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‘Never Rarely, Sometimes Always’: Sundance Review
A teenage girl must travel across state lines to get an abortion in this powerful drama
‘Vivos’: Sundance Review
A powerful and perceptive study of lives invaded by tragedy in Mexico from China’s Ai Weiwei
‘Bloody Nose, Empty Pockets’: Sundance Review
A unique, albeit rarefied, example of hybrid cinema set on the last day of an American dive bar
‘La Fortaleza’: Rotterdam Review
A nervy, feverish follow-up to ‘La Soledad’ from Venezuela’s promising young director Jorge Thielen Armand
‘Bad Hair’: Sundance Review
Justin Simien follows up Dear White People with this satirical thriller about bloodthirsty hair
‘Miss Americana’: Sundance Review
Lana Wilson’s portrait of pop megastar Taylor Swift doesn’t give the full picture
‘The Painter And The Thief’: Sundance Review
A burglar ends up stealing his victim’s heart in this unusual documentary from Norway
‘Crip Camp’: Sundance Review
Inspirational, moving documentary about a revolutionary 1970s summer camp for children with disabilities
‘Summertime’: Sundance Review
The follow-up to ‘Blindspotting’ is an absorbing spoken-word sonnet
‘VHYes’: Rotterdam Review
An engaging absurdist VHS collage which also features the director’s parents, Tim Robbins and Susan Sarandon
‘The Turning’: Review
The latest version of Henry James’ haunted house classic fails to raise a scare
‘Dolittle’: Review
A menagerie of mediocrity
‘Bad Boys For Life’: Review
Will Smith and Martin Lawrence reunite on Sony’s far from fresh franchise
‘Underwater’: Review
Kristen Stewart and Vincent Cassel headline this derivative but effective ’blast of monster mayhem’
‘The Grudge’: Review
Horror rehash fields a notable cast if little else that’s new
‘The Gentlemen’: Review
A British drug lord attempts to do business with an American dynasty in Guy Ritchie’s latest crime caper
‘Star Wars: The Rise Of Skywalker’: Review
The Force’s latest finale is ”disappointingly nondescript”
‘Spies In Disguise’: Review
Will Smith voices a feathered secret agent in the latest family friendly animation from Blue Sky
‘Black Christmas’: Review
Imogen Poots fights a masked killer - and her own demons - in this feminist remake of the 1974 slasher
‘Jumanji: The Next Level’: Review
The players return to the jungle for this disappointing video game sequel.
