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‘Shape Of Momo’ review: Stirring, authentic drama sees a woman return to her Indian home village
Tribeny Rai’s impressive debut is both culturally specific and universally recognisable
‘Hercules Falling’ review: Dar Salim is phenomenal as a troubled war veteran in powerful Danish drama
Christian Bonke’s drawn-from-real-life drama was named Best First Feature at Tallinn
‘Mailin’ review: Lyrical Argentinian doc explores the nature of memory in the aftermath of abuse
Maria Silvia Esteve’s visceral second feature makes its bow in IDFA competition
‘Past Future Continuous’ review: IDFA Envision winner is poignant, formally daring family portrait
Directors Firouzeh Khosrovani and Morteza Ahmadvand explore the link between a US-based woman and her parents in Tehran
‘Three Goodbyes’ review: Alba Rohrwacher impresses at heart of Isabel Coixet’s warm drama
The Spanish director’s latest plays Tallinn after its Toronto premiere
‘My First Love’ review: A disabled student fights prejudice in fierce Norwegian debut
Director Mari Storstein draws from her own experiences for this powerful Tallinn premiere
‘A Fox Under A Pink Moon’ review: Strong Afghan migrant doc blends phone footage and animation
Iranian filmmaker Mehrdad Oskouei’s IDFA competition title follows a young Afghan artist attempting to journey to Europe
‘Emergency Exit’ review: Surrealist Spanish comedy is fitting swansong for star Marisa Paredes
The late Paredes is one of several passengers embarking on a magical mystery tour for director Lluis Minarro
‘Silent Flood’ review: Lyrical portrait of a religious community in Ukraine is new angle on conflict
Dmytro Sukholytkyy-Sobchuk’s thoughtful docmentary plays IDFA competition
‘The Good Daughter’ review: Impressive, balanced Spanish drama gives child’s eye view of domestic violence
The second feature from Screen Spanish Star Of Tomorrow Julia De Paz bows in Tallinn’s official competition
‘Amilcar’ review: Impressionistic study of Guinea-Bissau-born poet and revolutionary Amilcar Cabral
IDFA premiere uses archive footage and Cabral’s personal writings to paint a compelling portrait
‘LifeLike’ review: Uneven Turkish terminal illness drama makes inventive use of virtual reality
The third feature from Ali Vatansever makes its debut in Tallinn Black Nights
‘Gaza’s Twins, Come Back To Me’ review: Impassioned doc follows a family trying to reunite in Gaza
Mohammed Sawwaf’s emotional second feature premieres at IDFA
‘Flood’ review: Impactful exploration of family and faith is exec produced by Laura Poitras
Debut director Katy Scoggin’s emotional study of her relationship with her fundamentalist father now plays IDFA
‘Father’ review: Slovak filmmaker Tereza Nvotova presents a bold, powerful portrait of paternal guilt
Milan Ondrik gives a raw performance in Slovakia’s official Oscar submission, which now plays Tallinn
‘The Prince Of Nanawa’ review: Rich, rewarding doc follows a Paraguayan boy from adolescence to adulthood
Clarisa Navas’s fascinating feature plays IDFA following its Visions du Reel Grand Jury prize win
‘18 Holes To Paradise’ review: Savage Portuguese satire sees a home threatened by fire and feud
João Nuno Pinto’s elegant third feature about a bickering family in southern Portugal premieres in Tallinn
‘All The Time’ review: Three women are linked by shared trauma in intriguing if flawed Belgian debut
Amelie Derlon Cordina’s Brussels-set feature premieres in Seville
‘The Bad Names’ review: Pablo Molinero shines as real Spanish intersex figure Florencio Pla
Compassionate debut from Marc Ortiz Prades is set in the early 20th century and premieres in Seville
‘Steal This Story, Please!’ review: Energetic doc follows dogged US journalist Amy Goodman
Feature from ’Trouble The Water’ filmmakers Carl Deal and Tia Lessin makes its international bow at IDFA
