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Australian producers respond positively to new investment quota for streamers
Platforms with more than a million subscribers will have to comply
Larry Ellison provides personal $40.4bn guarantee in revised Warner Bros Discovery offer
WBD acknowledges receipt, says it will review offer.
Amazon MGM Studios, Netflix in surprise James Bond licencing pact
Die Another Day, No Time To Die, Quantum Of Solace and Skyfall debut in January 2026.
Mubi streamlines leadership structure, fully integrates The Match Factory
Chief content officer Jason Ropell segues into senior advisory role.
YouTube to air Oscars starting in 2029
Academy’s flagship show will air live and for free to platform’s 2bn-plus global viewers.
Ted Sarandos affirms commitment to theatrical release of Warner Bros films in France
Netflix exec made surprise appearance at Canal+ 2026 slate showcase in Paris.
Germany’s €15bn voluntary investment from streamers faces industry scepticism
The German industry has been pushing for a legally binding investment obligation.
Donald Trump comments on proposed Netflix-WB deal
President tells reporters he respects Netflix co-CEO Ted Sarandos. “But it’s a lot of market share”.
CNC president derides Netflix-Warner Bros deal: “You can’t have your cake and eat it”
“When you release Frankenstein with just one week in movie theatres in the US, how can you expect them to survive?”
Netflix confirms it will acquire Warner Bros in $82.7bn deal
Netflix will acquire Warner Bros, including its film and television studios, HBO Max and HBO.
How Netflix is embedding itself in India’s entertainment scene
Having found a business model that has lifted it up the streaming ranks, the global streamer is now putting down roots.
Paramount, Netflix, Comcast said to have submitted bids for WBD
Deadline for first-round bids closed on November 20.
FilmSharks sells thrillers ‘The Woman In The Line’, ‘A Silent Death’
EXCLUSIVE: ‘The Woman In The Line director Benjamin Avila’s Clandestine Childhood was Argentina’s Oscar submission in 2012.
Disney posts mixed Q3 results; ‘Lilo & Stitch’ boosts streaming subscriptions
The company’s theatrical results were well down on the previous year’s quarter.
Why several European film companies are ready for a fresh approach to YouTube
For many in the film industry, YouTube is simply a place to upload trailers. But is it time to adopt a new attitude to the platform?
German film industry pushes for local content quotas on streamers to be made compulsory
The government has plans to make the quotas voluntary, which the industry says will not benefit the local sector.
“Freshness and exclusivity really matters”: Asian streaming execs discuss content strategy at Taiwan fest
Discussion took place at Taiwan Creative Content Fest (TCCF) on November 6.
Australian government to introduce local content quota for streamers
The move will impact all streamers with more than one million subscribers in Australia.
Apple content team on ‘F1’, Emmys success, and launching a platform
”We joke that we worked almost six years to become an overnight success story.”
Production wraps on ‘Our Fault: London’ from ‘Vita & Virginia’ director
EXCLUSIVE: Chanya Button directing third feature in the Fault trilogy.
