![[Clockwise from top left]: 'The Voice Of Hind Rajab', 'A House Of Dynamite', 'Jay Kelly', 'After The Hunt', 'The Smashing Machine'](https://d1nslcd7m2225b.cloudfront.net/Pictures/274x183/1/7/0/1459170_veniceawards_837515.jpg)
Latest
‘Good News’ review: Byun Sung-hyun turns 1970 hijacking into satirical Netflix thriller
Sul Kyung-gu stars in the ‘Kill Boksoon’ director’s kinetic dramatisation of the hijacking of Japanese Airlines Flight 351
‘The Ugly’ review: A murder mystery links past and present in Yeon Sang-ho’s calibrated thriller
‘Train To Busan’ director’s Toronto premiere stars Park Jeong-min as a man searching for his mother’s killer
‘The Sun Rises On Us All’ review: Estranged lovers reunite in Cai Shanjun’s slow-burn drama
The Chinese director explores themes of guilt and betrayal in his Venice competition title
‘Girl’ review: Actress Shu Qi’s 1980s-set directorial debut explores childhood trauma
The Taiwanese star also writes this bleakly beautiful but muddled drama which plays in Venice Competition
‘Lost Land’ review: Two young siblings from Myanmar journey alone in search of a better life
Well-intentioned Venice Horizons title from Japanese filmmaker Akio Fujimoto is first-ever Rohingya-language feature
‘Hijra’ review: Family bonds are tested when a teenage girl vanishes in accomplished Saudi drama
Saudi filmmaker Shahad Ameen’s story centres on a grandmother and granddaughter in search of their missing relative
‘Secret Of A Mountain Serpent’ review: Lyrical exploration of female desire set in the Himalayan foothills
Indian director Nidhi Saxena draws on folklore for her atmospheric sophomore film
’North South Man Woman’ review: North Korean women seek South Korean husbands in illuminating documentary
Morten Traavik and Sun Kim’s clear-eyed film follows the highs and lows of love across the cultural divide
‘Demon Slayer: Infinity Castle’ review: Bombastic new instalment of hit Japanese manga series
Haruo Sotozaki’s adaptation of Koyoharu Gotouge’s manga novels should please fans and newcomers alike
‘Two Seasons, Two Strangers’ review: Locarno Golden Leopard winner is poetic drama from Japan’s Sho Miyake
A Korean writer searches for creative and romantic fulfilment in Japan
‘The Book Of Sijjin And Illiyyin’ review: Indonesian chiller filters possession narrative through Muslim mythology
Hadrah Daeng Ratu’s culturally specific shocker is her fourth collaboration with writer Lele Laila
‘The Woman’ review: South Korean filmmaker Hwang Wook delivers ponderous psychological thriller
Follow up to director’s Fantasia 2024 prizewinner ’Mash Ville’ is overstuffed murder mystery
‘Omniscient Reader: The Prophecy’ review: Ahn Hyo-seop heads adaptation of South Korean web comic sensation
Kim Byung-woo’s uneven creature feature also stars K-pop singers Nana and Jisoo
‘Sand City’ review: Two disparate lives are linked by sand in lyrical Bangladeshi feature
Dhaka-set drama is debut feature of short filmmaker Mahde Hasan
‘Hi-Five’ review: ‘Burning’ star Yoo Ah-in joins strong cast for South Korean superhero movie
Director Kang Hyoung-chul’s fantasy adventure sees ordinary Koreans develop superpowers after organ transplants
’ChaO’ review: Anarchic Japanese anime imagines a fantastical near-future Shanghai
Animator Yasuhiro Aoki makes his debut with this energetic tale of human-merpeople relationships
‘Behind The Shadows’ review: Louis Koo plays a hardbitten PI in Kuala Lumpur-set detective thriller
The first Malaysian production from Koo’s expanding One Cool Group
‘Love On Trial’ review: Koji Fukada’s drama reveals the dark side of the J-pop phenomenon
A female singer faces a lawsuit for having a boyfriend in this underpowered Cannes Premiere
‘Homebound’ review: Neeraj Ghaywan’s empathetic Indian drama is backed by EP Martin Scorsese
Story of two friends attempting to escape their marginalised roots could be an Un Certain Regard breakout
‘Girl On Edge’ review: Friendship turns to rivalry in Chinese figure skating drama
Director Zhou Jinghao’s debut bows in Directors Fortnight
