Latest
‘Cats’: Review
It’s not quite a catastrophe, but Tom Hooper’s adaptation isn’t up to scratch
‘Arracht’: Tallinn Review
A bleak and impressive Irish-languge drama set during the potato famine
‘Looted’: Tallinn Review
Thomas Turgoose stars in this debut film about a frustrated young carer
‘1917’: Review
Sam Mendes re-stages the First World War for the big screen.
‘Last Christmas’: Review
Another festive chart-topper for George Michael & crew
‘Muscle’: Review
A slow-burn psychological thriller set in the testosterone-filled confines of an old-style gym
‘Blue Story’: Review
Youtube sensation Rapman (’Shiro’s Story) makes his film debut, backed by BBC Films and Paramount
‘Fanny Lye Deliver’d’: London Review
She has been a long time coming, but Fanny Lye certainly does deliver
‘County Lines’: London Review
The causes and effects of the most recent UK crime blight are laid bare in Henry Blake’s debut
‘Savage’: London Review
Toxic masculinity and its lethal consequences in a New Zealand street gang
‘Coup 53’: London Review
’A sharp-eyed history lesson that unfolds with the pace and fascination of thriller’
‘Pink Wall’: London Review
Tom Cullen steps up to write and direct a love story told in annual chapters
‘Walking With Shadows’: London Review
A wife discovers her husband is gay in this exploration of queer Nigeria
‘Perfect 10’: London Review
Scotland’s Eva Riley makes a notable debut
‘Our Ladies’: London Review
Buckle up for Michael Caton-Jones’ raucous adaptation of ’The Sopranos’
‘Make Up’: London Review
Claire Oakley’s arresting debut premieres in the LFF’s Sutherland competition.
‘White Riot’: London Review
Rubika Shah’s docmentary tells how, in the 1970s, Rock Against Racism confronted British fascists head-on
‘Rose Plays Julie’: London Review
A striking work from the Desperate Optimists film-making team
‘The Accidental Rebel’: Busan Review
A Syrian man finds himself drawn into conflict while searching for his missing brother
‘How To Build A Girl’: Toronto Review
Beanie Feldstein stars in the big-screen adaptation of Caitlin Moran’s book.
