Patra
‘Kwibuka, Remember’ review: Earnest, dutiful drama sees a basketball star return to her Rwanda home
Sonia Rolland stars in Jonas D’Adesky’s second feature, which screens in Red Sea
‘Barni’ review: A missing girl leads to new horizons in ambitious, sentimental Somali debut
Mohammed Sheikh’s feature follows the search for a missing child from a quiet Somali village to the big city
‘Black Rabbit, White Rabbit’ review: Audacious, ambitious Tajiki time-loop drama unfolds in film studio
Chosen as Tajikistan’s official Oscar submission, Shahram Mokri’s feature now plays Red Sea Competition
‘A Sad And Beautiful World’ review: Lebanon’s Oscar hopeful is appealing, soulful romance
The debut feature from Cyril Aris follows a Lebanese couple over three decades
‘Sink’ review: Visually striking Jordanian debut offers authentic depiction of mental illness
The first feature from Screen Arab Star Of Tomorrow Zain Duraie now plays Red Sea competition
‘Nighttime Sounds’ review: Confident, lyrical drama focuses on marginalised women in rural China
Zhang Zongchen’s follow-up to ‘The Last Farewell’ now plays in Red Sea competition
‘El Sett’ review: Reverential, heavy-handed biopic of Egyptian singer Umm Kulthum
Lavish production from ’The Yacoubian Building’ director Marwan Hamed premieres in Marrakech
‘Sophia’ review: Jessica Brown Findlay stars in Dhafer L’Abidine’s accessible Tunisian thriller
L’Abidine also stars in this workmanlike thriller, which premieres as a Marrakech Gala screening
‘A Place For Her’ review: Strong, immersive social drama unravels in a Parisian women’s support centre
Mélisa Godet’s debut feature is powered by an authentic approach and a raft of strong performances
‘First Light’ review: A nun wrestles with her faith in assured, precisely crafted Philippines-set debut
The confident first feature from Australian director James J Robinson plays Marrakech competition
‘Behind The Palm Trees’ review: Formulaic Moroccan love triangle drama bolstered by strong performances
Meryem Benm’Barek’s second feature makes its debut in Marrakech competition
‘Tere Ishk Mein’ review: Tamil star Dhanush stars in glossy, engaging Bollywood love story
Aanand L Rai’s feature debuts at IFFI Goa alongside a day and date rollout across various territories
‘Gondhal’ review: An Indian wedding party turns sour in polished Marathi-language debut
Santosh Davakhar’s impressive first feature premieres in Goa competition
‘White Snow’ review: Deceptively powerful Kashmiri drama celebrates freedom of expression
Praveen Morchhale’s fifth feature is based on a real incident and makes its debut in Goa’s Indian Panorama
‘Vanya’ review: An elderly man fights forced relocation in timely, uneven Indian drama
The latest from Badiger Devendra features a strong central performance from Vaijanath Biradar
‘Whispers Of The Mountains’ review: Balanced drama explores cost of mining in northwest India
Jigar Nagda’s quietly agitating feature premieres in Goa and revolves around a mute pre-teen boy
‘Shape Of Momo’ review: Stirring, authentic drama sees a woman return to her Indian home village
Tribeny Rai’s impressive debut is both culturally specific and universally recognisable
‘Hercules Falling’ review: Dar Salim is phenomenal as a troubled war veteran in powerful Danish drama
Christian Bonke’s drawn-from-real-life drama was named Best First Feature at Tallinn
