‘The Winter Lake’: Galway Review
‘The Dakota Entrapment Tapes’: Galway Review
‘The Sheriff’: Galway Review
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‘The 8th’: Galway Review
Triumphant doc shows how Irish abortion campaign proved the power of the people
‘Hamilton’: TV Review
Disney+ scores a coup for its subscribers with the long-awaited ‘Hamilfilm’
‘Victim(s)’: Udine Review
First-time director Layla Zhuqing Ji shoots her impressive tale of Chinese high-school bullying in Malaysia
‘IWeirDO’: Udine Review
Taiwan’s first i-Phone film is a timely tale for the COVID-19 era
‘Saint Frances’: Review
After some Covid turbulence, Kelly O’Sullivan’s endearing feature will finally show on the big screen
‘Ashfall’: Udine Review
A rock-solid Korean blockbuster boasting volcanic action sequences opens the Udine Far East Film Festival
‘Love Affair(s)’: Cannes 2020 Label Review
Emmanuel Mouret delivers his take on the ‘Unapolagetic French Art Film’
‘Talking Heads’: TV Review
Alan Bennett’s monologues are remastered by Nicholas Hytner
‘Il Mio Corpo’: ACID Review
A hardscrabble life in Sicily is illuminated by Michele Pennetta’s heartfelt doc
‘Gagarine’: Cannes Label 2020 Review
An audacious feature debut shoots for the stars
‘Paradise’: Cannes Market Review
In Tahiti, two cousins represent the past and the future of an island at the crossroads
‘The Death of Cinema and My Father Too’: Cannes 2020 Label Review
Self-reflexive debut from Israel boasts an ambitiously labyrinthine structure
‘Coalesce’: ACID 2020 Review
Modern Cambodia under the lens in a perceptive debut from Jesse Miceli
‘Sweat’: Cannes Label 2020 Review
Smartly focused story about the life and lack of soul of a social influencer
‘Josep’: Cannes 2020 Label Review
A delicate rendering of how Spanish artist Josep Bartoli escaped a prision camp in France
