Latest
‘Kwibuka, Remember’ review: Earnest, dutiful drama sees a basketball star return to her Rwanda home
Sonia Rolland stars in Jonas D’Adesky’s second feature, which screens in Red Sea
‘A Place For Her’ review: Strong, immersive social drama unravels in a Parisian women’s support centre
Mélisa Godet’s debut feature is powered by an authentic approach and a raft of strong performances
‘Behind The Palm Trees’ review: Formulaic Moroccan love triangle drama bolstered by strong performances
Meryem Benm’Barek’s second feature makes its debut in Marrakech competition
‘Hercules Falling’ review: Dar Salim is phenomenal as a troubled war veteran in powerful Danish drama
Christian Bonke’s drawn-from-real-life drama was named Best First Feature at Tallinn
‘Testimony’ review: Raw, defiant doc gives voice to survivors of Ireland’s Magdalene Laundries
Director Aiofe Kelleher follows attempts to bring real and lasting justice to the women involved
‘Three Goodbyes’ review: Alba Rohrwacher impresses at heart of Isabel Coixet’s warm drama
The Spanish director’s latest plays Tallinn after its Toronto premiere
‘My First Love’ review: A disabled student fights prejudice in fierce Norwegian debut
Director Mari Storstein draws from her own experiences for this powerful Tallinn premiere
‘Sisu: Road To Revenge’ review: The vengeful Finnish soldier returns in gory, underwhelming sequel
Jorma Tommila’s grieving commando goes up against Stephen Lang’s Red Army commander to muted results
‘Emergency Exit’ review: Surrealist Spanish comedy is fitting swansong for star Marisa Paredes
The late Paredes is one of several passengers embarking on a magical mystery tour for director Lluis Minarro
‘Silent Flood’ review: Lyrical portrait of a religious community in Ukraine is new angle on conflict
Dmytro Sukholytkyy-Sobchuk’s thoughtful docmentary plays IDFA competition
‘The Good Daughter’ review: Impressive, balanced Spanish drama gives child’s eye view of domestic violence
The second feature from Screen Spanish Star Of Tomorrow Julia De Paz bows in Tallinn’s official competition
‘Amilcar’ review: Impressionistic study of Guinea-Bissau-born poet and revolutionary Amilcar Cabral
IDFA premiere uses archive footage and Cabral’s personal writings to paint a compelling portrait
‘LifeLike’ review: Uneven Turkish terminal illness drama makes inventive use of virtual reality
The third feature from Ali Vatansever makes its debut in Tallinn Black Nights
‘Father’ review: Slovak filmmaker Tereza Nvotova presents a bold, powerful portrait of paternal guilt
Milan Ondrik gives a raw performance in Slovakia’s official Oscar submission, which now plays Tallinn
‘18 Holes To Paradise’ review: Savage Portuguese satire sees a home threatened by fire and feud
João Nuno Pinto’s elegant third feature about a bickering family in southern Portugal premieres in Tallinn
‘All The Time’ review: Three women are linked by shared trauma in intriguing if flawed Belgian debut
Amelie Derlon Cordina’s Brussels-set feature premieres in Seville
‘The Bad Names’ review: Pablo Molinero shines as real Spanish intersex figure Florencio Pla
Compassionate debut from Marc Ortiz Prades is set in the early 20th century and premieres in Seville
‘Bearcave’ review: Lyrical, overlong debut follows two queer women in rural Greece
Venice Giornate degli Autori Europa Cinemas Label winner makes its home debut at Thessaloniki
‘Last Night I Conquered The City Of Thebes’ review: Intriguing Spanish debut explores platonic male intimacy
Galicia’s ancient Roman baths make an atmospheric setting for this wordy drama
‘Gorgona’ review: Dystopian Greek queer feminist fable is entertaining but uneven
Evi Kalogiropoulou’s debut plays Thessaloniki after its Venice Critics Week debut
