![box office 13 Clockwise [L-R]: 'The Critic', 'Lee', 'Speak No Evil', 'Prima Facie'](https://d1nslcd7m2225b.cloudfront.net/Pictures/274x183/1/7/3/1432173_boxoffice13sep_211508.jpg)
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‘The Return’: Toronto Review
Ralph Fiennes and Juliette Binoche reunite for this restrained retelling of Homer’s Odyssey
‘The Time It Takes’: Venice Review
Francesca Comencini’s autobiographical drama explores her relationship with her filmmaker father Luigi
‘Love’: Venice Review
Second part of a trilogy from Norway which began at Berlin with ‘Sex’ and continues at Venice
‘William Tell’: Toronto Review
Claes Bang takes aim at the the legendary Swiss marksman in Nick Hamm’s dour period epic
‘Sicilian Lessons’: Venice Review
An ex-politician goes undercover in this Sicilian mob comedy which fails to hit the target
‘April’: Venice Review
An doctor in rural Georgia risks herself to care for her female patients in Dea Kulumbegashvili’s Venice Jury Prize-winning feature
‘Diva Futura’: Venice Review
Rich, lengthy biopic explores the life and work of Italian pornographer Riccardo Schicchi
‘My Birthday’: Venice Review
Raw debut from Italy from Biennale College follows a young man trying to find his estranged mother on the eve of his 18th birthday
‘The Quiet Son’: Venice Review
A solid Vincent Lindon dominates this disappointingly apolitical film about a French youth enthralled by the far right
‘Queer’: Venice Review
Daniel Craig cruises 1950s Mexico in Luca Guadagnino’s adaptation of the William S Burroughs novella
‘Finally’: Venice Review
The 51st feature from French maestro Claude Lelouch is a playful ‘greatest hits’ musical fable
‘The Room Next Door’: Venice Review
Pedro Almodóvar’s Golden Lion winner is also his English-language debut starring Tilda Swinton and Julianne Moore
‘The Mohican’: Venice Review
An unassuming Corsican goatherd becomes the figurehead of a resistance movement in this assured thriller
‘The New Year That Never Came’: Venice Review
The fall of Romanian leader Nicolae Ceausescu is explored in this 1989-set debut which won the top Horizons prize at Venice
‘Vermiglio’: Venice Review
Maura Delpero’s second feature is an accomplished, restrained family drama set in the Italian Alps during the Second World War
‘Anywhere Anytime’: Venice Review
The theft of a bicycle is the catalyst for this confident, incisive drama about a Sengalese immigrant in Italy
‘Battleground’: Venice Review
Gianni Amelio explores the moral complications of conflict in this hospital-set First World War drama
‘My Everything’: Venice Review
Call My Agent!’s Laure Calamy stars in Anne-Sophie Bailly’s well-acted if one-sided debut feature
‘And Their Children After Them’: Venice Review
Small town in France, bad teenage decisions for the third feature by the Boukherma twins
‘Peacock’: Venice Review
Albrecht Schuch headlines this assured Austrian debut as a paid companion whose facade starts to crumble
