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‘Ferine’ review: Arresting Italian genre debut is lush modern giallo with feline themes
Andrea Corsini’s first feature world premieres in Fantasia
‘No Rest For The Wicked’ review: Atmospheric Danish queer drama makes the most of its 1860s Faroe Islands setting
Kasper Kalle’s Fantasia Cheval Noir title stars Pilou Asbaek and newcomer Egor Venned
‘Gealtra’ review: Brendan Canty follows ‘Christy’ with slight, engaging study of young Irish-language musicians
Dir: Brendan Canty. Ireland. 2025. 70mins
‘The Siege Of Paradise’ review: Gar O’Rourke follows ‘Sanatorium’ with gentle, thought-provoking look at the impact of mass tourism
O’Rourke’s enjoyable documentary travels to the tourist hot spot of Cinque Terre, on Italy’s northwestern coast
‘The Lost Children Of Tuam’ review: Sensitive, unfussy drama follows investigation into Irish mother and baby home
Liam Neeson produces Frank Berry’s respectful drama, which stars Monica Dolan as Galway historian Catherine Corless
‘Learning To Breathe Under Water’ review: Winning Irish heartwarmer takes a child’s eye view of healing from grief
Rory Kinnear, Maria Bakalova and Ezra Carlisle impress in Rebekah Fortune’s well-observed feature
‘Try!’ review: Crowd-pleasing Irish doc celebrates the community spirit of Mixed Ability Rugby
Oisín Mistéil’s heartfelt film plays Galway after a Sheffield DocFest premiere
‘Hijamat’ review: Jafar Panahi produces Nader Saeivar’s disjointed study of a Turkish immigrant family in Berlin
The fourth feature from Panahi collaborator and It Was Just An Accident co-writer Saeivar premieres in Karlovy Vary competition
‘Black Money For White Nights’ review: Absurdist drama reckons with Bulgaria’s culture of corruption
Directors Kristina Grozeva and Petar Valchanov return to Karlovy Vary following their Crystal Globe-winning The Father
‘The Lion At My Back’ review: Cypriot migrant drama is anchored by persuasive performances
Tonia Mishiali’s second feature makes its debut in Karlovy Vary’s Crystal Globe competition
‘Bearhunting’ review: A real-life 19th century bear hunt fuels underpowered German satire
The second feature from Peter Meister will release in Germany in August, following plays at Munich and Shanghai
‘The Guest’ review: Trine Dyrholm is magnetic at the heart of knotty Danish domestic drama
Mads Mengel’s feature debut premieres in Karlovy Vary’s Crystal Globe competition
‘Block 10’ review: Harrowing Holocaust drama sheds light on Nazi sterilisation experiments
Marcus O Rosenmüller’s unflinching feature premieres in Munich’s Spotlight strand
‘Echo Of Tomorrow’s War’ review: Germany’s past seems destined to repeat itself in timely family drama
Nicolas Ehret’s poignant feature debut bows in Munich’s New German Cinema strand
‘The Miserable Mother’ review: German musical comedy is wry, sincere study of new motherhood
Susanne Heinrich’s follow-up to ‘Aren’t You Happy?’ plays Munich’s New German Cinema strand
‘Identitti’ review: A university student wrestles with identity issues in uneven German drama
Amanda Babaei Vieira and rapper Sabrina Setlur star in Randa Chahoud’s adaptation of Mithu Sanyal’s bestseller
‘Julián’ review: Latest animation from Ireland’s Carton Saloon is vibrant Brooklyn-set coming-of-age drama
Louise Bagnall’s feature debut makes its bow at Annecy
‘Lionel’ review: Tender, understated Spanish father-son drama draws from real life
Carlos Saiz’s small-scale feature debut won Transilvania’s top prize
‘Lucy Lost’ review: Charming, playful animated adaptation of Michael Morpurgo novel ‘Listen To The Moon’
Olivier Clért’s feature debut plays Annecy competition following its Cannes premiere
‘Our Father’ review: Transilvania’s Special Jury Award winner is brooding, unsettling Serbian addiction drama
Goran Stankovic’s feature debut is based on the story of Serbian Orthodox priest Branislav Peranovic, who was jailed for murder
