![[Clockwise from top left]: Paul Thomas Anderson, Chloe Zhao, Ryan Coogler, Park Chan-wook](https://d1nslcd7m2225b.cloudfront.net/Pictures/274x183/9/0/0/1467900_writerdirectors_192733.jpg)
Latest
‘Early Days’ review: Elegant Mumbai-set debut explores intrusive impact of social media
Red Sea New Visions title is a strong calling card for writer/director Priyankar Patra
‘Under Current’ review: ‘Infernal Affairs’ co-director Alan Mak serves up flat Hong Kong actioner
Aaron Kwok, Simon Yam and Francis Ng star in entertaining but silly crime thriller
‘Black Rabbit, White Rabbit’ review: Audacious, ambitious Tajiki time-loop drama unfolds in film studio
Chosen as Tajikistan’s official Oscar submission, Shahram Mokri’s feature now plays Red Sea Competition
‘Nighttime Sounds’ review: Confident, lyrical drama focuses on marginalised women in rural China
Zhang Zongchen’s follow-up to ‘The Last Farewell’ now plays in Red Sea competition
‘Scarlet’ review: Japan’s Mamoru Hosoda borrows from ‘Hamlet’ for striking animated tale of revenge
The ‘Mirai’ and ‘Belle’ director’s latest begins its international rollout after proving a hit at the Japanese box office
‘First Light’ review: A nun wrestles with her faith in assured, precisely crafted Philippines-set debut
The confident first feature from Australian director James J Robinson plays Marrakech competition
‘Tere Ishk Mein’ review: Tamil star Dhanush stars in glossy, engaging Bollywood love story
Aanand L Rai’s feature debuts at IFFI Goa alongside a day and date rollout across various territories
‘Gondhal’ review: An Indian wedding party turns sour in polished Marathi-language debut
Santosh Davakhar’s impressive first feature premieres in Goa competition
‘White Snow’ review: Deceptively powerful Kashmiri drama celebrates freedom of expression
Praveen Morchhale’s fifth feature is based on a real incident and makes its debut in Goa’s Indian Panorama
‘Vanya’ review: An elderly man fights forced relocation in timely, uneven Indian drama
The latest from Badiger Devendra features a strong central performance from Vaijanath Biradar
‘Whispers Of The Mountains’ review: Balanced drama explores cost of mining in northwest India
Jigar Nagda’s quietly agitating feature premieres in Goa and revolves around a mute pre-teen boy
‘Shape Of Momo’ review: Stirring, authentic drama sees a woman return to her Indian home village
Tribeny Rai’s impressive debut is both culturally specific and universally recognisable
‘Goodbye Sisters’ review: Engrossing doc follows two young women back to their remote Himalayan mountain home
This strong debut from French-Irish filmmaker Alexander Murphy bows in Tallinn
‘Night Flower’ review: A Japanese woman is pushed to the limit in Eiji Uchida’s gritty Tokyo drama
Uchida’s latest feature premieres at Tokyo film festival before opening in Japan at the end of November
‘Morte Cucina’ review: A female chef serves up revenge in ambitious, enigmatic Thai thriller
Pen-ek Ratanaruang’s latest has its Asian premiere in Tokyo competition
‘Halo’ review: Gruelling South Korean debut leans into the grind of the gig economy
A delivery driver is pushed to his limit in Roh Young-hwan’s debut feature
‘We Are The Fruits Of The Forest’ review: Compelling Rithy Panh doc follows Cambodia’s Indigenous Bunong people
The documentarian’s latest film was shot over four years and premieres in Tokyo competition
‘Mothertongue’ review: Zhang Lu explores Chinese language and identity in meditative drama
The Korean-Chinese director’s follow-up to his Busan-winning ‘Gloaming In Luomu’ features the same cast and crew
‘Mother Bhumi’ review: Fan Bingbing impresses in atmospheric, overstuffed 90s-set Malaysian drama
Director Chong Keat-aun’s Tokyo premiere is an uneasy blend of political commentary and supernatural mysticism
‘Blonde’ review: A Japanese teacher faces a student rebellion in messy yet entertaining satire
Yuichiro Sakashita’s Tokyo premiere features a strong performance from singer-dancer Takanori Iwata
