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‘Nadia, Butterfly’: Cannes Label 2020 Review
Insider’s view of the end of an Olympic swimming career
‘Summer Of 85’: Review
Francois Ozon’s film of an English novel was selected for Cannes and now releases on Bastille Day across France
‘Peninsula’: Review
Zombies have destroyed the entire Korean peninsula in Yeon Sang-ho’s follow-up to ’Train To Busan’.
‘Love Affair(s)’: Cannes 2020 Label Review
Emmanuel Mouret delivers his take on the ‘Unapolagetic French Art Film’
‘Il Mio Corpo’: ACID Review
A hardscrabble life in Sicily is illuminated by Michele Pennetta’s heartfelt doc
‘Gagarine’: Cannes Label 2020 Review
An audacious feature debut shoots for the stars
‘Paradise’: Cannes Market Review
In Tahiti, two cousins represent the past and the future of an island at the crossroads
‘The Death of Cinema and My Father Too’: Cannes 2020 Label Review
Self-reflexive debut from Israel boasts an ambitiously labyrinthine structure
‘Sweat’: Cannes Label 2020 Review
Smartly focused story about the life and lack of soul of a social influencer
‘Josep’: Cannes 2020 Label Review
A delicate rendering of how Spanish artist Josep Bartoli escaped a prision camp in France
‘Slalom’: Cannes 2020 Label Review
Jérémie Renier and Ava’s Noée Abita star in this provocative drama set in an elite ski school
‘Deerskin’: Review
A ’winningly offbeat and unexpected’ dark comedy from Quentin Dupieux.
‘Minyan’: Review
A Jewish student comes to terms with his sexuality in 1980s New York
‘Fire Will Come’: Review
Oliver Laxe’s prize-winning feature continues is strikingly beautiful and meditative
