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‘There Is No Evil’: Berlin Review
From Iran, director Mohammad Rasoulof orchestrates a cautionary tale in four chapters
‘Luxor’: Sundance Review
Andrea Riseborough stars in this Egypt-set drama from Zeina Durra
‘Yalda, A Night For Forgiveness’: Sundance Review
Iranian filmmaker Massoud Bakhshi focuses on one woman to highlight wider issues within a patriarchal society
‘This Is Not A Burial, It’s A Resurrection’: Sundance Review
A striking debut from Lesotho made under Venice’s Biennale College initiative
‘Chronology’: Review
Striking second feature from Turkey’s Ali Aydin is mid-way through a successful festival run
‘Just 6.5’: Tokyo Review
Iranian police play a never-ending cat-and-mouse game with the country’s drug dealers in this gripping crime thriller
‘Coup 53’: London Review
’A sharp-eyed history lesson that unfolds with the pace and fascination of thriller’
‘Walking With Shadows’: London Review
A wife discovers her husband is gay in this exploration of queer Nigeria
‘The Cave’: London Review
Feras Fayyad’s award-winning documentary follows a female doctor in an underground hospital in Damascus
‘143 Sahara Street’: Hamburg Review
The elderly proprietor of an isolated Algerian roadside cafe is the subject of this evocative documentary
‘Noura’s Dream’: San Sebastian Review
In working-class Tunis, little has changed for women in Hinde Boujemaa’s fiction debut
‘Africa’: Toronto Review
Oren Gerner turns the camera on his own family for this portrait of an ageing man railing against inconsequence
‘Hava, Maryam, Aleysha’: Venice Review
With her debut feature, Sahraa Karimi explores the lives of three Afghan women
‘Moffie’: Venice Review
A young South African man struggles to hide his homosexuality in 1980s military service
‘A Son’: Venice Review
Tense family drama set in Tunisia in 2011
‘The Perfect Candidate’: Venice Review
Director Haifaa Al Mansour returns to her native Saudia Arabia for this story about an aspiring female politician
