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‘Ballerina’ review: Ana de Armas shoots to kill in underwhelming John Wick spinoff
Franchise lead Keanu Reeves also stars alongside Gabriel Byrne, Anjelica Huston and Ian McShane.
‘Karate Kid: Legends’ review: Franchise re-boot fails to land a punch
Jackie Chan and Ralph Macchio unite for UK director Jonathan Entwhistle, but even they can’t kick life into the formula
‘The Mysterious Gaze Of The Flamingo’ review: Un Certain Regard winner is set in 1980s Chile
AIDS is making its presence felt within an alternative community in the mining region
‘Honey Don’t’ review: Margaret Qualley plays a PI in Ethan Coen’s slight California comedy
Qualley brings some grit to her gumshoe, even if the road is uneven
‘The Mastermind’ review: Kelly Reichardt’s sombre slice of 1970s Americana stars Josh O’Connor
The actor plays a down-at-heel failed art thief in the director’s Competition entry
‘The Six Billion Dollar Man’ review: Julian Assange is the ultimate whistleblower in Eugene Jarecki doc
Director uses divisive WikiLeaks founder to explore the wider freedom of the press
‘The History Of Sound’ review: Josh O’Connor and Paul Mescal are clandestine lovers in US-set period drama
Oliver Hermanus’s intense, restrained film is set on the East Coast during the 1920s
‘Eleanor The Great’ review: June Squibb headlines Scarlett Johansson’s warm debut
Chiwetel Ejiofor and Erin Kellyman co-star in this Holocaust-themed story set in New York’s Jewish community
‘Highest 2 Lowest’ review: Spike Lee reteams with Denzel Washington for ambitious crime thriller
Fifth collaboration between director and star reimagines Akira Kurosawa classic ’High And Low’ in modern New York
‘Splitsville’ review: Dakota Johnson and Adria Arjona play love rivals in partner-swap comedy
Director/star Michael Angelo Covino follows ’The Climb’ with uneven Cannes Premiere title
’The Phoenician Scheme’ review: Benicio del Toro and Wes Anderson unite for espionage comedy-drama
Mia Threapleton co-headlines alongside an ensemble cast including Tom Hanks, Scarlett Johansson and Benedict Cumberbatch.
‘Orwell: 2+2=5’ review: Raoul Peck links the writer, thinker and activist to the Orwellian present day
Peck’s wide-ranging, cluttered film is several documentaries in one
‘The Wave’ review: Sebastian Lelio's ambitious feminist musical is set to Chile’s university strikes
Ambitious project set during the 2018 protests is an over-reach for the Oscar-winning director
‘The Chronology Of Water’ review: Kristen Stewart’s debut is an intense deep-dive into the life of a troubled artist
Length and repetition undermines a fiery film anchored by Imogen Poots
‘Bono: Stories Of Surrender’ review: U2’s Bono looks back in energetic solo show
Andrew Dominik turns Bono’s 2022 stage tour into an immersive performance for Apple
‘Eddington’ review: Joaquin Phoenix and Pedro Pascal face off in Ari Aster’s wan satire
Pandemic-era Competition title falls short in its attempts to skewer right-wing American ideology
‘The Plague’ review: Joel Edgerton produces, stars in timely hazing drama
Charlie Polinger’s perceptive debut plays out at an all-boys water polo camp
‘Mission: Impossible - The Final Reckoning’ review: Spy franchise wraps a self-regarding double bill
Simon Pegg, Hayley Atwell and Ving Rhames return for a sequel that’s more stunt than substance
‘Thunderbolts*’ review: Marvel ‘still has compelling tales to tell’
Florence Pugh takes centre stage for this mighty tussle in a post-Avengers world
‘Cheech & Chong’s Last Movie’: Doc smokes out the history of US stoner duo
Cheech Marin and Tommy Chong reunite to tell their own story
