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‘La Civil’: Cannes Review
Teodora Mihai makes an explosive fiction debut with this thriller set in Mexico
‘The Suicide Squad’: Review
‘Significantly better than the first’: James Gunn’s squad delivers for DC/Warners
‘Jungle Cruise’: Review
Emily Blunt and Dwayne Johnson raid the lost Amazon to deliver a rousing period spectacle
‘The Green Knight’: Review
Dev Patel goes on a quest for writer/director David Lowery in a cultish rendition of the classic fable
‘No Rest For The Old Lady’: Transilvania Review
Two old friends find their relationship tested in Andrei Gruzsniczki’s sensitive fourth feature
‘Old’: Review
M. Night Shyamalan examines the terrors of ageing
‘Ride The Wave’: Galway Review
Young Scottish surfer Ben Larg tries to make a spash on the international stage in Martyn Robertson’s warm documentary
‘Who We Love’: Galway Review
An Irish schoolgirl is targeted for her sexuality in Graham Cantwell’s coming-of-age drama
‘Foscadh (Shelter)’: Galway Review
Sean Breathnach’s feature debut is the Irish-language tale of an isolated man forced to venture into the world
‘Pure Grit’: Galway Review
Kim Bartley spends three years on Wyoming’s Wind River reservation for a poignant study of Native American life
‘Spiral’: Transilvania Review
Romanian-Hungarian director Cecília Felméri makes a confident debut with this atmospheric thriller
‘The Flood Won’t Come’: Transilvania Review
Armenian director Marat Sargsyan takes an ambiguous approach to his tale of civil war
‘#dogpoopgirl’: Transilvania Review
Andrei Hutuleac’s sparky debut wraps sharp social commentary in absurdist comedy
‘The Campaign’: Transilvania Review
Marian Crisan gently explores political corruption through the experiences of a Romanian politician in a backwater town
‘That Was Life’: Transilvania Review
A septuagenarian Spanish woman discoveres a new lease on life in David Martin de los Santos’s touching debut
