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‘Power Ballad’ review: Paul Rudd and Nick Jonas pluck the heartstrings in overly sentimental John Carney drama
Carney follows up ‘Once’ and ‘Sing Street’ with wistful, unconvincing music industry tale
‘From Dawn To Dawn’ review: Visions du Reel winner is delicate study of Chinese immigrant lives in Barcelona
Xisi Sofia Ye Chen turns the camera on her own family for her documentary debut
‘Saudades Eternas’ review: Modest, authentic documentary portrait of a Rio favela matriarch
Emma Boccanfuso’s feature length debut world premieres at Visions du Reel
‘Heat’ review: Experiential, immersive look at life in the hottest places on Earth
The latest work from Swiss filmmaker Jacqueline Zünd premieres at Visions du Reel
‘What Comes From Sitting In Silence?’ review: Uneven study of Mumbai’s first female Islamic court
Sophie Schrago’s fly-on-the-wall doc plays Visions du Reel’s National Competition
‘Alea Jacarandas’ review: Intimate doc explores the city of Algiers through a father-son relationship
Hassen Ferhani’s layered cine-essay premieres in Visions du Reel’s Burning Lights competition
‘North To Paradise’ review: Stirring real-life immigration drama opens BCN Film Fest
Dani Sancho’s handsome biopic follows Ghanian activist Ousman Umar as he makes a new life in Barcelona
‘Bitter Christmas’ review: Pedro Almodóvar muses on the creative process in personal, messy drama
The director’s latest work stars several of his regular collaborators including Leonardo Sbaraglia and Aitana Sánchez-Gijon
‘Hell’s Army’ review: Slick doc follows Russian journalists on case of alarming new world order
Oscar-nominated director Richard Rowley follows Katya Hakim as she tracks Russia’s Wagner mercenary force
‘The Way Elsewhere’ review: Meditative, abstract hybrid doc follows a trio of Athens taxi drivers
Photojournalist turned filmmaker Eirini Vourloumis’s debut documentary premieres at Thessaloniki
‘The Cord’ review: Gritty, urgent doc follows one-woman crusade to fix Venezuela’s maternity system
French filmmaker Nolwenn Hervé’s feature follows Carolina as she fights to support the mothers of Maracaibo
‘We Are Stardust’ review: Absorbing doc follows Norwegian citizen scientist on hunt for cosmic dust
Filmmaker Elisabeth Rasmussen joins musician Jon Larsen on his 10 year search for valuable micrometeorites
‘Mariinka’ review: CPH:Dox opener is arresting but tonally uneven account of life in east Ukraine
Belgian filmmaker Pieter-Jan De Pue filmed his observational documentary over 10 years
‘Ivan & Hadoum’ review: Low-key Spanish LGBTQ+ debut explores issues of class and identity
Ian de la Rosa’s accomplished film premiered in Berlin’s Panorama, where it won the Teddy award for Best Feature
‘Once Upon A Time In A Cinema’ review: Dublin opener is nostalgic drama set in 1980s Limerick
David Gleeson bases his feature on his own experiences growing up in a family of Irish cinema owners
‘Soumsoum, The Night Of The Stars’ review: Gentle magical-realist fable follows a spiritual connection in rural Chad
Mahamat-Saleh Haroun’s follow-up to Lingui, The Sacred Bonds is a less propulsive, more pensive work
‘The Loneliest Man In Town’ review: Viennese musician Al Cook stars in slow, meditative drama
Berlin Competition title will most appeal to Cook’s existing fans
‘Roya’ review: An imprisoned Iranian teacher struggles to hold herself together in vivid, challenging political drama
Mahnaz Mohammadi’s follow-up to ’Son-Mother’ features an expressive performance from Melisa Sözen
‘Home Stories’ review: Eva Trobisch weaves an ambitious portrait of a modern German family
The director follows ‘Ivo’ and ‘All Is Well’ with meticulously-crafted Berlin Competition title
‘My Wife Cries’ review: A Berlin couple attempt to connect in Angela Schanelec’s typically inscrutable drama
The director’s Berlin Competition title should appeal to the filmmaker’s devotees
