![[Clockwise from top left]: 'The Voice Of Hind Rajab', 'A House Of Dynamite', 'Jay Kelly', 'After The Hunt', 'The Smashing Machine'](https://d1nslcd7m2225b.cloudfront.net/Pictures/274x183/1/7/0/1459170_veniceawards_837515.jpg)
Latest
‘Goodbye Sisters’ review: Engrossing doc follows two young women back to their remote Himalayan mountain home
This strong debut from French-Irish filmmaker Alexander Murphy bows in Tallinn
‘Night Flower’ review: A Japanese woman is pushed to the limit in Eiji Uchida’s gritty Tokyo drama
Uchida’s latest feature premieres at Tokyo film festival before opening in Japan at the end of November
‘Morte Cucina’ review: A female chef serves up revenge in ambitious, enigmatic Thai thriller
Pen-ek Ratanaruang’s latest has its Asian premiere in Tokyo competition
‘Halo’ review: Gruelling South Korean debut leans into the grind of the gig economy
A delivery driver is pushed to his limit in Roh Young-hwan’s debut feature
‘We Are The Fruits Of The Forest’ review: Compelling Rithy Panh doc follows Cambodia’s Indigenous Bunong people
The documentarian’s latest film was shot over four years and premieres in Tokyo competition
‘Mothertongue’ review: Zhang Lu explores Chinese language and identity in meditative drama
The Korean-Chinese director’s follow-up to his Busan-winning ‘Gloaming In Luomu’ features the same cast and crew
‘Mother Bhumi’ review: Fan Bingbing impresses in atmospheric, overstuffed 90s-set Malaysian drama
Director Chong Keat-aun’s Tokyo premiere is an uneasy blend of political commentary and supernatural mysticism
‘Blonde’ review: A Japanese teacher faces a student rebellion in messy yet entertaining satire
Yuichiro Sakashita’s Tokyo premiere features a strong performance from singer-dancer Takanori Iwata
‘Climbing For Life’ review: Sayuri Yoshinaga lifts flat biopic of Japanese mountaineer Junko Tabei
Junji Sakamoto’s Tokyo opener turns a pioneering life into a traditional melodrama
‘Kokuho’ review: Lee Sang-il’s propulsive, lavish drama is a window into the Japanese art of kabuki theatre
Ken Wanatabe, Ryusei Yokohama and Soya Kurokawa star in Japan’s Oscar submission, which closes Bangkok
‘Tharae: The Exorcist’ review: Thai horror blends familiar possession narrative with religious folklore
Taweewat Wantha’s gory thriller sees an ancient demon terrorise a Catholic village
‘Spying Stars’ review: Vimukthi Jayasundara meditates on grief in lyrical Sri Lankan sci-fi drama
A scientist returning from space to bury her father encounters a dystopic world in Busan Competition title
’By Another Name’ review: A dying filmmaker attempts a final project in South Korean drama
Busan Competition title is latest work from Hong Sang-soo apprentice Lee Jea-han
‘Gloaming In Luomu’ review: Zhang Lu delivers an enigmatic Chinese small-town mystery
A woman searches for her missing boyfriend in the Korean-Chinese filmmaker’s Busan Competition title
‘Seven O’Clock Breakfast Club For The Brokenhearted’ review: Seoul-set romance explores love and loss
Moving Busan Competition drama follows a young woman struggling to move on from a relationship
‘Beautiful Dreamer’ review: Sensitive South Korean drama explores the impact of suicide
A mother and daughter attempt to move on from the death of the family patriarch in Lee Kwang-kuk’s Busan premiere
‘The Second Child’ review: Lim Soo-jung stars in atmospheric South Korean horror-tinged mystery
A mother and daughter attempt to move on from tragedy in Yu Eun-jeong’s Busan Competition premiere
‘Leave The Cat Alone’ review: Enigmatic Japanese debut depicts a marriage blown off course
Shigaya Daisuke’s Tokyo-set relationship drama bows in Busan Competition
‘Funky Freaky Freaks’ review: South Korean debut is frantic tale of high school jealousy and revenge
Hyper-stylised Busan Competition entry is grounded by strong performances
‘En Route To’ review: A surprise teenage pregnancy fuels this accomplished South Korean debut
Yoo Jae-in’s Korean Academy of Film Arts graduation project premieres in Busan Competition
