![[Clockwise from top left]: 'The Voice Of Hind Rajab', 'A House Of Dynamite', 'Jay Kelly', 'After The Hunt', 'The Smashing Machine'](https://d1nslcd7m2225b.cloudfront.net/Pictures/274x183/1/7/0/1459170_veniceawards_837515.jpg)
Latest
‘Another Birth’ review: Lyrical Tajikistan drama sees a young girl search for a mythical creature
Busan competition title is first in intended trilogy from US-based Tajik filmmaker Isabelle Kalandar
‘Baka’s Identity’ review: A trio of Japanese internet scammers attempt to escape their life of crime
Koto Nagata’s low-key crime thriller premieres in Busan Competition
‘Downton Abbey: The Grand Finale’ review: Change comes to the Abbey in nostalgic final hurrah
Director Simon Curtis and writer Julian Fellowes serve up a familiar formula of scandal and sentimentality
’Highway 99: A Double Album’ review: Ethan Hawke pays tribute to country legend Merle Haggard
Sprawling Telluride premiere assembles a wealth of stars to perform Haggard’s songs and discuss his impact
‘The Tale Of Silyan’ review: Tamara Kotevska follows ‘Honeyland’ with portrait of Macedonian farmer
Lyrical hybrid documentary charts the highs and lows of rural life in modern Macedonia
‘Our Time Will Come’ review: Sarajevo documentary winner is study of interracial love in Vienna
Ivette Löcker follows an Austrian woman and a Gambian man as they navigate their relationship
‘9-Month Contract’ review: Powerful documentary explores Georgia’s exploitative surrogacy industry
Director Ketevan Vashagashvili sensitively follows a single mother through her third surrogate pregnancy
‘Phantoms Of July’ review: Past and present collide in breezy absurdist German comedy drama
Julian Radlmaier’s latest plays Sarajevo after premiering in Locarno
’North South Man Woman’ review: North Korean women seek South Korean husbands in illuminating documentary
Morten Traavik and Sun Kim’s clear-eyed film follows the highs and lows of love across the cultural divide
‘Reality Is Not Enough’ review: Entertaining portrait of Scottish writer Irvine Welsh covers familiar ground
Paul Sng’s creative, confessional documentary closes Edinburgh
‘White Snail’ review: Delicate Belarusian debut narrative feature focuses on two lonely souls
Filmmakers Elsa Kremser and Levin Peter work with non-professional cast in a story about a model and a morgue worker
’Yakushima’s Illusion’ review: Vicky Krieps stars in Naomi Kawase’s humanistic Japanese hospital drama
Writer/director Kawase presents a delicately-handled study of the country’s challenging organ donation landscape
‘Two Seasons, Two Strangers’ review: Locarno Golden Leopard winner is poetic drama from Japan’s Sho Miyake
A Korean writer searches for creative and romantic fulfilment in Japan
‘Low Rider’ review: LGBTQ+ drama follows a young British woman on a South African roadtrip
Director Campbell X follows-up ’Stud Life’ with this overstuffed feature
‘Once You Shall Be One Of Those Who Lived Long Ago’ review: Bittersweet portrait of a declining Swedish mining town
Documentary follows the few remaining residents of Malmberget in northern Sweden
‘Novak’ review: Zlatko Buric’s convincing mad scientist elevates this offbeat Greek debut
Harry Lagoussis’s ambitious feature premieres in Edinburgh competition
‘Blue Film’ review: UK rising star Kieron Moore impresses in provocative, uneven US debut
Elliot Tuttle’s Los Angeles-based camboy drama bows in Edinburgh competition
‘On The Sea’ review: Helen Walsh follows ‘The Violators’ with sensitive Welsh LGBTQ+ drama
The novelist/filmmaker’s second feature stars Barry Ward and Lorne MacFadyen
‘Mortician’ review: Sensitive, slow-burn drama follows two Iranian exiles in Canada
Abdolreza Kahani’s latest stars Nima Sadr and singer Golazin Ardestani
‘Best Boy’ review: A bizarre family contest unveils dark secrets in Canadian woodland thriller
Jesse Noah Klein’s genre-bending feature premieres in Edinburgh competition
