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‘On The Road’ review: Venice Horizons winner is taut, tender tale of gay Mexican drifter
Writer/director David Pablos sets his story in the ultra-masculine environment of Mexico’s trucking community
‘Dog 51’ review: Cedric Jimenez’s high-octane thriller is set in a near-future Paris
Adele Exarchopoulos and Gilles Lellouche star in engaging Venice Film Festival closer
‘Silent Friend’ review: Hungarian filmmaker Ildiko Enyedi’s paean to nature stars Tony Leung Chiu-Wai
Contemplative Venice Competition title weaves three human stories across a German university campus
‘The Sun Rises On Us All’ review: Estranged lovers reunite in Cai Shanjun’s slow-burn drama
The Chinese director explores themes of guilt and betrayal in his Venice competition title
‘Bravo Bene!’ review: Sicily’s Franco Maresco puts himself at the centre of his meta-mockumentary
Surreal Venice Competition title is a layered satire of the director’s own inability to make a film.
‘Kim Novak’s Vertigo’ review: Affectionate documentary profiles the Hollywood legend and Hitchcock star
Director Alexandre O’ Philippe joins Novak for a look back at her career, and her most famous role
‘100 Nights Of Hero’ review: Maika Monroe and Emma Corrin star in Julia Jackman’s feminist fable
Jackman’s Venice Critics’ Week closer also stars Nicholas Galitzine, Felicity Jones and Charlie XCX
‘Elisa’ review: Italian prison drama sees a convict with amnesia struggle to recall her crime
Leonardo Di Costanzo’s muted Venice Competiton title stars Barbara Ronchi and Roschdy Zem
‘My Father And Qaddafi’ review: Libyan filmmaker Jihan explores the 1993 abduction of her politician father
Moving documentary looks at what happened to Mansur Rashid Kikhia, an opponent of Colonel Qaddafi’s brutal regime
‘Girl’ review: Actress Shu Qi’s 1980s-set directorial debut explores childhood trauma
The Taiwanese star also writes this bleakly beautiful but muddled drama which plays in Venice Competition
‘Waking Hours’ review: Revealing Italian documentary follows Afghan people smugglers in Serbia
Uncompromising Venice Critics Week title will reward patient viewers
‘A Loose End’ review: Daniel Hendler’s cop-on-the-run comedy is a deadpan delight
The Uruguayan director’s third film stars Sergio Prina as an Argentinian policeman forced to flee over the border
‘Barrio Triste’ review: Colombian-American photographer Stillz sets his debut in 1980s Medellin
Harmony Korine produces the unfocused feature about disaffected kids, which premieres in Venice Horizons
‘In The Hand Of Dante’ review: Oscar Isaac takes a dual role in Julian Schnabel’s offbeat biopic
Gerard Butler, Gal Gadot and Jason Momoa also star in Schnabel’s sprawling look at the Italian poet
‘Duse’ review: Italian auteur Pietro Marcello’s ambitious biopic of actress Eleonora Duse
Valeria Bruni-Tedeschi and Noémie Merlant star in Marcello’s Venice Competition title
‘Silent Rebellion’ review: A young woman learns to find her voice in 1940s rural Switzerland
Lila Gueneau stars in Marie-Elsa Sgualdo’s accomplished debut which plays out in the aftermath of rape
‘Human Resource’ review: A pregnant worker navigates a hostile world in Thai drama
Nawapol Thamrongrattanarit’s Venice Horizons title features an enigmatic central performance from Prapamonton Eiamchan
‘Notes Of A True Criminal’ review: Alexander Rodnyansky explores Ukraine’s plight, past and present
Co-directing with Andriy Alferov, the Ukrainian filmmaker presents a deeply personal documentary
‘The Voice Of Hind Rajab’ review: Kaouther ben Hania revisits 2024 death of a six-year-old in Gaza
Wrenching Venice competition title blends documentary and drama, and uses real-life emergency services recordings
‘Kabul, Between Prayers’ review: Engrossing documentary follows a lost generation of Afghan men
Dutch-Afghan film-maker Aboozar Amini’s follow-up to ’Kabul, City In The Wind’ focuses on three radicalised brothers