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‘The Negotiator’ review: Portrait of US senator George J Mitchell, Good Friday Agreement architect
Affectionate, limited documentary is directed by ‘Kneecap’ producer Trevor Birney
‘Don’t Call Me Mama’ review: Complex Norwegian debut follows an ill-fated small town affair
A wealthy socialite seduces a teenage asylum seeker in elegantly uncomfortable Karlovy Vary competition title
‘Baite’ review: Conventional murder mystery unfolds in 1970s Ireland
Moe Dunford stars in Ruan Magan’s adaptation of Sheena Lambert novel
‘Broken Voices’ review: Powerful Czech choir drama is loosely based on real-life abuse scandal
Ondrej Provaznik’s 1990s-set feature explores the dark underbelly of an elite all-girls choir
‘The Visitor’ review: Lithuanian debut takes a fresh approach to the issue of migration
A Lithuanian ex-pat struggles to return home in Vytautas Katkus’s impressive move to features
‘The Luminous Life’ review: A Lisbon spring brings new opportunities for a troubled 20-something
The debut feature from Joao Rosas is a continuation of three previous short films
‘Re-creation’ review: Vicky Krieps stars in reimagining of Sophie Toscan du Plantier murder trial
Unwieldy feature presents a fictional Irish trial for the real-life 1996 murder of the French film producer
‘Out Of Love’ review: Camille Cottin stars as a French woman flung into motherhood
Nathan Ambrosioni’s intimate drama premieres in Karlovy Vary
‘Dragonfly’ review: Andrea Riseborough and Brenda Blethyn headline potent Paul Andrew Williams drama
Williams returns to the big screen with unnerving study of a community in crisis
‘Brick’ review: A German couple hits the wall in satisfying Netflix thriller
Philip Koch’s sci-fi drama bows on the streamer following its Munich premiere
‘I’m Not Stiller’ review: Paula Beer and Albrecht Schuch star in 1950s Zurich-set thriller
Stefan Haupt’s adaptation of Max Frisch’s novel about identity premieres in Munich
‘All That’s Due’ review: A German family comes undone in Franz Müller’s strained domestic drama
The Munich premiere is a sequel to Müller’s 2009 feature ‘Wallace Line’
‘Karla’ review: A young girl seeks justice in delicately calibrated German debut
Rainer Bock stars in Christina Tournatzés’ 1960s-set feature
‘The Last Spy’ review: CIA spymaster Peter Sichel shares his eye-opening life story
Katharina Otto-Bernstein’s extensive documentary follows Sichel’s involvement in key moments of 20th-century history
‘Saturn’ review’: Transilvania non-fiction winner paints complex portrait of fractured Spanish family
Director Daniel Tornero turns the camera inwards for his What’s Up, Doc? winning debut
‘Bright Future’ review: Romanian documentary revisits 1989 Pyongyang Festival of Youth and Students
Andra MacMasters’ archival essay named best debut feature in Transilvania’s Romanian Days
‘Olivia And The Invisible Earthquake’ review: Empathetic Spanish stop-motion captures life on the poverty line
Irene Iborra Rizo’s accomplished Barcelona-set debut premieres in Annecy competition
‘Arco’ review: Natalie Portman produces appealing French time-travel animation
Ugo Bienvenu’s 2D debut feature sees a boy from the far future crash-land in 2075
‘Dandelion’s Odyssey’ review: Artistic animation takes a plant’s eye-view of the apocalypse
Momoko Seto’s dialogue-free feature blends computer animation and time-lapse photography
‘13 Days 13 Nights’ review: Roschdy Zem stars in real-life Kabul extraction thriller
Dramatisation of removal of French citizens from Afghanistan in August 2021
