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‘Derek Vs Derek’ review: A British farming feud roots gentle environmental documentary
James Dawson’s appealing, insightful film bows in Thessaloniki Documentary Film Festival
‘Sinsin And The Mouse’ review: Verbose, meandering two-hander sees strangers connect in Taipei
Yukinori Makabe’s Glasgow Film Festival premiere is adapted from a short story by Banana Yoshimoto
‘Sentient’ review: Powerful, challenging exploration of biomedical animal testing
Tony Jones’ hot-button film plays Thessaloniki Documentary Film Festival after a Sundance premiere
‘Peaky Blinders: The Immortal Man’ review: Cillian Murphy returns as Tommy Shelby in rousing period actioner
Barry Keoghan and Rebecca Ferguson also star in feature set in 1940, six years after the events of the show’s sixth season
‘Psalms Of The People’ review: Affectionate portrait of Gaelic psalm singer Rob MacNeacail
Jack Archer’s film premieres at Glasgow Film Festival
‘500 Miles’ review: Bill Nighy and Maisie Williams star in mawkish Irish drama
Overly-sentimental adaptation of Mark Lowery novel premieres at Dublin
‘Molly Vs The Machines’ review: Emotional docu-drama explores the insidious threat posed by social media
Marc Silver’s film premieres at Glasgow before a UK theatrical run and broadcast on Channel 4
‘Forever Is Now’ review: Immersive, balanced portrait of Ireland Green Party leader Eamon Ryan
Neasa Ni Chianain’s fly-on-the-wall documentary follows 18 months in Ryan’s professional and personal life
‘Samanta Nobody’ review: A homeless girl struggles to make her way in muted Irish drama
Ciaran Creagh’s Dublin title stars newcomer Ruby Jean Lennon as the down-on-her-luck protagonist
‘Once Upon A Time In A Cinema’ review: Dublin opener is nostalgic drama set in 1980s Limerick
David Gleeson bases his feature on his own experiences growing up in a family of Irish cinema owners
‘Rose’ review: Sandra Hüller is phenomenal in arresting character study set in 17th-century Germany
Markus Schleinzer’s black-and-white Berlin Competition title also stars impressive newcomer Caro Braun
‘The Education Of Jane Cumming’ review: Real-life 19th-century scandal inspires elegant, toothless period drama
Sophie Heldman’s second feature is set in an all-girls Scottish boarding school
‘The Red Hangar’ review: Tightly-controlled 1970s Chilean thriller proves powerfully timely
Juan Pablo Sallato’s impressive feature debut takes place at the beginning of the Pinochet regime
‘La Belle Année’ review: Delicate documentary follows a Swedish-French woman revisiting her past
Filmmaker Angelica Ruffier’s personal debut won Rotterdam’s Special Jury Prize
‘Master’ review: An idealistic politician is corrupted in assured, slow-burn Bangladeshi drama
Rezwan Shahriar Sumit’s second feature was named Rotterdam’s Big Screen competition winner
‘Variations On A Theme’ review: Rotterdam Tiger winner is intimate South African doc-fiction
Jason Jacobs and Devon Delmar follow ’Carissa’ with community drama set in the country’s Kamiesberge region
‘Moonglow’ review: Isabel Sandoval directs and stars in underpowered Filipino neo-noir
Police corruption procedural bows in Rotterdam’s Big Screen Competition
‘Supporting Role’ review: Georgian star Dato Bakhtadze anchors fluid, tragi-comic Tbilisi-set drama
Ana Urushadze’s follow-up to ’Scary Mother’ debuts in Rotterdam’s Tiger competition
‘Projecto Global’ review: Dynamic Portuguese drama stars an impressive Jani Zhao as real-life 1980s rebel
Ivo M Ferriera’s knowing, nostalgic feature bows in Rotterdam’s Big Screen Competition
‘Butterfly’ review: Renate Reinsve crackles in intriguing but tonally frustrating Gran-Canaria set drama
The Rotterdam Big Screen competition title reunites Reinsve with her ‘The Worst Person In The World’ co-star Helen Bjornesby
