Latest
‘No Rest For The Old Lady’: Transilvania Review
Two old friends find their relationship tested in Andrei Gruzsniczki’s sensitive fourth feature
‘Ride The Wave’: Galway Review
Young Scottish surfer Ben Larg tries to make a spash on the international stage in Martyn Robertson’s warm documentary
‘Who We Love’: Galway Review
An Irish schoolgirl is targeted for her sexuality in Graham Cantwell’s coming-of-age drama
‘Foscadh (Shelter)’: Galway Review
Sean Breathnach’s feature debut is the Irish-language tale of an isolated man forced to venture into the world
‘Pure Grit’: Galway Review
Kim Bartley spends three years on Wyoming’s Wind River reservation for a poignant study of Native American life
‘Spiral’: Transilvania Review
Romanian-Hungarian director Cecília Felméri makes a confident debut with this atmospheric thriller
‘#dogpoopgirl’: Transilvania Review
Andrei Hutuleac’s sparky debut wraps sharp social commentary in absurdist comedy
‘The Campaign’: Transilvania Review
Marian Crisan gently explores political corruption through the experiences of a Romanian politician in a backwater town
‘That Was Life’: Transilvania Review
A septuagenarian Spanish woman discoveres a new lease on life in David Martin de los Santos’s touching debut
‘Black Medicine’: Galway Review
A black market doctor faces a terrible choice in Colum Eastwood’s confident debut
‘Love Yourself Today’: Galway Review
Irish singer/songwriter Damien Dempsey takes centre stage in this rousing documentary
‘The Invisible Mountain’: FIDMarseille Review
Experimental filmmaker Ben Russell takes the viewer on a physical and spiritual journey through Finland
‘Husek’: FIDMarseille Review
Daniela Seggiaro explores the plight of Argentina’s indigenous population in this real-world fable
‘The Dust Of Modern Life’: FIDMarseille Review
Germany’s Franziska von Stenglin makes a strong feature debut with this documentary following a Vietnamese villager
‘Orpheus’: FIDMarseille Review
Prolific young director Vadim Kostrov bases his fourth film on his own life in Putin’s Russia
‘Blue Bayou’: Cannes Review
Justin Chon takes a step up in this Focus Features tearjerker co-starring Alicia Vikander
‘The Innocents’: Cannes Review
Eskil Vogt constructs a whole new playground in compelling Un Certain Regard drama
‘The Gravedigger’s Wife’: Cannes Review
The business of life and death in Dijibouti City forms the basis for this Critics Week title
‘Death Knot’: Udine Review
Indonesian genre outing marks a strong - if low-budget - debut for Cornelio Sunny
‘Before Next Spring’: Udine Review
A bright ensemble cast tackles the ups and downs of Chinese students in Japan
