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‘You’ll Never Believe Who’s Dead’ review: A Sligo family attempts to pull off a Christmas heist in raucous Irish black comedy
Dallan Shovlin’s entertaining debut stars Ardal O’Hanlon, Michelle Fairley and Stephen Rea, and premieres at Galway Film Fleadh
‘Learning To Breathe Under Water’ review: Winning Irish heartwarmer takes a child’s eye view of healing from grief
Rory Kinnear, Maria Bakalova and Ezra Carlisle impress in Rebekah Fortune’s well-observed feature
‘Try!’ review: Crowd-pleasing Irish doc celebrates the community spirit of Mixed Ability Rugby
Oisín Mistéil’s heartfelt film plays Galway after a Sheffield DocFest premiere
‘Life Support’ review: Distressing, essential documentary follows volunteer medics into Gaza
Daniele Rugo’s powerful first-hand account opens in UK/Irish cinemas after a Sheffield premiere
‘Rain Catcher’ review: A London street photographer loses his grip on reality in intriguing, twisty neo-noir
Dudley O’Shaughnessy impresses in Michele Fiascaris debut feature, premiering in Karlovy Vary’s Proxima competition.
‘Hijamat’ review: Jafar Panahi produces Nader Saeivar’s disjointed study of a Turkish immigrant family in Berlin
The fourth feature from Panahi collaborator and It Was Just An Accident co-writer Saeivar premieres in Karlovy Vary competition
‘Evil Dead Burn’ review: Latest in long-running horror franchise has lots of gore, little of substance
Infested director Sebastien Vanicek takes the reins for this ultra-violent domestic horror
‘Moana’ review: Lifeless live-action remake fails to capture the spirit of Disney’s animated original
Thomas Kail’s effects-heavy feature stars Dwayne Johnson and newcomer Catherine Lagaʻaia
‘Our House’ review: Galway opener is lively, unbalanced Northern Irish home invasion thriller
Peter Young’s promising feature debut stars Hannah McClean, Michael Shea and Andy Doherty
‘Black Money For White Nights’ review: Absurdist drama reckons with Bulgaria’s culture of corruption
Directors Kristina Grozeva and Petar Valchanov return to Karlovy Vary following their Crystal Globe-winning The Father
‘The Lion At My Back’ review: Cypriot migrant drama is anchored by persuasive performances
Tonia Mishiali’s second feature makes its debut in Karlovy Vary’s Crystal Globe competition
‘Bearhunting’ review: A real-life 19th century bear hunt fuels underpowered German satire
The second feature from Peter Meister will release in Germany in August, following plays at Munich and Shanghai
‘The Guest’ review: Trine Dyrholm is magnetic at the heart of knotty Danish domestic drama
Mads Mengel’s feature debut premieres in Karlovy Vary’s Crystal Globe competition
‘Block 10’ review: Harrowing Holocaust drama sheds light on Nazi sterilisation experiments
Marcus O Rosenmüller’s unflinching feature premieres in Munich’s Spotlight strand
‘Echo Of Tomorrow’s War’ review: Germany’s past seems destined to repeat itself in timely family drama
Nicolas Ehret’s poignant feature debut bows in Munich’s New German Cinema strand
‘The Miserable Mother’ review: German musical comedy is wry, sincere study of new motherhood
Susanne Heinrich’s follow-up to ‘Aren’t You Happy?’ plays Munich’s New German Cinema strand
‘Minions & Monsters’ review: The half-pint heroes return for a gleefully anarchic animation set in 1920s Hollywood
Christoph Waltz, Allison Janney and Jesse Eisenberg lend their voices to the latest instalment in Illumination’s hit franchise
‘Identitti’ review: A university student wrestles with identity issues in uneven German drama
Amanda Babaei Vieira and rapper Sabrina Setlur star in Randa Chahoud’s adaptation of Mithu Sanyal’s bestseller
‘The Violinist’ review: Annecy Cristal winner is sedate, traditional Singapore-set animation
Dir. Ervin Han, Raúl García. Singapore/Spain/Italy. 2026. 114mins
‘Jackass: Best And Last’ review: Johnny Knoxville and gang reunite for gleeful mix of past highlights and punishing new stunts
Series regulars Steve-O and Chris Pontius also join returning director Jeff Tremaine
‘Blaise’ review: Droll French animation follows an introverted teen and his dysfunctional parents
Dimitri Planchon and Jean-Paul Guigue’s follow-up to their popular TV series premieres in Annecy
‘Supergirl’ review: Milly Alcock impresses as the sardonic superhero but latest DC adventure fails to soar
Matthias Schoenaerts and Jason Momoa co-star in Craig Gillespie’s lacklustre summer actioner
‘Julián’ review: Latest animation from Ireland’s Carton Saloon is vibrant Brooklyn-set coming-of-age drama
Louise Bagnall’s feature debut makes its bow at Annecy
‘Rogue Trooper’ review: Duncan Jones adapts 2000 AD comic strip into eccentric, entertaining animated actioner
Aneurin Barnard, Jack Lowden and Hayley Atwell lend their voices to Jones’s Annecy premiere
‘Lionel’ review: Tender, understated Spanish father-son drama draws from real life
Carlos Saiz’s small-scale feature debut won Transilvania’s top prize
‘Lucy Lost’ review: Charming, playful animated adaptation of Michael Morpurgo novel ‘Listen To The Moon’
Olivier Clért’s feature debut plays Annecy competition following its Cannes premiere
‘Leviticus’ review: Striking performances and a balanced tone elevate unnerving Australian LGBTQ+ horror
Joe Bird and Stacy Clausen impress in Adrian Chiarella’s feature debut
‘Our Father’ review: Transilvania’s Special Jury Award winner is brooding, unsettling Serbian addiction drama
Goran Stankovic’s feature debut is based on the story of Serbian Orthodox priest Branislav Peranovic, who was jailed for murder
‘Iron Boy’ review: French animator Louis Clichy’s first feature is striking, personal study of a challenging childhood
Clichy’s debut bowed in Cannes’ Un Certain Regard before moving on to Annecy competition
‘In Waves’ review: French debut animation is handsome, empathetic study of love and grief
French-Vietnamese director Phuong Mai Nguyen’s first feature plays Annecy competition after opening Cannes Critics’ Week
‘Dear You’ review: Chinese box office hit is sentimental, culturally-specific Teochew family drama
Lan Hongchun’s feature now rolls out internationally after becoming second biggest film of the year in China
‘Labrador - Autopsy Of Silence’ review: Slow-burn Tribeca winner is emotionally-rich Canadian character study
Newcomer Christopher Angatookalook impresses in Rodrigue Jean’s study of guilt, justice and Indigenous identity
‘Jail Time Records’ review: Impactful documentary explores the transformative power of music in a Cameroon jail
Dione Roach and Steve Happi’s Tribeca-winning film is executive produced by Taika Waititi and Rita Ora
‘Toy Story 5’ review: Pixar successfully updates its hit animated franchise for a new digital age
Director Andrew Stanton returns for delightful new adventure alongside voice stars Tom Hanks, Tim Allen and Joan Cusack
‘The Death Of Robin Hood’ review: Hugh Jackman is the tortured ageing outlaw in sombre, uninspired drama
Michael Sarnoski follows ‘Pig’ and ‘A Quiet Place: Day One’ with subversive take on the familiar folk legend
‘Birds Of War’ review: Love blossoms across conflict zones in intimate first-person documentary
Directors Janay Boulos and Abd Alkader Habak’s personal film plays Sheffield before a UK/Ireland theatrical release
‘Disclosure Day’ review: Emily Blunt and Josh O’Connor face an astronomical truth in Steven Spielberg’s stirring sci-fi
Eve Hewson, Colman Domingo and Colin Firth also star in the director’s 37th feature
‘The Boy With The Light Blue Eyes’ review: Greek debut is beguiling, lyrical coming-of-age fable
Thanasis Neofotistos’s story of a teenage boy living in a Greek mountain village premieres at SXSW London
‘Scary Movie’ review: The Wayans brothers return for dull, dated sixth instalment of horror parody franchise
Stars Anna Faris and Regina Hall are also back in the first ’Scary Movie’ feature since 2013
‘Virginia Woolf’s Night & Day’ review: A spirited Haley Bennett helps lift weighty adaptation
Tina Gharavi’s take on Woolf’s 1919 novel opens SXSW London before a theatrical release
‘Masters Of The Universe’ review: Nicholas Galitzine wields the Sword Of Power in irreverent, conventional actioner
Idris Elba, Jared Leto and Kristen Wiig also star in Travis Knight’s overstuffed Mattel reboot
‘We Are Aliens’ review: Delicate, sophisticated Japanese animation tracks the fragility of boyhood
Kohei Kadowaki’s debut feature heads to Annecy after a Cannes premiere
‘Backrooms’ review: Chiwetel Ejiofor and Renate Reinsve lose themselves in creepy, slow-burn horror
Kane Parsons’ debut feature is based on his own YouTube shorts
‘Crescendo’ review: A French opera is rocked by scandal in Agnès Jaoui’s tone-deaf #MeToo satire
Daniel Auteuil, Vincenzo Amato and Claire Chust star alongside Jaoui in blunt Cannes Out Of Competition premiere
‘The Birthday Party’ review: Hafsia Herzi and Monica Bellucci head conventional home invasion thriller from Lea Mysius
French Cannes Competition title is an adaptation of the novel by Laurent Mauvignier
