“The landscape for horror is changing”: Natalie Erika James on debut feature ‘Relic’
Executive producers on the film include Jake Gyllenhaal and the Russo brothers.
My Working From Home Life: Kirsten Schaffer, Women in Film, Los Angeles
“What is different is that my kids are more visible to my colleagues.”
Word of Mouth - Eric Khoo: “'Chernobyl' blew me away”
Eric Khoo, the Singaporean director, producer and founder of Zhao Wei Films, reveals how he finds films and TV shows to watch.
My Working From Home Life: UK casting director Shaheen Baig
w“Speaking to upset and frustrated producers has been unsettling.”
Film Constellation boards Sundance horror ‘Relic’, launches online buyers platform
The bespoke online destination is available to buyers now.
My Working From Home Life: Palestinian director Muayad Alayan
”I believe it’s a strong reminder to everyone of the importance of audiovisual artists and creators.”
BFI Flare filmmakers plot next steps for their films: “We can’t allow ourselves to be bitter”
When coronavirus forced the festival to cancel, Flare directors had to make a choice.
How NFTS graduates are powering the UK film industry
Nearly all of the biggest budget inward investment films in the UK since 2015 had NFTS graduate involvement.
Japan’s Nippon TV taps into global demand for female-oriented dramas
Japanese broadcaster Nippon TV has found a global groove selling scripted formats for social-issue dramas.
Why Element Pictures adapted ‘Normal People’ as a TV series rather than a film
Screen speaks to Element Pictures’ Ed Guiney and director Lenny Abrahamson.
“We used burner phones and burner computers”: Alex Gibney on shooting ‘Citizen K’ in Russia
‘Citizen K’ is one of two films by Gibney screening at CPH:DOX
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European broadcasters take on streaming giants by targeting youth audiences
Screen profiles five of these top broadcasters on their youth segment.
