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‘Ulya’ review: Austere black-and-white biopic of Latvian basketball star Ulya Semjonova has compelling moments of warmth
Karlis Arnolds Avots impresses as the sporting star in Viesturs Kairiss’ Tallinn opener
‘Sister Brother Manhole Cover’ review: Milcho Manchevski serves up a darkly comic exploration of North Macedonia’s wealth divide
The ’Before The Rain’ director’s latest debuts in Tokyo competition
‘Trees Are Watching’ review: Eva Green is a writer haunted by her past in Bahman Ghobadi’s undercooked Turkish horror
Martin Scorsese executive produces the feature, which plays Tokyo competition following a Toronto premiere
‘>1.5°C Pyropolitics And The New World’ review: Slight but urgent doc observes the human cost of climate change
Austrain filmmaker Lukas Marxt’s study of the 2025 LA wildfires premieres at DOK Leipzig
‘Letters From The Silenced Country’ review: Mixed-media documentary proves a raw, disquieting study of Belarusian resistance
Andrei Kutsila’s film plays DOK Leipzig after winning Venice’s Golden Globes Impact prize for documentary
‘The Other’s Profile’ review: Unfocused, uneven Italian drama puts influencer culture in the spotlight
Pilar Fogliata and Ginevra Francesconi impress in Francesco Bruni’s Rome premiere
‘Flesh And Fuel’ review: A French trucker finds love on the road in sensitive, mature debut
Alexis Manenti and Julian Swiezewski spark in the Zurich Golden Eye-winning feature
‘A Happy Family’ review: A single mother struggles against an unforgiving system in unbalanced Swiss drama
Jan-Eric Mack’s feature debut features a strong performance from co-writer Anna Schinz
‘Black Church Bay’ review: Tom Cullen and Joe Locke impress in intense Welsh LGBTQ+ thriller
Rhys Marc Jones’s feature debut premieres in Zurich competition before playing Busan and London
‘The Ideas’ review: Six witty vignettes power director/star Fabian Stumm’s slice-of-life German anthology
Angela Winkler and Maren Eggert join an ensemble cast for Stumm’s follow-up to ‘Sad Jokes’
‘Call Me Queen’ review: Eliane Umuhire is magnetic in Emily Atef’s well-intentioned drama based on real-life Kenyan AIDS activists
The 1990s-set feature plays Hamburg before releasing in Germany in October
‘The Other Side’ review: Nina Hoss gives a committed performance in pacy German survival thriller
Mariko Minoguchi’s follow-up to ‘Relativity’ is set in a dystopian post-pandemic world
‘Children Of The Sun’ review: Four German youngsters attempt to create a sexual utopia in poetic, puzzling Greece-set drama
Writer/director Leonie Krippendorff reunites with her ‘Cocoon’ strars Lena Urzendowsky and Jella Haase
‘Adult Supervision’ review: A chaotic school trip is the setting for a study of flawed masculinity in astute Swedish debut
Alex Schulman’s feature has been selected as Sweden’s official Oscar submission
‘Milo’ review: Marion Cotillard and Théodore Pellerin head moody, dramatically inert French thriller
The latest from veteran French filmmaker Nicole Garcia premieres in San Sebastian
‘Saints’ review: Rising star Victoria Luengo brings spiky energy to uneven Spanish heist thriller
The second feature from Basque filmmaker Mikel Gurrea premieres in San Sebastian
‘What Remains’ review: A couple head in different directions in meditative, visually striking Turkish road movie
Yesim Ustaoglu’s distinctive feature premieres in San Sebastian, and will be released in Turkey by Mubi
‘Growth Of The Soil’ review: Herbert Nordrum and Asta Kamma August are exceptional in visceral Norwegian period drama
Hans Petter Moland’s deliberate, meticulous film has been selected as Norway’s official Oscar submission
‘Ghost Song’ review: Fatih Akin’s San Sebastián opener is emotionally satisfying supernatural romance
A strong perormance from newcomer Mariam Dawoud anchors Akin’s tender Hamburg-set love story
’Brace Your Heart’ review: Quietly powerful exploration of trauma and community in a remote Swedish mountain village
Amanda Kernell follows Charter and Sámi Blood with nuanced tale of a female Sámi reindeer herder struggling to make her mark
