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‘Touch’: Review
Focus Features’ pandemic-set drama by Baltasar Kormákur moves between Iceland, London, and Hiroshima
‘Pierce’: Karlovy Vary Review
Two estranged brothers reconnect through fencing in this sharp Taiwan-set ’sophisticated genre piece’
‘The Imaginary’: Annecy Review
Studio Ponoc’s ’appealing, engaging’ anime for Netflix is set in the English countrysde
‘The Colours Within’: Annecy Review
Naoko Yamada’s ’strikingly-lovely’ 2D animation is centred around three high school misfits who decide to form a band
‘Ghost Cat Anzu’: Annecy Review
Manga adaptation veers wildly in tone but is always claw-cuttingly sharp
‘Memoir Of A Snail’: Annecy Review
Oscar-winner Adam Elliot’s tragi-comic claymation is voiced by Sarah Snook and a rogue’s gallery of Australian character voices
‘Ultraman: Rising’: Review
The iconic Japanese superhero returns for a new adventure in Netflix’s family-friendly animation
‘She’s Got No Name’: Cannes Review
Peter Chan delivers a stirring widescreen melodrama set in Shanghai of the 1940s to round out Cannes 2024
‘All We Imagine As Light’: Cannes Review
Payal Kapadia’s eloquent fiction debut follows three women attempting to find their place in modern Mumbai
‘Viet And Nam’: Cannes Review
Two gay Vietnamese miners face an uncertain future in Truong Minh Quy’s delicate drama
‘I, The Executioner’: Cannes Review
Ryoo Seung-wan delivers a weighty action sequel to 2015’s blockbuster Veteran
‘Sister Midnight’: Cannes Review
Radhika Apte is sensational as a newly-married woman who discovers her wild side in this dark Mumbai-set comedy
‘In Retreat’: Cannes Review
A nomad attempts to reconnect with to his North Indian home in this meditative debut playing in the ACID sidebar
‘Caught By The Tides’: Cannes Review
China’s relentless march for progress inspires Jia Zhang-ke’s contemplative Competition entry
‘Desert Of Namibia’: Cannes Review
A young Japanese woman struggles with her claustrophobic Tokyo life in this Directors’ Fortnight title
‘Black Dog’: Cannes Review
Eddie Peng is a directionless ex-con who teams up with an unwanted mutt in Guan Hu’s uplifting drama
‘The Surfer’: Cannes Review
Nicolas Cage is suitably unhinged as a father out for revenge in Lorcan Finnegan’s Australia-set psychological thriller
‘Twilight Of The Warriors: Walled In’: Cannes Review
Soi Cheang returns triumphantly to Hong Kong genre cinema with this old-school 80s actioner set in Kowloon’s Walled City
‘The Shameless’: Cannes Review
Konstantin Bojanov moves to India for this drama about a forbidden relationship between a sex worker and a younger girl
‘An Unfinished Film’: Cannes Review
A Chinese film crew is caught up in the Covid-19 outbreak in Lou Ye’s absorbing lockdown drama