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'Wildlife': Review
Carey Mulligan stars in actor Paul Dano’s directorial debut, an adaptation of the popular Richard Ford novel
'Leave No Trace': Review
A father and daughter find their isolated existence threatened in Debra Granik’s moving drama
'Lords Of Chaos': Review
Rory Culkin and Emory Cohen star in this real-life drama centred on the Norwegian death metal scene
'We The Animals': Review
Winner of the NEXT prize at Sundance, Jeremiah Zagar’s dreamy coming-of-age drama is captivating
'Matangi/Maya/M.I.A': Review
Lively doc about the Tamil/London rapper premiered in Sundance before moving to Berlin
'Butterflies': Sundance Review
Three estranged siblings take a road trip home in this bittersweet Turkish drama
'An Evening With Beverly Luff Linn': Sundance Review
Aubrey Plaza stars in Jim Hosking’s follow up to ‘The Greasy Strangler’
'The Cleaners': Sundance Review
This revealing documentary peers into the shadowy world of online content moderators
'Time Share (Tiempo Compartido)': Sundance Review
A holiday complex is anything but paradise in this sinister tale
'Tully': Sundance Review
Jason Reitman directs Charlize Theron as a harried mother of three
'Hereditary': Sundance Review
’Impeccable dread and lingering melancholy’ infuse this terrific horror debut from A24
'Search': Sundance Review
Sony has snapped up all rights to this fiendishly clever directorial debut starring John Cho
'Madeline's Madeline': Review
Original, but perplexing, Josephine Decker’s film focuses on a 16 year-old New York performer
'Ophelia': Sundance Review
Daisy Ridley and George McKay replay Hamlet as a feminist manifesto for director Claire McCarthy
'The Tale': Sundance Review
An unflinching look at sexual abuse and the messy path to recovery which will elicit strong reviews and online commentary
'The Miseducation Of Cameron Post': Sundance Review
Set inside a conversion therapy centre, Desiree Akhavan’s film demonstrates a wry sense of humour
'I Think We're Alone Now': Sundance Review
Peter Dinklage and Elle Fanning are reluctant companions for the end of the world
'Tyrel': Sundance Review
Mudbound star Jason Mitchell finds himself an outsider on a boy’s weekend in the woods
'The Happy Prince': Review
Rupert Everett is an exceptional Oscar Wilde in his own directorial debut.
'Shirkers': Sundance Review
Director Sandi Tan sets out to discover what happened to her debut road movie, shot in 1992
