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’North South Man Woman’ review: North Korean women seek South Korean husbands in illuminating documentary
Morten Traavik and Sun Kim’s clear-eyed film follows the highs and lows of love across the cultural divide
‘Demon Slayer: Infinity Castle’ review: Bombastic new instalment of hit Japanese manga series
Haruo Sotozaki’s adaptation of Koyoharu Gotouge’s manga novels should please fans and newcomers alike
‘Two Seasons, Two Strangers’ review: Locarno Golden Leopard winner is poetic drama from Japan’s Sho Miyake
A Korean writer searches for creative and romantic fulfilment in Japan
‘The Book Of Sijjin And Illiyyin’ review: Indonesian chiller filters possession narrative through Muslim mythology
Hadrah Daeng Ratu’s culturally specific shocker is her fourth collaboration with writer Lele Laila
‘The Woman’ review: South Korean filmmaker Hwang Wook delivers ponderous psychological thriller
Follow up to director’s Fantasia 2024 prizewinner ’Mash Ville’ is overstuffed murder mystery
‘Omniscient Reader: The Prophecy’ review: Ahn Hyo-seop heads adaptation of South Korean web comic sensation
Kim Byung-woo’s uneven creature feature also stars K-pop singers Nana and Jisoo
‘Sand City’ review: Two disparate lives are linked by sand in lyrical Bangladeshi feature
Dhaka-set drama is debut feature of short filmmaker Mahde Hasan
‘Hi-Five’ review: ‘Burning’ star Yoo Ah-in joins strong cast for South Korean superhero movie
Director Kang Hyoung-chul’s fantasy adventure sees ordinary Koreans develop superpowers after organ transplants
’ChaO’ review: Anarchic Japanese anime imagines a fantastical near-future Shanghai
Animator Yasuhiro Aoki makes his debut with this energetic tale of human-merpeople relationships
‘Behind The Shadows’ review: Louis Koo plays a hardbitten PI in Kuala Lumpur-set detective thriller
The first Malaysian production from Koo’s expanding One Cool Group
‘Love On Trial’ review: Koji Fukada’s drama reveals the dark side of the J-pop phenomenon
A female singer faces a lawsuit for having a boyfriend in this underpowered Cannes Premiere
‘Homebound’ review: Neeraj Ghaywan’s empathetic Indian drama is backed by EP Martin Scorsese
Story of two friends attempting to escape their marginalised roots could be an Un Certain Regard breakout
‘Girl On Edge’ review: Friendship turns to rivalry in Chinese figure skating drama
Director Zhou Jinghao’s debut bows in Directors Fortnight
‘Exit 8’ review: Tokyo’s subway is an endless purgatory in ‘ingenious’ video game adaptation
Director Genki Kawamura’s twisting, inventive chiller bows in Cannes Midnight
‘Dangerous Animals’ review: Sean Byrne’s Australian sharksploitation lacks real bite
Jai Courtney and Hassie Harrison star in this messy genre mash-up
‘Renoir’ review: A grieving 11-year-old retreats into fantasy in 1980s Tokyo
Chie Hayakawa’s elegant second feature plays Cannes Competition
‘Sons Of The Neon Night’ review: With no expense spared, Juno Mak constructs an alternate 1990s Hong Kong
The actor/director’s tricky, long-awaited follow-up to ‘Rigor Mortis’ bows in Cannes’ Midnight strand
‘Bring Her Back’ review: Sally Hawkins delivers ‘unspeakable evil’ for the Philippou Brothers
The follow up to ‘Talk To Me’ features the British actor as a malevolent foster mother
‘Left-Handed Girl’ review: Sean Baker-backed family drama is set on the bustling streets of Taipei
Performance-driven Critics Week title is the directorial debut of Baker’s regular collaborator Shih-Ching Tsou
‘A Pale View Of Hills’ review: Kazuo Ishiguro’s debut novel gets tangled between Japan and the UK
Kei Ishikawa directs a dual timeline between 1950s Japan and 1980s England
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