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‘We Are Aliens’ review: Delicate, sophisticated Japanese animation tracks the fragility of boyhood
Kohei Kadowaki’s debut feature heads to Annecy after a Cannes premiere
‘Backrooms’ review: Chiwetel Ejiofor and Renate Reinsve lose themselves in creepy, slow-burn horror
Kane Parsons’ debut feature is based on his own YouTube shorts
‘Crescendo’ review: A French opera is rocked by scandal in Agnès Jaoui’s tone-deaf #MeToo satire
Daniel Auteuil, Vincenzo Amato and Claire Chust star alongside Jaoui in blunt Cannes Out Of Competition premiere
‘The Birthday Party’ review: Hafsia Herzi and Monica Bellucci head conventional home invasion thriller from Lea Mysius
French Cannes Competition title is an adaptation of the novel by Laurent Mauvignier
‘Maverick: The Epic Adventures Of David Lean’ review: Enthusiastic, star-studded romp through the life and work of the legendary director
Director Barnaby Thompson assembles famous fans including Denis Villeneuve, Alfonso Cuaron and Autumn Durald Arkapaw
‘The Dreamed Adventure’ review: Exhilarating Bulgarian borderlands fable makes expert use of non-professional cast
Valeska Grisebach’s unpredictable Cannes Competition entry is led by former geologist Yana Radeva
‘Madame’ review: Brooding French debut mines uneasy relationship between wealth and freedom
Helene Rosselet-Ruiz’s Cannes Special Screening features strong performances and confident craft
‘Vertiginous’ review: Quentin Dupieux’s outre comedy tackles complex issues of identity through crude animation
The French auteur’s latest work closes Cannes Directors’ Fortnight
‘The Station’ review: Moving Yemen-set drama explores the importance of community in the face of war
Yemeni-Scottish filmmaker Sara Ishaq’s debut bows in Cannes Critics’ Week
‘De Gaulle: Résistance’ review: Broad-brush, old-fashioned biopic of former French president Charles de Gaulle
Antonin Baudry’s sweeping epic is fuelled by national-origin-story patriotism
‘Coward’ review: Two Belgian soldiers are drawn together amid the horrors of war in Lukas Dhont’s intimate queer drama
Newcomers Emmanuel Macchia and Valentin Campagne drive Dhont’s First World War Cannes Competition title
‘The End Of It’ review: Striking future-set study of mortality hangs on a layered performance from Rebecca Hall
Maria Martinez Bayona’s Cannes Premiere title also stars Gael Garcia Bernal, Noomi Rapace and Beanie Feldstein.
‘La Bola Negra’ review: Penelope Cruz and Guitarricadelafuente star in sprawling exploration of Spain’s queer culture
The works of Spanish poet Federico Garcia Lorca inform Javier Calvo and Javier Ambrossi’s Cannes Competition title
‘Roma Elastica’ review: Marion Cotillard anchors fractured, excessive Italian 1980s drama
Bertrand Mandico’s Cannes Midnight title also stars Noemie Merlant and Isabella Ferrari
‘Victorian Psycho’ review: Maika Monroe is gloriously gonzo in fun, feminist 19th-century horror
Jason Isaacs, Ruth Wilson and Thomasin McKenzie also star in Zachary Wigon’s intense Cannes Un Certain Regard title
‘Elephants In The Fog’ review: Sensitive, stirring debut is set at the heart of Nepal’s transgender community
Screenwriter and short filmmaker Abinash Bikram Shah’s engaging first feature bows in Cannes Un Certain Regard
‘9 Temples To Heaven’ review: A poignant family road trip across contemporary Thailand produced by Apichatpong Weerasethakul
Sompot Chidgasornpongse’s Cannes Directors’ Fortnight title balances ritual, memory and familial tensions with a light touch
‘I’ll Be Gone In June’ review: A German exchange student navigates post-9/11 America in modest, engaging debut
Katharina Rivilis’s Cannes Un Certain Regard title is produced by Wim Wenders
‘Yesterday The Eye Didn’t Sleep’ review: Poetic, slow-burn debut unfolds within a Bedouin community in Lebanon
Palestinian director Rayakan Mayasi’s first feature premieres in Cannes Un Certain Regard
‘Orange-Flavoured Wedding’ review: Adele Exarchopoulos leads Christophe Honore’s propulsive, poignant 1970s ensemble drama
Honore’s latest work also stars Vincent Lacoste and Paul Kircher
‘The Man I Love’ review: A powerful Rami Malek drives Ira Sachs’s compelling, opaque queer drama
Sachs’s Cannes Competition title plays out in 1980s New York City
‘A Man Of His Time’ review: A superb Swann Arlaud powers Emmanuel Marre’s ambitious, overlong Vichy France drama
The Cannes Competition title follows real-life opportunist Henri Marre as he seeks to make a mark in 1940s France
‘Red Rocks’ review: Bruno Dumont assembles a charming young cast for his beguiling childhood fantasy
Dumon’s distinctive, accessible new feature bows in Cannes Directors’ Fortnight
‘Diamond’ review: Andy Garcia directs and stars as a noirish detective in disappointingly superficial LA story
Rosemarie Dewitt, Brendan Fraser, Vicky Krieps, Bill Murray and Dustin Hoffman also appear in Garcia’s second directorial feature
‘Death Has No Master’ review: Asia Argento finds herself adrift in heady, uneven Venezuelan drama
Jorge Thielen Armand’s hallucinatory thriller premieres in Cannes Directors’ Fortnight
‘Goodbye Cruel World’ review: ‘Anatomy Of A Fall’ star Milo Machado-Graner shines in dreamlike Cannes Critics’ Week closer
Actor-turned-filmmaker Felix de Givry’s debut follows a bullied teenager who vanishes from his provincial town
‘I See Buildings Fall Like Lightning’ review: Clio Barnard’s Birmingham friendship drama builds on its strong performances
The ‘Ali & Ava’ director’s Cannes Directors’ Fortnight title stars Joe Cole, Lola Petticrew and an excellent UK cast
‘Low Expectations’ review: Understated Norwegian depression drama stars singer Marie Ulven
Ulven, aka Girl in Red, impresses in Eivind Landsvik’s debut of burnout and recovery
‘The Samurai And The Prisoner’ review: Kiyoshi Kurosawa’s handsome Japanese period drama is a staid siege mystery
Kurosawa’s Cannes Premiere title lacks the action of his previous pictures
‘Six Months In A Pink And Blue Building’ review: Intimate, precise portrait of childhood, memory and sexuality in Mexico City
Bruno Santamaría Razo’s Cannes Critics Week title effectively blends documentary and fiction
‘Spring’ review: Assured, tense Lithuanian debut plays out in occupied Ukraine
Strong performances and atmospheric craft anchor a story of quiet resistance and mounting dread
‘Minotaur’ review: Andrey Zvyagintsev remakes Claude Chabrol’s ‘The Unfaithful Wife’ as immaculate domestic thriller
The ‘Loveless’ and ‘Leviathan’ director’s Cannes Competition title intertwines personal and national crisis
‘Women On Trial’ review: Charlotte Gainsbourg leads a persuasive dramatisation of landmark 1972 French abortion trial
Lauriane Escaffre and Yvo Muller revisit the historic Bobigny case through the eyes of lawyer and activist Gisele Halimi
‘Aqui’ review: Ambitious Portuguese J.M. Coetzee adaptation explores the mysteries of childhood
An improvised family navigates uncertainty in Tiago Guedes’s three-hour Cannes Premiere title
‘Ben’Imana’ review: Evocative debut delivers a haunting tale of post-genocide Rwanda
Marie-Clémentine Dusabejambo’s Un Certain Regard title is set against Rwanda’s post-genocide gacaca courts
‘Star Wars: The Mandalorian And Grogu’ review: Disney+ favourite makes a safe but satisfying jump to cinemas
Jon Favreau expands his streamer success into a visually rich, brisk adventure that feels more evolutionary than essential
‘Her Private Hell’ review: Nicolas Winding Refn thriller is exercise in style over substance
Sophie Thatcher and Charles Melton star in director’s soulless follow-up to ‘The Neon Demon’
‘Colony’ review: ‘Train To Busan’ director Yeon Sang-ho returns with fun, forgettable zombie horror
The Seoul-set Cannes Midnight title stars Koo Kyo-hwan, Gianna Jun and Kim Shin-rock
‘Tin Castle’ review: Affectionate, unsentimental doc follows an Irish traveller family
Alexander Murphy’s follow-up to ‘Goodbye Sisters’ debuts in Cannes Critics’ Week
‘Dora’ review: K-pop star Kim Do-yeon heads July Jung’s feverish South Korean psychodrama
Jung follows ‘Next Sohee’ and ‘A Girl At My Door’ with Cannes Un Certain Regard title
‘Fjord’ review: Sebastian Stan and Renate Reinsve intrigue in Cristian Mungiu’s underpowered Norway-set drama
Mungiu’s Cannes Competition title sees a Christian family going up against Norway’s child protection services
‘The Unknown’ review: Léa Seydoux brings conviction to an ambitious but frustrating body-swap mystery
Niels Schneider also stars in Arthur Harari’s twisting Cannes Competition title
‘Viva Carmen’ review: Sébastien Laudenbach follows ‘Chicken For Linda!’ with vivid animated take on Bizet’s ‘Carmen’
Laudenbach’s third feature premieres in Cannes Directors Fortnight before moving on to Annecy
‘La Perra’ review: Chile’s Dominga Sotomayor returns with a visually rich island drama
A solitary woman’s bond with an abandoned dog anchors this textured Chilean film in Directors’ Fortnight
‘Everytime’ review: Austrian director Sandra Wollner impresses with an emotionally precise study of grief
Wollner’s follow-up to ‘The Trouble With Being Born’ bows in Cannes Un Certain Regard
