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Primetime Emmy Awards

Top story

Adolescence_BTS_A_103_Unit_00200_RT_adapted

‘Adolescence’ star Owen Cooper becomes youngest male actor Emmy winner

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‘Adolescence’, ‘The Studio’, ‘The Pitt’ win big at 2025 Emmys

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‘Severance’ production designer Jeremy Hindle on evoking beauty and violence through furniture, colour, and location

'Dying For Sex'

‘Dying For Sex’ director Shannon Murphy on “leading an orchestra” of actors and going “old school theatre”

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    Jessica Lee Gagné, double Primetime Emmy nominee for Apple TV+’s ‘Severance’, on harnessing visuals to highlight emotion

  • Kalina Ivanov

    Production designer Kalina Ivanov reveals how she created the ‘king gangster’ aesthetic of HBO’s ‘The Penguin’

  • 'Severance'

    ‘Severance’ leads 2025 Emmys nominations

  • Wolf Hall- The Mirror And The Light_Credit BBC-Playground Entertainment-Nick Briggs

    Is the US appetite for UK series changing in a temperamental market?

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    My Screen Life: ‘Succession’ creator Jesse Armstrong on AI fears and the one TV series to watch this year

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    How ‘Andor’ creator Tony Gilroy drew on years of “fascist rebellion greatest hits” to create ‘Star Wars’ spin-off

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Kalina Ivanov

Production designer Kalina Ivanov reveals how she created the ‘king gangster’ aesthetic of HBO’s ‘The Penguin’

Wolf Hall- The Mirror And The Light_Credit BBC-Playground Entertainment-Nick Briggs

Is the US appetite for UK series changing in a temperamental market?

  • How ‘Andor’ creator Tony Gilroy drew on years of “fascist rebellion greatest hits” to create ‘Star Wars’ spin-off

  • Why Paul Feig broke his no-sequel rule with ‘Another Simple Favor’ and chose to go straight to streaming

  • “Being an outsider allows you a little bit of objectivity,” explains the US showrunner of IRA drama ‘Say Nothing’

  • “We don’t get to see brash women on screen”: Lashana Lynch talks ‘The Day Of The Jackal’

  • Bella Ramsey on the “responsibility” of leading season two of ‘The Last Of Us’

  • How ‘Black Doves’ creator Joe Barton’s career took flight: “It’s not been a bed of roses”

  • “I wanted to grab the opportunity with both hands,” says ‘Adolescence’ breakout star Owen Cooper

  • ‘Adolescence’ team talk safeguarding, Netflix input and future one-shot projects

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    BFI filmmaking and talent development funding to increase to £20.3m a year

    Audience development funding also increases to £11.2m a year.

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