![[Clockwise from top left]: 'The Voice Of Hind Rajab', 'A House Of Dynamite', 'Jay Kelly', 'After The Hunt', 'The Smashing Machine'](https://d1nslcd7m2225b.cloudfront.net/Pictures/274x183/1/7/0/1459170_veniceawards_837515.jpg)
Latest
‘Palestine 36’ review: Palestine’s Oscar entry is stirring historical drama from Annemarie Jacir
Jacir’s lavish period epic is set against the background of Palestine’s 1936 Arab Revolt against British rule
‘One Woman One Bra’ review: A single woman fights for her rights in spirited Kenyan drama
Vincho Nchogu’s feature debut plays London’s First Feature Competition after premiering in Venice
‘Desert Warrior’ review: Visually stunning Saudi Arabian epic lacks an emotional core
Antony Mackie and Sir Ben Kingsley star in Rupert Wyatt’s 7th century Arabian drama
‘Unidentified’ review: Haifaa Al Mansour’s Saudi thriller sees a grieving woman turn detective
The Saudi Arabian director reteams with star Mila Alzahrani, who plays a true-crime enthusiast investigating a murder
‘Without Permission’ review: An exiled filmmaker returns to Iran in Hassan Nazer’s bold docudrama
Real Iranian children discuss love and hope in the British-Iranian director’s Busan Competition feature
‘Divine Comedy’ review: Ali Asgari skewers Iranian cultural restrictions in witty satire
Charming performances carry Asgari’s fifth feature about a fictional director attempting to screen his latest film in Tehran
‘Calle Malaga’ review: Carmen Maura stars in Maryam Touzani’s tame Tangier-set domestic drama
Moroccan filmmaker Touzani follows ‘The Blue Caftan’ with a predictable story about finding things to live for in old age
‘Bidad’ review: A female singer fights to be heard in potent Tehran-set drama
Iranian filmmaker Soheil Beiraghi’s fourth feature premieres in Karlovy Vary competition
‘Woman And Child’ review: Saeed Roustaee drama heaps misfortune on an Iranian widow
Parinaz Izadyar stars in overwrought Cannes Competition title
‘It Was Just An Accident’ review: Jafar Panahi confronts the Iranian injustice system head-on
Cannes Competition title sees a traffic accident spark a series of devastating events
‘Aisha Can’t Fly Away’ review: A Cairo careworker finds herself caught up in local gang tensions
Morad Mostafa’s feature debut mixes drama and magical realism
‘Mama’ review: A Polish domestic worker has a difficult return home from Israel
Writer/director Or Sinai’s composed character study is split between two countries, like its central character
‘The President’s Cake review’: Quinzaine crowd-pleaser is set in Saddam Hussein’s Iraq
A young girl, a scene-stealing cockerel and a culinary challenge fuel Hasan Hadi’s winning 1990s-set story
‘The Vanishing Point’ review: How Iran’s 1979 revolution unleashed generational trauma in one family
Their memories become an act of resistance in Visions du Reel ‘Burning Lights’ winner
‘Ancestral Visions Of The Future’ review: Intricate visual poem from exiled Lesotho filmmaker
Lemohang Mosese follows up his 2019 arthouse hit ’This Is Not A Burial’
‘The Settlement’ review: Egyptian debut is a bleak and dispiriting revenge thriller
Mohamed Rashad’s Perspectives title has a ’grim inevitability’
‘Khartoum’: Sundance Review
Five displaced Sudanese citizens re-enact their experiences in this immersive documentary
‘Cutting Through Rocks’: Sundance Review
One woman takes on the patriarchy in a small Iranian village
‘How To Build A Library’: Sundance Review
The restoration of a fading colonial-era library in Kenya proves to be a touchpoint for the country’s issues
