![[Clockwise from top left]: 'The Voice Of Hind Rajab', 'A House Of Dynamite', 'Jay Kelly', 'After The Hunt', 'The Smashing Machine'](https://d1nslcd7m2225b.cloudfront.net/Pictures/274x183/1/7/0/1459170_veniceawards_837515.jpg)
Latest
‘Ish’ review: Black-and-white UK debut proves lyrical study of adolescent male friendship
Imran Perretta’s fresh drama plays London after winning Venice Critics Week Audience Award
‘Kokuho’ review: Lee Sang-il’s propulsive, lavish drama is a window into the Japanese art of kabuki theatre
Ken Wanatabe, Ryusei Yokohama and Soya Kurokawa star in Japan’s Oscar submission, which closes Bangkok
‘The Son And The Sea’ review: A journey of self-discovery leads to Scottish coast in impressive debut
A troubled young man leaves London in search of fresh ideas in the first feature from Stroma Cairns
‘Love + War’ review: Portrait of US war photographer Lynsey Addario from ‘Free Solo’ filmmakers
Chai Vasarhelyi and Jimmy Chin’s insightful documentary focuses on the balance between ambition and responsibility
‘H Is For Hawk’ review: Claire Foy soars in Philippa Lowthorpe’s sensitive adaptation
Dramatisation of Helen Macdonald’s bestselling 2014 memoir plays London after Telluride premiere
‘One Woman One Bra’ review: A single woman fights for her rights in spirited Kenyan drama
Vincho Nchogu’s feature debut plays London’s First Feature Competition after premiering in Venice
‘Moss & Freud’ review: Dramatisation of the 2002 collaboration between Lucian Freud and Kate Moss
Derek Jacobi and Ellie Bamber star as the artist and model in James Lucas’s lacklustre drama
‘Is This Thing On?’ review: Bradley Cooper’s bittersweet third feature stars Will Arnett and Laura Dern
Arnett and Dern impress as a couple navigating divorce in Cooper’s latest awards contender
‘At The Place Of Ghosts’ review: Indigenous brothers take a dark path in moody Canadian chiller
Bretten Hannam’s psychological thriller is set within Nova Scotia’s Mi’kmaw community
‘Black Is Beautiful: The Kwame Brathwaite Story’ review: Colourful portrait of US creative activist
Yemi Bamiro’s London Competition title about photographer Kwame Brathwaite features a wealth of archive footage
‘The Eyes Of Ghana’ review: Warm documentary profiles Ghanian cinematographer Chris Hesse
Ben Proudfoot follows the nonagenarian filmmaker’s attempts to digitise his archive of negatives from the 1950s and 60s
‘Tharae: The Exorcist’ review: Thai horror blends familiar possession narrative with religious folklore
Taweewat Wantha’s gory thriller sees an ancient demon terrorise a Catholic village
‘Hen’ review: Greek life seen from the perspective of a plucky chicken makes for a compelling drama
Hungarian director György Pálfi’s emotive film takes the point of view of a hen escaping an industrial farm to reflect on humanity
‘Mārama’ review: Striking debut sees a Māori woman confront her past in 19th century Yorkshire
Taratoa Stappard’s gothic thriller features an impressive central performance from Ariāna Osborne
‘Retreat’ review: A school for the deaf may not be all it appears in atmospheric UK thriller
The latest from UK filmmaker Ted Evans features a deaf principal cast and the use of British Sign Language
‘Obhut’ review: A sibling relationship is tested in sensitive German debut
Veronika Hafner confidently handles delicate themes in her Munich-set family drama
‘Gavagai’ review: Ulrich Kohler splits his satirical drama between Senegal and Berlin
The writer/director’s latest revolves around a fictional film version of Medea being made in West Africa
‘Anemone’ review: Daniel Day-Lewis returns to the big screen in family drama directed by his son
Sean Bean and Samantha Morton also star in the feature debut of Ronan Day-Lewis
‘Desert Warrior’ review: Visually stunning Saudi Arabian epic lacks an emotional core
Antony Mackie and Sir Ben Kingsley star in Rupert Wyatt’s 7th century Arabian drama
‘Good Valley Stories’ review: José Luis Guerín documents life in Barcelona’s Vallbona district
The Spanish director’s latest work plays in San Sebastian Competition
