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‘The Invisible Man’: Review
Another stellar performance from Elisabeth Moss grounds this outlandish horror based on the HG Wells novel
‘Shirley’: Berlin Review
Elisabeth Moss puts in a braruva performance as troubled real-life writer Shirley Jackson
‘Funny Face’: Berlin Review
Cosmo Jarvis takes the lead in this Brooklyn-set outsider romance from director Tim Sutton
‘Minyan’: Berlin Review
A Jewish student comes to terms with his sexuality in 1980s New York
‘The Intruder’: Berlin Review
Natalie Meta’s ‘stridently entertaining’ second film plays in Competition at the Berlinale
‘Onward’: Berlin Review
A road trip from Pixar which fails to advance the company’s artistic fortunes
‘One In A Thousand’: Berlin Review
Berlin’s Panorama section opens with a teen romance set in One Thousand, an estate in Northern Argentina’s Corrientes
‘My Salinger Year’: Berlin Review
The Berlinale opens with a muted adaptation of Joanna Rakoff’s popular memoir
‘Blumhouse’s Fantasy Island’: Review
“The sort of inept, forgettable disaster that doesn’t even induce so-bad-it’s-good chuckles”
‘The Photograph’: Review
A sexy New York-based romance set to woo Valentine’s Day crowds
‘Sonic The Hedgehog’: Review
Jim Carrey ups the ante in this long-awaited family film based on the beloved Sega game
‘Epicentro’: Sundance Review
This tender portrait of Cuba is the winner of the world documentary competition at Sundance
‘Birds Of Prey (And The Fantabulous Emancipation Of One Harley Quinn)’: Review
DC’s choreographed carnage stars Margot Robbie as Harley Quinn
‘Emma’: Review
Working Title revisits a classic with Anya Taylor-Joy starring opposite Johnny Flynn
‘The Assistant’: Review
Kitty Green’s restrained drama details abuse of power in a Hollywood mogul’s production office
‘The Rhythm Section’: Review
Blake Lively plays a prostitute/assassin in this underwhelming adaptation of Mark Burnell’s novel
'Omniboat: A Fast Boat Fantasia’: Sundance Review
A surreal portmanteau set on or around a Miami speedboat
‘The Evening Hour’: Rotterdam Review
The grandson of a preacherman plies his trade in an opioid-afflicted West Virginia town
‘Boys State’: Sundance Review
A small political ecosystem throws up some big results for documentary film-makers Jesse Moss and Amanda McBaine
‘The Reason I Jump’: Sundance Review
Jerry Rothwell’s groundbreaking documentary tunes into the autistic spectrum
