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Cannes 2023: the stand-out short films
Screen mentee and Unifrance Critics Lab participant Khushi Jain explores the highlights of this year’s short films at Cannes
‘Elemental’: Cannes Review
Pixar brings Cannes to a close with its immigrant-themed animation
‘Anita’: Cannes Review
The life and times of notorious rock chick Anita Pallenberg, as executive produced by her son, Marlon Richards
‘L’Abbé Pierre - A Century Of Devotion’: Cannes Review
Benjamin Lavernhe takes the title role in this epic sweep through the social problems of modern France
‘Cobweb’: Cannes Review
Kim Jee-woon’s Cannes entry is an entertainingly affectionate ode to film-makers and film-making
‘In Our Day’: Cannes Review
Hong Sangsoo closes out Director’s Fortnight with this slender conversation piece
‘Strangers By Night’: Cannes Review
Alex Lutz directs and stars in this Un Certain Regard closer about the chance meeting of a Parisian couple
‘The Old Oak’: Cannes Review
Ken Loach returns to Cannes with his ensemble swansong about Syrian refugees arriving in a small town in the North of England
‘La Chimera’: Cannes Review
Alice Rohrwacher’s fourth feature stars Josh O’Connor as an archaeological psychic in Italy’s Etruscan badlands
‘Salem’: Cannes Review
Jean-Bernard Marlin’s fiery gang-war film confirms the promise of his debut ’Shéhérezade’
‘Last Summer’: Cannes Review
Catherine Breillat’s Competition title explores the fallout of an affair between a woman and her teenage stepson
‘Perfect Days’: Cannes Review
Wim Wenders returns to Cannes competition with this meditative tale of a man living a quiet existence in Tokyo
’All To Play For’: Cannes Review
Virginie Efira shines as a single mother attempting to save her son from the French care system
‘Just The Two Of Us’: Cannes Review
Virginie Efira and Melvil Poupaud star in Valerie Donzelli’s well-observed domestic abuse drama
‘Kennedy’: Cannes Review
The latest from veteran filmmaker Anurag Kashyap is the murky tale of police corruption in lockdown-era Mumbai
‘Agra’: Cannes Review
The ugly cycle of domestic violence shadows Kanu Behl’s second feature
‘Inside The Yellow Cocoon Shell’: Cannes Review
A man embarks on a physical and spiritual journey in this arresting debut drama from Vietnam
‘The Pot-Au-Feu’: Cannes Review
Juliette Binoche and Benoit Magimel make an appetising combination in Tran Anh Hung’s food-themed Competition entry
‘Hopeless’: Cannes Review
A troubled teenager turns to the mob in Kim Chang-hoon’s brutal South Korean drama
‘Room 999’: Cannes Review
The future of cinema is addressed with unfiltered interviews inspired by Wim Wenders’ ‘Room 666’
