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‘The Addams Family’: Review
An all-star voice cast can’t lift this flat animation.
‘Color Out Of Space’: London Review
’A cheerfully lurid mess’
‘Coming Home Again’: Busan Review
Real-life tale of a Korean-American writer who returns home to care for his terminally ill mother
‘Pacified’: San Sebastian Review
Favela-set drama is the deserving winner of the Golden Shell
‘Some Beasts’: San Sebastian Review
Stranding his monied family on a deserted island, Jorge Serrano pushes the boat out too far
'The Irishman': Review
A picture that immediately takes its place in the Scorsese canon, and a strong position in the Oscar race.
‘First Cow’: New York Review
Kelly Reichardt spins an Old West tale of love and money
‘Gemini Man’: Review
Ang Lee raises the bar technically - if not dramatically - in a watershed film
‘Cunningham’: Hamburg Review
Immersive documentary about iconic modernist choreographer Merce Cunningham
‘Zeroville’: San Sebastian Review
Ticks all of James Franco’s boxes, but none for the audience
‘Lyrebird’: Toronto Review
A member of the Dutch resistance investigates stolen art in World War II Amsterdam
‘Bad Education’: Toronto Review
Hugh Jackman stars in this real-life tale of embezzlement by American school administrators
‘Jojo Rabbit’: Review
Taika Waititi directs this gentle satire about a boy in 1940s Germany whose imaginary friend is Adolf Hitler
‘Knives Out’: Toronto Review
In which Rian Johnson enjoyably de- and re-constructs the classic whodunnit
‘The Two Popes’: Toronto Review
Anthony Hopkins and Jonathan Pryce make a formidable team with Fernando Meirelles
‘Lucy In The Sky’: Toronto Review
Natalie Portman stars in a story inspired by the real-life romantic travails of astronaut Lisa Nowak
‘Motherless Brooklyn’: Toronto Review
Edward Norton’s long-gestating hard-boiled detective story fails to fully connect
‘Sound Of Metal’: Toronto Review
Riz Ahmed and Olivia Cooke star in this striking debut from Darius Marder
‘Harriet’: Toronto Review
The life of former slave and liberator Harriet Trubman
‘Uncut Gems’: Toronto Review
Adam Sandler and the Safdie brothers unite to jittery, almost unbearably tense effect
