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‘Costa Brava, Lebanon’: Venice Review
A terrific debut from Mounia Akl set in a Lebanese mountain idyll – until the landfill arrives next door
‘Good Madam’: Toronto Review
Jenna Cato Bass examines the horror of servitude in South Africa’s affluent gated communities
‘Huda’s Salon’: Toronto Review
Hany Abu-Assad sets the stage for his political thriller in a Bethelem beauty parlour
‘You Resemble Me’: Venice Review
Spike Lee and Jonze produce this debut, hybrid feature about the the French radical Islamist Hasna Ait Boulahcen
‘Republic Of Silence’: Venice Review
A vivid, emotionally-charged insider view of conflict and displacement from Syria’s Diana El Jeiroudi
‘Amira’: Venice Review
Mohamed Diab’s film interrogates the status of a Palestinian teenager whose identity is suddenly thrown into question
‘Indemnity’: Fantasia Review
A wrongfully accused man is chased by cops and mercenaries in this paranoid political thriller
‘Mariner Of The Mountains’: Cannes Review
Smooth sailing for Brazil’s Karim Ainouz as he traces his family’s recent past back to Algeria
‘Casablanca Beats’: Cannes Review
A vibrant musical from Nabil Ayouch, shot over two years at the cultural centre he founded
‘Feathers’: Cannes Review
Unsettling, wry drama/comedy from Egypt is the winner of the 2021 Critics’ Week top prize at Cannes
‘Europa’: Cannes Review
An Iraqi refugee desperate for a new life attempts to outrun bloodthirsty Turkish ‘migrant hunters’
‘Neptune Frost’: Cannes Review
Cyber-musical from Rwanda showing in Directors’ Fortnight displays defiant and dizzying originality
‘A Hero’: Cannes Review
Asghar Farhadi returns to Competition with the story of an unlinkely man caught in a social media storm
‘Let It Be Morning’: Cannes Review
An Israeli Arab visiting his hometown finds himself under military seige
‘Hit The Road’: Cannes Review
Panah Panahi raises the roof with his Directors’ Fortnight triumph
‘Lingui: The Sacred Bonds’: Cannes Review
A single mother struggles to protect her pregnant daugter in Mahamat-Saleh Haroun’s Cannes Competition title
‘Ahed’s Knee’: Cannes Review
Nadav Lapid plays in Competition with a caustic story about an Israeli film-maker forced into a cultural compromise
‘The Son’: Moscow Review
A middle-aged Iranian man struggles to grow up after the death of his mother
‘The Last Shelter’: CPH: DOX Review
Moving documentary about life at Caritas House of Migrants, a refuge for travellers on the edge of Mali’s Sahel desert
‘Our Memory Belongs To Us’: CPH:DOX Review
Three exiled Syrian journalists reunite to watch footage from the beginning of the revolution
