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‘Irradiated’: Berlin Review
Rithy Panh experiments with the documentary form to present a stark exploration of the horrors of modern war
‘There Is No Evil’: Berlin Review
From Iran, director Mohammad Rasoulof orchestrates a cautionary tale in four chapters
‘Days’: Berlin Review
Taiwanese director Tsai Ming-Liang delivers a trademark slow-burn drama about two lonely men finding each other
‘The Woman Who Ran’: Berlin Review
A woman’s encounters with three friends are all interrupted by men in Hong Sangsoo’s teasing drama
‘High Ground’: Berlin Review
An ex-World War II sniper tracks an Aboriginal warrior through Northern Australia
‘Veins Of The World’: Berlin Review
A fiction debut form Mongolia and the director of ’The Story Of The Weeping Camel’
‘Time To Hunt’: Berlin Review
A Korean crime thriller which fails to pay off
‘Black Milk’: Berlin Review
After years of living in Germany, a Mongolian woman returns home to her sister
‘Swimming Out Till The Sea Turns Blue’: Berlin Review
Dir: Jia Zhang-ke. China. 2020. 112mins
‘Minamata’: Berlin Review
Johnny Depp is the real-life photographer who documented the chemical poisoning of a Japanese fishing village
‘Eeb Allay Ooo!’: Berlin Review
A disaffected monkey wrangler is the subject of Prateek Vats’ satirical feature debut
‘Beasts Clawing At Straws’: Rotterdam Review
Jury prize winner is a darkly humorous crime caper from South Korea
‘The Cloud In Her Room’: Rotterdam Review
Noteworthy debut from this female director marks a new voice in Chinese cinema
‘Nasir’: Rotterdam Review
A day in the life Muslim man living in the predominantly Hindu city of Coimbatore
‘Impetigore’: Rotterdam Review
Indonesian shadow puppetry gives vent to some genre gore in the latest from Joko Anwar
‘Minari’: Sundance Review
A Korean family struggles in the Arkansas countryside in this loving portrait by Lee Isaac Chung (’Munyurangabo’).
‘Yalda, A Night For Forgiveness’: Sundance Review
Iranian filmmaker Massoud Bakhshi focuses on one woman to highlight wider issues within a patriarchal society
‘Relic’: Sundance Review
An elderly woman succumbs to dementia - or demons - in Natalie Erika James’ accomplished genre debut
‘The Dissident’: Sundance Review
Bryan Fogel follows up the Oscar-winning Icarus with this exploration of the murder of journalist Jamal Khashoggi
‘Vivos’: Sundance Review
A powerful and perceptive study of lives invaded by tragedy in Mexico from China’s Ai Weiwei
