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‘Ali & Ava’: Cannes Review
Clio Barnard returns to Bradford with a love story set in England’s Northern city
‘Mothering Sunday’: Cannes Review
Odessa Young leads a strong British cast in Eva Husson’s adpatation of Graham Swift’s nove
‘Cow’: Cannes Review
Andrea Arnold chews the cud with Luma, a dairy cow, in this intriguing documentary
‘The Souvenir: Part II’: Cannes Review
Joanna Hogg’s sequel to 2019’s ‘The Souvenir’ is both daring and absorbing
‘The Story Of Film: A New Generation’: Cannes Review
Mark Cousins continues his journey
‘Absolute Denial’: Annecy Review
A solitary man develops a super-computer in this strikingly ambitious British animation
‘All My Friends Hate Me’: Tribeca Review
Comedy and psychodrama intertwine during a birthday blowout among old chums
‘In The Heights’: Review
Lin-Manuel Miranda’s Tony award-winning musical lights up the big screen at last
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‘The Sparks Brothers’: Hot Docs Review
Edgar Wright deconstructs the elusive Mael Brothers
‘Danny Boy’: TV Review
Anthony Boyle, Toby Jones star in BBC feature-length drama set during the Iraq War and its aftermath
‘Wrath Of Man’ Review
Guy Ritchie reunites with Jason Statham in another macho mishap
‘Bank Job’: Hot Docs Review
Artists Daniel Edelstyn and Hilary Powell bring mischief and activism to their look at economic theory
‘The Power’: Review
Corinna Faith’s genre debut is set during the UK’s power blackouts of 1974
‘The Feast’: SXSW Review
Welsh-language debut from Lee Haven-Jones is a slow-burn genre offering
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‘The Return: Life After Isis’: SXSW Review
In a desolate camp in Northern Syria, stateless ‘Isis Brides’ open up to Alba Sotorra’s sympathetic lens
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‘Paul Dood’s Deadly Lunch Break’: SXSW Review
A hapless outsider dreams of celebrity in Nick Gillespie’s broad black British comedy
‘Here Before’: SXSW Review
Andrea Riseborough stars in Stacey Gregg’s supernatural-themed debut
‘Rebel Dykes’: Flare Review
Riotous look back at an underground 1980s movement which ‘terrified straight mainstream society’
‘Deadly Cuts’: Dublin Review
Scissors at the ready as stylists at a rundown Dublin hairdressing salon get serious
‘Is There Anybody Out There?’: Dublin Review
’Covid crisis’ cinema from the students of Trinity College Dublin
