Latest
‘Adult Supervision’ review: A chaotic school trip is the setting for a study of flawed masculinity in astute Swedish debut
Alex Schulman’s feature has been selected as Sweden’s official Oscar submission
‘Milo’ review: Marion Cotillard and Théodore Pellerin head moody, dramatically inert French thriller
The latest from veteran French filmmaker Nicole Garcia premieres in San Sebastian
‘What Remains’ review: A couple head in different directions in meditative, visually striking Turkish road movie
Yesim Ustaoglu’s distinctive feature premieres in San Sebastian, and will be released in Turkey by Mubi
‘Tenzing’ review: Biopic of overlooked Tibetan Everest summiteer Tenzing Norgay proves too restrained to be truly stirring
Genden Phuntsok, Tom Hiddleston and Willem Dafoe star in Jennifer Peedom’s muted Zurich opener
‘Growth Of The Soil’ review: Herbert Nordrum and Asta Kamma August are exceptional in visceral Norwegian period drama
Hans Petter Moland’s deliberate, meticulous film has been selected as Norway’s official Oscar submission
‘In My Father’s Room’ review: A woman gets to know her late father in delicate debut from Japanese novelist-turned-filmmaker Maha Harada
Yu Aoi and Issey Ogata star in the film, which premieres in San Sebastian competition
‘Ghost Song’ review: Fatih Akin’s San Sebastián opener is emotionally satisfying supernatural romance
A strong perormance from newcomer Mariam Dawoud anchors Akin’s tender Hamburg-set love story
‘Faith’ review: Erin Doherty and James McAvoy drive delicate, genre-fluid exploration of grief and the unknown
Paul Andrew Williams’ wrenching follow-up to Dragonfly bows as a Toronto Special Presentation
‘A Bit Of Light’ review: Ali Asgari’s profoundly affecting drama finds hope amid despair in contemporary Tehran
The Iranian filmmaker makes his Venice Competition debut with the story of a doctor pushed to breaking point
‘No Paradise If You Are Killed By A Woman’ review: Tense, blunt-edged Kurdish war thriller follows a female sniper in Iraq
Halkawt Mustafa’s female-led action drama brings glossy genre mechanics to a story of Kurdish resistance
‘Imperium’ review: Sergei Loznitsa surveys the 1970s Soviet empire in revealing archive epic
Italian archive footage forms the basis of an expansive documentary with clear contemporary resonance
‘Elsinore’ review: Andrew Scott is triumphant as terminally ill Scottish actor Ian Charleson in poignant ’80s theatreland drama
Simon Stone’s dramatisation of Charleson’s portrayal of Hamlet bows in Telluride before traveling to Toronto and London
‘The Idiot(s)’ review: Aimee Lou Wood and Johnny Flynn spar in an audacious portrait of the Dostoevskys
An irreverent, eccentric take on the turbulent marriage behind one of literature’s great names
‘Tender Loving Care’ review: Mike Leigh turns his compassionate gaze on contemporary Londoners
The veteran filmaker’s modestly scaled ensemble drama should connect with loyal admirers and discerning arthouse audiences
‘Mr. Nelson, Did You Kill People?’ review: Shinya Tsukamoto’s muddled portrait of Vietnam veteran activist Allen Nelson suffers an identity crisis
Rodney Hicks and Geoffrey Rush lead the Japanese auteur’s Venice Competition drama
‘Don’t Ask Me If I Killed’ review: Ukranian filmmaker-turned-soldier Helena Maksyom presents an intimate view of conflict
Maksyom’s intesely personal documentary, filmed over three years, recently received a special mention at Sarajevo
‘Skateboarding Is Not For Girls’ review: Dina Duma’s family drama challenges patriarchal injustice with a light touch
Charming Tribeca prizewinner makes its European premiere at Sarajevo
‘Bear With Me’ review: Compelling documentary celebrates a retired circus trainer and her beloved animal
Martin Genovski’s Sarajevo premiere has been constructed with care and a good dose of humour
‘The Balkan Cowboy’ review: Poignant documentary pays quirky tribute to filmmaker Hari Dzekson
Dublin-based visual artist Dragana Jurisic brings a personal touch to her Sarajevo title
‘Pretty Babies’ review: Hollywood dreams turn into a nightmare in gritty, uneasy US debut
Tyler-Marie Evans’ Edinburgh competition premiere follows starry-eyed two high-schoolers attempting to make it to LA
