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‘You’ll Never Believe Who’s Dead’ review: A Sligo family attempts to pull off a Christmas heist in raucous Irish black comedy
Dallan Shovlin’s entertaining debut stars Ardal O’Hanlon, Michelle Fairley and Stephen Rea, and premieres at Galway Film Fleadh
‘Learning To Breathe Under Water’ review: Winning Irish heartwarmer takes a child’s eye view of healing from grief
Rory Kinnear, Maria Bakalova and Ezra Carlisle impress in Rebekah Fortune’s well-observed feature
‘Try!’ review: Crowd-pleasing Irish doc celebrates the community spirit of Mixed Ability Rugby
Oisín Mistéil’s heartfelt film plays Galway after a Sheffield DocFest premiere
‘Rain Catcher’ review: A London street photographer loses his grip on reality in intriguing, twisty neo-noir
Dudley O’Shaughnessy impresses in Michele Fiascaris debut feature, premiering in Karlovy Vary’s Proxima competition.
‘Hijamat’ review: Jafar Panahi produces Nader Saeivar’s disjointed study of a Turkish immigrant family in Berlin
The fourth feature from Panahi collaborator and It Was Just An Accident co-writer Saeivar premieres in Karlovy Vary competition
‘Our House’ review: Galway opener is lively, unbalanced Northern Irish home invasion thriller
Peter Young’s promising feature debut stars Hannah McClean, Michael Shea and Andy Doherty
‘Black Money For White Nights’ review: Absurdist drama reckons with Bulgaria’s culture of corruption
Directors Kristina Grozeva and Petar Valchanov return to Karlovy Vary following their Crystal Globe-winning The Father
‘The Lion At My Back’ review: Cypriot migrant drama is anchored by persuasive performances
Tonia Mishiali’s second feature makes its debut in Karlovy Vary’s Crystal Globe competition
‘Bearhunting’ review: A real-life 19th century bear hunt fuels underpowered German satire
The second feature from Peter Meister will release in Germany in August, following plays at Munich and Shanghai
‘The Guest’ review: Trine Dyrholm is magnetic at the heart of knotty Danish domestic drama
Mads Mengel’s feature debut premieres in Karlovy Vary’s Crystal Globe competition
‘Block 10’ review: Harrowing Holocaust drama sheds light on Nazi sterilisation experiments
Marcus O Rosenmüller’s unflinching feature premieres in Munich’s Spotlight strand
‘Echo Of Tomorrow’s War’ review: Germany’s past seems destined to repeat itself in timely family drama
Nicolas Ehret’s poignant feature debut bows in Munich’s New German Cinema strand
‘The Miserable Mother’ review: German musical comedy is wry, sincere study of new motherhood
Susanne Heinrich’s follow-up to ‘Aren’t You Happy?’ plays Munich’s New German Cinema strand
‘Identitti’ review: A university student wrestles with identity issues in uneven German drama
Amanda Babaei Vieira and rapper Sabrina Setlur star in Randa Chahoud’s adaptation of Mithu Sanyal’s bestseller
‘The Violinist’ review: Annecy Cristal winner is sedate, traditional Singapore-set animation
Dir. Ervin Han, Raúl García. Singapore/Spain/Italy. 2026. 114mins
‘Blaise’ review: Droll French animation follows an introverted teen and his dysfunctional parents
Dimitri Planchon and Jean-Paul Guigue’s follow-up to their popular TV series premieres in Annecy
‘Julián’ review: Latest animation from Ireland’s Carton Saloon is vibrant Brooklyn-set coming-of-age drama
Louise Bagnall’s feature debut makes its bow at Annecy
‘Rogue Trooper’ review: Duncan Jones adapts 2000 AD comic strip into eccentric, entertaining animated actioner
Aneurin Barnard, Jack Lowden and Hayley Atwell lend their voices to Jones’s Annecy premiere
‘Lionel’ review: Tender, understated Spanish father-son drama draws from real life
Carlos Saiz’s small-scale feature debut won Transilvania’s top prize
‘Lucy Lost’ review: Charming, playful animated adaptation of Michael Morpurgo novel ‘Listen To The Moon’
Olivier Clért’s feature debut plays Annecy competition following its Cannes premiere
