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‘Captains Of Zaatari’: Sundance Review
In a refugee camp in Jordan, football offers hope to two young boys
‘Hive’: Sundance Review
Kosovo-set winner of Sundance’s World Dramatic section looks set to be a firm audience favourite as well
‘My Name Is Pauli Murray’: Sundance Review
A person far, far ahead of their time
‘Life In A Day’: Sundance Review
Kevin Mcdonald returns to format
‘All Light, Everywhere’: Sundance Review
When we cannot believe our eyes
‘Pleasure’: Sundance Review
Rigorously-researched drama about a Swedish girl who wants to make it big in LA’s porn business
‘Mayday’: Rotterdam Review
Feisty feminists, militant weirdness as director Karen Cinorre makes her debut with Grace von Patten and Mia Goth
‘Prisoners Of The Ghostland’: Sundance review
Will Sion Sono and Nicolas Cage prove to be the pulpy dream team that genre fans have been anticipating?
‘First Date’: Sundance Review
Things don’t go entirely to plan when Mike buys a beaten-up car to impress girl-next-door Kelsey
‘Jockey’: Sundance Review
An ageing jockey is forced to acknowledge some truths in Clint Bentley’s modest debut
‘Land’: Sundance Review
Robin Wright directs and stars in a story of grief and acceptance
‘Together Together’: Sundance Review
A gentle surrogate comedy starring Ed Helms and Patti Harrison
‘Misha And The Wolves’: Sundance Review
Did the author of a renowned Holocaust memoire really cry wolf?
‘Taming The Garden’: Sundance Review
In Georgia, giant trees are being uprooted and amassed by a billionaire
‘On The Count Of Three’: Sundance Review
A suicide pact between two depressed men is the basis of Jerrod Carmichael’s off-kilter comedy
‘A Glitch In the Matrix’: Sundance Review
Is this the real life?
‘Eight For Silver’: Sundance Review
Sean Ellis bays at the moon in this deliciously slippery werewolf drama
‘Writing With Fire’: Sundance Review
Dalit women defy discrimination by setting up a journalistic organisation - and making it a success story
‘R#J’: Sundance Review
Thus with a kiss….and a mobile phone…
‘Passing’: Sundance Review
Rebecca Hall impresses with her directorial debut, set in 1929 Harlem
