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‘We Are Aliens’ review: Delicate, sophisticated Japanese animation tracks the fragility of boyhood
Kohei Kadowaki’s debut feature heads to Annecy after a Cannes premiere
‘The Station’ review: Moving Yemen-set drama explores the importance of community in the face of war
Yemeni-Scottish filmmaker Sara Ishaq’s debut bows in Cannes Critics’ Week
‘Elephants In The Fog’ review: Sensitive, stirring debut is set at the heart of Nepal’s transgender community
Screenwriter and short filmmaker Abinash Bikram Shah’s engaging first feature bows in Cannes Un Certain Regard
‘9 Temples To Heaven’ review: A poignant family road trip across contemporary Thailand produced by Apichatpong Weerasethakul
Sompot Chidgasornpongse’s Cannes Directors’ Fortnight title balances ritual, memory and familial tensions with a light touch
‘The Samurai And The Prisoner’ review: Kiyoshi Kurosawa’s handsome Japanese period drama is a staid siege mystery
Kurosawa’s Cannes Premiere title lacks the action of his previous pictures
‘Colony’ review: ‘Train To Busan’ director Yeon Sang-ho returns with fun, forgettable zombie horror
The Seoul-set Cannes Midnight title stars Koo Kyo-hwan, Gianna Jun and Kim Shin-rock
‘Dora’ review: K-pop star Kim Do-yeon heads July Jung’s feverish South Korean psychodrama
Jung follows ‘Next Sohee’ and ‘A Girl At My Door’ with Cannes Un Certain Regard title
‘Hope’ review: A rural South Korean community comes under attack in Na Hong-jin’s thunderously entertaining genre mash-up
The director’s follow-up to ‘The Wailing’ stars Hwang Jung-min and ’Squid Game’’s Hoyeon
‘All The Lovers In The Night’ review: Yukino Kishii and Tadanobu Asano star in challenging, insightful Japanese drama
Yukiko Sode follows ‘Aristocrats’ with low-key Cannes Un Certain Regard title
‘Sheep In The Box’ review: AI changes the nature of grief in Hirokazu Koreeda’s scattershot, syrupy near-future drama
The Cannes Competition title stars Haruka Ayase and Daigo as grieving parents
‘A Girl Unknown’ review: Assured, controlled debut traces an adopted girl’s journey through China
Zou Jing’s Critics’ Week premiere features an impressive performance from Resurrection star Li Gengxi
‘Nagi Notes’ review: A stranger unsettles a rural Japanese community in Koji Fukada’s subdued drama
Fukada’s Cannes Competition premiere stars Shizuka Ishibash and Takako Matsu
‘Cold War 1994’ review: Third in Hong Kong crime thriller franchise is astute and entertaining
Stars Chow Yun-fat, Daniel Wu and Terrance Lau are joined by Hugh Bonneville and Aidan Gillen for director Longman Leung
‘Baby Jackfruit Baby Guava’ review: Vietnam’s Nông Nhật Quang puts his family under the microscope
The film premieres at Visions du Reel before heading to Hot Docs
‘Whispers In May’ review: Lyrical, warm Chinese debut is poignant blend of documentary and fiction
Dongnan Chen’s CPH:DOX competition title follows three teenage girls on a momentous journey
‘The Fox’ review: Olivia Colman lends her voice to underpowered offbeat Australian satire
Dario Russo’s debut feature also stars Jai Courtney, Emily Browning and Sam Neill.
‘I Heard That They Are Not Going To See Each Other Anymore’ review: Offbeat, idiosyncratic Taipei-set debut defies easy categorisation
The improvised first feature from Ka Ki Wong bows in CPH:DOX Next Wave
‘Replica’ review: Fascinating if limited study of Chinese women embarking on AI relationships
Chouwa Liang’s Thessaloniki Documentary Festival premiere is a follow-up to her 2022 short ‘My AI Lover’
‘Sinsin And The Mouse’ review: Verbose, meandering two-hander sees strangers connect in Taipei
Yukinori Makabe’s Glasgow Film Festival premiere is adapted from a short story by Banana Yoshimoto
‘Sentient’ review: Powerful, challenging exploration of biomedical animal testing
Tony Jones’ hot-button film plays Thessaloniki Documentary Film Festival after a Sundance premiere
