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‘El Gran Fellove’: San Sebastian Review
Matt Dillon drums up a hugely entertaining tale of a lost Cuban musician
‘We Are Who We Are’: TV Review (San Sebastian)
Luca Guadagnino delivers a long-form Italian odyssey for HBO
‘The Water Man’: Toronto Review
David Oyelowo impresses with his family-friendly directorial debut
‘Good Joe Bell’: Toronto Review
Mark Wahlberg plays the father of a bullied gay son in Reinalo Marcus Green’s follow-up to ‘Monsters And Men’
‘Violation’: Toronto Review
This bracing debut tracks a woman’s betrayal and revenge
‘Concrete Cowboy’: Toronto Review
Idris Elba takes the reins in this story of an inner-city riding school in Philadelphia
‘Beans’: Toronto Review
Tracey Deer’s impressive debut captures the Mohawk people of Canada at a time of crisis
‘MLK/FBI’: Toronto Review
Some sobering truths on how an American hero was treated during his own lifetime
‘Shadow In The Cloud’: Toronto Review
Chloe Grace Moretz headlines this pulpy US/NZ Midnight Madness feature
‘Pieces Of A Woman’: Venice Review
Vanessa Kirby’s star continues to rise with an intense performance of a bereaved young mother in Kornel Mundroczo’s English-language debut
‘New Order’: Venice Review
Michel Franco’s dystopian howl is dynamic cinema which takes no prisoners
‘Nomadland’: Venice Review
Starring Frances McDormand, Chloe Zhao’s poetic migrant worker drama holds a mirror to society
‘Crazy, Not Insane’: Venice Review
Alex Gibney’s fascinating doc tells of a career spent entirely on the examination of serial killers
‘The Devil All The Time’: Review
Tom Holland, Robert Pattinson star in Antonio Campos’s grim Netflix thriller
‘David Byrne’s American Utopia’: Toronto Review
Same as it ever was, wonderfully so
‘Run Hide Fight’: Venice Review
‘Fundamentally tasteless, just plain wrong’
‘City Hall’: Venice Review
Master documentarian Fredrick Wiseman takes the pulse of a nation as he surveys the city of Boston
‘Hopper/Welles’: Venice Review
An intimate, revealing interview piece highly recommended to either legend’s fans
‘One Night In Miami’: Venice Review
Regina King adapts the award-winning stage play by Kemp Powers
