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‘The Death of Cinema and My Father Too’: Cannes 2020 Label Review
Self-reflexive debut from Israel boasts an ambitiously labyrinthine structure
‘Jungle Beat: The Movie’: Annecy Review
Cheerful family-friendly animation from Mauritius
‘The Art Of Living In Danger’: Sheffield Doc/Fest Review
A look inside the struggle against domestic violence in Iran
‘The Pageant’: Visions du Réel Review
Behind the scenes of the annual ‘Miss Holocaust Survivor’ competition in Haifa, Israel
‘There Is No Evil’: Berlin Review
From Iran, director Mohammad Rasoulof orchestrates a cautionary tale in four chapters
‘Luxor’: Sundance Review
Andrea Riseborough stars in this Egypt-set drama from Zeina Durra
‘Yalda, A Night For Forgiveness’: Sundance Review
Iranian filmmaker Massoud Bakhshi focuses on one woman to highlight wider issues within a patriarchal society
‘This Is Not A Burial, It’s A Resurrection’: Sundance Review
A striking debut from Lesotho made under Venice’s Biennale College initiative
‘Chronology’: Review
Striking second feature from Turkey’s Ali Aydin is mid-way through a successful festival run
‘Just 6.5’: Tokyo Review
Iranian police play a never-ending cat-and-mouse game with the country’s drug dealers in this gripping crime thriller
‘Coup 53’: London Review
’A sharp-eyed history lesson that unfolds with the pace and fascination of thriller’
‘Walking With Shadows’: London Review
A wife discovers her husband is gay in this exploration of queer Nigeria
‘The Cave’: London Review
Feras Fayyad’s award-winning documentary follows a female doctor in an underground hospital in Damascus
‘143 Sahara Street’: Hamburg Review
The elderly proprietor of an isolated Algerian roadside cafe is the subject of this evocative documentary
‘Noura’s Dream’: San Sebastian Review
In working-class Tunis, little has changed for women in Hinde Boujemaa’s fiction debut
