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‘The Painter And The Thief’: Review
A burglar ends up stealing his victim’s heart in this unusual documentary from Norway
‘Ema’: Review
Pablo Larrain returns with this tale of a woman who will go to fiery lengths to be reunited with her adoptive son
‘Bull’: Review
Two mismatched, desperate souls find each other in the rodeo bull-ring.
‘The Assistant’: Review
Kitty Green’s restrained drama details abuse of power in a Hollywood mogul’s production office
‘Endings, Beginnings’: Review
Drake Doremus returns to form with a powerful performance from Shailene Woodley
‘Hollywood’: TV Review
No hoorays here
‘El Father Plays Himself’: Visions du Réel Review
Documentary tracks the Amazon shoot of ‘La Forteleza’, bringing to mind Kinski and Herzog’s adventures of yore
‘A Machine To Live In’: Visions du Réel Review
Brasilia, through the highly-subjective lens of Yoni Goldstein and Meredith Zielke
‘Non Western’: Visions du Réel Review
A fascinating and unexpected clash of cultures besets a complicated Lakota marriage
‘Prayer For A Lost Mitten’: Visions du Réel Review
Tales from life’s lost and found
‘Beastie Boys Story’: Review
Spike Jonze directs a stage show by the band’s two surviving members
‘The Innocence Files’: TV Review
Netflix series presents true cases from Peter Neufeld and Barry Scheck’s campaigning The Innocence Foundation
‘Run’: TV Review
Merritt Wever and Domhnall Gleeson are no strangers in this Phoebe Waller-Bridge exec-produced train-set comedy/drama
‘Tales From The Loop’: TV review
Amazon’s unusual sci-fi series stars Jonathan Pryce and Rebecca Hall
‘Shithouse’: SXSW Review
Cooper Raiff’s debut feature wins the online narrative feature competition at SxSW
‘A Shape Of Things To Come’: CPH:DOX Review
A loner in America’s Southwestern desert is the elusive subject of this mysterious documentary
‘The Mandalorian’: TV Review
Disney’s bounty hunter finally makes his way into European homes
‘IWOW: I Walk on Water’: CPH:DOX Review
Khalik’s Allah delivers an imposing work of absolute individuality
‘Ecstasy’: CPH:DOX Review
Inventive, hybrid art doc from Brazil’s Moara Passoni
‘She Dies Tomorrow’: SXSW Review
A woman’s belief that she is going to die the follow day may not just be paranoia in Amy Seimetz’s unsetting drama
