![[Clockwise from top left]: 'The Voice Of Hind Rajab', 'A House Of Dynamite', 'Jay Kelly', 'After The Hunt', 'The Smashing Machine'](https://d1nslcd7m2225b.cloudfront.net/Pictures/274x183/1/7/0/1459170_veniceawards_837515.jpg)
Latest
‘We Are The Fruits Of The Forest’ review: Compelling Rithy Panh doc follows Cambodia’s Indigenous Bunong people
The documentarian’s latest film was shot over four years and premieres in Tokyo competition
‘Love Me Tender’ review: Vicky Krieps gives an intense performance in uneven Paris-set LGBTQ+ drama
Anna Cazenave Cambet’s second feature is adapted from the autofiction novel by Constance Debré
‘Mothertongue’ review: Zhang Lu explores Chinese language and identity in meditative drama
The Korean-Chinese director’s follow-up to his Busan-winning ‘Gloaming In Luomu’ features the same cast and crew
‘Balentes’ review: Enigmatic Sardinian animation boasts striking visuals but thin story
Giovanni Columbu’s 1940-set equine adventure blends various animation techniques
‘Mother Bhumi’ review: Fan Bingbing impresses in atmospheric, overstuffed 90s-set Malaysian drama
Director Chong Keat-aun’s Tokyo premiere is an uneasy blend of political commentary and supernatural mysticism
‘Blonde’ review: A Japanese teacher faces a student rebellion in messy yet entertaining satire
Yuichiro Sakashita’s Tokyo premiere features a strong performance from singer-dancer Takanori Iwata
‘The Woman Who Poked The Leopard’ review: Intense portrait of Ugandan activist Stella Nyanzi
Patience Nitumwesiga profiles the exiled feminist poet in scattergun DOK Leipzig title
‘Writing Life: Annie Ernaux Through The Eyes Of High School Students’ review: Claire Simon’s involving celebration of the French author
DOK Leipzig’s opening film explores how modern French teenagers respond to Ernaux’s body of work
‘Climbing For Life’ review: Sayuri Yoshinaga lifts flat biopic of Japanese mountaineer Junko Tabei
Junji Sakamoto’s Tokyo opener turns a pioneering life into a traditional melodrama
‘Kenny Dalglish’ review: Asif Kapadia’s affectionate footballer doc should have wide appeal
The film is made up of archive footage and narrated by former Liverpool player/manager Dalglish himself
‘Super Nature’ review: Impactful Super 8 natural world doc exec-produced by Asif Kapadia
Ed Sayers’ feature documentary features Super 8 footage from contributors in 25 countries
‘Giant’ review: Pierce Brosnan and Amir El-Masry spar in unpretentious boxing biopic
Rowan Athale’s film is executive produced by Sylvester Stallone and premieres in London
’The World Of Love’ review: Complex, thoughtful South Korean drama deals with aftermath of assault
Yoon Ga-eun’s nuanced third feature plays London following its Pingyao People’s Choice and Jury Prize awards
‘Straight Circle’ review: Distinctive, satirical UK debut follows enemy soldiers on a desert border
Oscar Hudson’s Venice Critics Week-winning feature boasts strong performances and arresting visuals
‘Hair, Paper, Water…’ review: Poetic documentary shines a light on Vietnam’s Indigenous Ruc people
Nicolas Graux and Truonh Minh Quy’s film follows a 60-year-old Ruc woman in Vietnam’s Quang Binh province
‘Lady’ review: ‘Fleabag’ star Sian Clifford anchors bold, surreal mockumentary satire
The impressive debut feature from UK filmmaker Samuel Abrahams premieres in London
‘Palestine 36’ review: Palestine’s Oscar entry is stirring historical drama from Annemarie Jacir
Jacir’s lavish period epic is set against the background of Palestine’s 1936 Arab Revolt against British rule
‘Ish’ review: Black-and-white UK debut proves lyrical study of adolescent male friendship
Imran Perretta’s fresh drama plays London after winning Venice Critics Week Audience Award
‘Kokuho’ review: Lee Sang-il’s propulsive, lavish drama is a window into the Japanese art of kabuki theatre
Ken Wanatabe, Ryusei Yokohama and Soya Kurokawa star in Japan’s Oscar submission, which closes Bangkok
‘The Son And The Sea’ review: A journey of self-discovery leads to Scottish coast in impressive debut
A troubled young man leaves London in search of fresh ideas in the first feature from Stroma Cairns
