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‘Stuffed’ review: Jodie Comer and Harry Melling bond over taxidermy in bold, bracing gothic musical
The debut of UK filmmaker Theo Rhys premieres in Toronto’s Discovery strand
‘NAZA’ review: Urgent, gut-punch doc from ‘No Other Land’ directors interviews Israeli operatives about their actions in Gaza
Yuval Abraham and Rachel Szor’s wrenching Venice competition film is executive-produced by Jonathan Glazer
‘The Uprising’ review: A stirring Andrew Garfield is unable to energise Paul Greengrass’s listless period drama
The writer/director’s take on England’s 1381 Peasants’ Revolt also stars Tom Hollander, Jamie Bell and Thomasin McKenzie
‘Oasis: Don’t Look Back In Anger’ review: Sentimental doc about UK band’s reunion plays best when it focuses on the music
Directors Dylan Southern and Will Lovelace chart Oasis’s 2025 tour in Venice out of competition title
‘Our Share Of Sand’ review: A move from the UK to rural India proves a painful rite-of-passage in quietly powerful debut
Shalini Adnani’s level-headed Venice Critics Week titles features a strong performance from newcomer Maya Mehta
‘Elsinore’ review: Andrew Scott is triumphant as terminally ill Scottish actor Ian Charleson in poignant ’80s theatreland drama
Simon Stone’s dramatisation of Charleson’s portrayal of Hamlet bows in Telluride before traveling to Toronto and London
‘Tender Loving Care’ review: Mike Leigh turns his compassionate gaze on contemporary Londoners
The veteran filmaker’s modestly scaled ensemble drama should connect with loyal admirers and discerning arthouse audiences
‘Queer Edward II’ review: Intimate doc links the making of Derek Jarman’s 1991 feature Edward II and wider LGBTQ+ activism
Theo Rollason’s entertaining Venice out of competition title goes behind the scenes of Jarman’s feature
‘Wild Horse Nine’ review: John Malkovich and Sam Rockwell command Martin McDonagh’s potent 1970s character study
The director’s Easter Island-set fifth feature premieres in Venice competition and looks set for awards attention
‘Ink' review: Jack O’Connell is magnetic as ‘The Sun’ tabloid editor Larry Lamb in Danny Boyle’s feverish Venice opener
Guy Pearce and Claire Foy also star in this seductive, high-energy portrait of ambition and media disruption
‘Snapshot’ review: A killer stalks Victorian London in inventive but stilted period found-footage horror shot through a pinhole lens
Joseph Archer’s feature debut premieres in Edinburgh before heading to FrightFest
‘Mission’ review: George MacKay gives a committed performance in propulsive, overwrought mental health drama
MacKay reteams with his ’For Those In Peril’ director Paul Wright for Edinburgh competition title
‘The State Of Us’ review: A boisterous Bradford night out turns sentimental in dewey-eyed UK debut
Ollie Gardner and Jake Harvey’s first feature follows a pair of Northern friends coping with terminal illness
‘Out There’ review: Intermittently charming Welsh sci-fi relies on a committed cast including Michael Sheen and Aneurin Barnard
Simon Ryninks’ debut premieres in Edinburgh competition
‘At Night’ review: Experimental, allusive UK debut explores women’s shared experiences
Beatrice Gibson’s Paris-set Locarno premiere features cinematography from filmmaker Ben Rivers
‘Life Support’ review: Distressing, essential documentary follows volunteer medics into Gaza
Daniele Rugo’s powerful first-hand account opens in UK/Irish cinemas after a Sheffield premiere
‘Rain Catcher’ review: A London street photographer loses his grip on reality in intriguing, twisty neo-noir
Dudley O’Shaughnessy impresses in Michele Fiascaris debut feature, premiering in Karlovy Vary’s Proxima competition.
‘Rogue Trooper’ review: Duncan Jones adapts 2000 AD comic strip into eccentric, entertaining animated actioner
Aneurin Barnard, Jack Lowden and Hayley Atwell lend their voices to Jones’s Annecy premiere
‘Birds Of War’ review: Love blossoms across conflict zones in intimate first-person documentary
Directors Janay Boulos and Abd Alkader Habak’s personal film plays Sheffield before a UK/Ireland theatrical release
‘Virginia Woolf’s Night & Day’ review: A spirited Haley Bennett helps lift weighty adaptation
Tina Gharavi’s take on Woolf’s 1919 novel opens SXSW London before a theatrical release
