Latest
‘Our Time Will Come’ review: Sarajevo documentary winner is study of interracial love in Vienna
Ivette Löcker follows an Austrian woman and a Gambian man as they navigate their relationship
‘The Roses’ review: Benedict Cumberbatch and Olivia Colman clash as a fracturing married couple
Adaptation of the Warren Adler novel ‘The War of the Roses’ proves too broad and tonally erratic
‘9-Month Contract’ review: Powerful documentary explores Georgia’s exploitative surrogacy industry
Director Ketevan Vashagashvili sensitively follows a single mother through her third surrogate pregnancy
‘Phantoms Of July’ review: Past and present collide in breezy absurdist German comedy drama
Julian Radlmaier’s latest plays Sarajevo after premiering in Locarno
’North South Man Woman’ review: North Korean women seek South Korean husbands in illuminating documentary
Morten Traavik and Sun Kim’s clear-eyed film follows the highs and lows of love across the cultural divide
‘Reality Is Not Enough’ review: Entertaining portrait of Scottish writer Irvine Welsh covers familiar ground
Paul Sng’s creative, confessional documentary closes Edinburgh
‘God Will Not Help’ review: Croatian filmmaker Hana Jusic’s intense second feature revels in its mysteries
This slow-burn drama stars Manuela Martelli as an enigmatic stranger
‘Demon Slayer: Infinity Castle’ review: Bombastic new instalment of hit Japanese manga series
Haruo Sotozaki’s adaptation of Koyoharu Gotouge’s manga novels should please fans and newcomers alike
‘White Snail’ review: Delicate Belarusian debut narrative feature focuses on two lonely souls
Filmmakers Elsa Kremser and Levin Peter work with non-professional cast in a story about a model and a morgue worker
’Yakushima’s Illusion’ review: Vicky Krieps stars in Naomi Kawase’s humanistic Japanese hospital drama
Writer/director Kawase presents a delicately-handled study of the country’s challenging organ donation landscape
‘Two Seasons, Two Strangers’ review: Locarno Golden Leopard winner is poetic drama from Japan’s Sho Miyake
A Korean writer searches for creative and romantic fulfilment in Japan
‘In Transit’ review: Jennifer Ehle shines in Jaclyn Bethany’s melancholy chamber piece
Alex Sarrigeorgiou writes and stars in this study of the relationship between a painter and her subject
‘Low Rider’ review: LGBTQ+ drama follows a young British woman on a South African roadtrip
Director Campbell X follows-up ’Stud Life’ with this overstuffed feature
‘Once You Shall Be One Of Those Who Lived Long Ago’ review: Bittersweet portrait of a declining Swedish mining town
Documentary follows the few remaining residents of Malmberget in northern Sweden
‘Novak’ review: Zlatko Buric’s convincing mad scientist elevates this offbeat Greek debut
Harry Lagoussis’s ambitious feature premieres in Edinburgh competition
‘Blue Film’ review: UK rising star Kieron Moore impresses in provocative, uneven US debut
Elliot Tuttle’s Los Angeles-based camboy drama bows in Edinburgh competition
‘On The Sea’ review: Helen Walsh follows ‘The Violators’ with sensitive Welsh LGBTQ+ drama
The novelist/filmmaker’s second feature stars Barry Ward and Lorne MacFadyen
‘Mortician’ review: Sensitive, slow-burn drama follows two Iranian exiles in Canada
Abdolreza Kahani’s latest stars Nima Sadr and singer Golazin Ardestani
‘Best Boy’ review: A bizarre family contest unveils dark secrets in Canadian woodland thriller
Jesse Noah Klein’s genre-bending feature premieres in Edinburgh competition
‘Concessions’ review: Michael Madsen stars in thinly sketched elegy for the moviegoing experience
Mas Bouzidi sets his feature debut in an independent US movie theatre on the verge of closure
‘Nobody 2’ review: Bob Odenkirk action sequel lacks a killer instinct
Indonesian filmmaker Timo Tjahjanto boards follow-up to surprise 2021 smash
‘The Dead Of Winter’ review: Emma Thompson saves the day in this formulaic thriller
Locarno premiere finds the beloved star playing a grieving widow who must rescue a kidnapped young woman
’Dongji Rescue’ review: Rousing Chinese war film recounts the Lisbon Maru tragedy
Zhu Yilong turns this World War II true story into an action-hero’s journey
‘The Legend Of The Happy Worker’ review: Thomas Haden Church and Josh Whitehouse star in uneven Lynchian fable
Adaptation of S.E. Feinberg’s play is directed by Duwayne Dunham, longtime David Lynch editor
‘Americana’ review: Sydney Sweeney and Paul Walter Hauser conspire in western crime saga
Tony Tost’s feature debut follows a group of mismatched characters on the hunt for a valuable Native American artefact
‘Dracula’ review: Romania’s Radu Jude presents a typically inventive study of the vampire myth
The director follows up Berlin Silver Bear-winning Kontinental ’25 with this provocative portmanteau
‘The Birthday Party’ review: Willem Dafoe heads an international cast in entertaining tale of wealthy excess
Miguel Angel Jiminez’s Mediterranean island-set thriller also stars Joe Cole, Vic Carmen Sonne and Christos Stergioglou
‘With Hasan In Gaza’ review: Palestinian filmmaker journeys through rediscovered footage in poignant documentary
Kamal Aljafari brings to Locarno a raw portrait of everyday life in Gaza, 2001, that chimes with current events
‘In The Land Of Arto’ review: Camille Cottin and Zar Amir star in thoughtful Armenian drama
Tamara Stepanyan’s feature debut opens Locarno
‘Freakier Friday’ review: Jamie Lee Curtis and Lindsay Lohan reunite for more body-switch laughs
Sequel to the 2003 hit comedy also stars Julia Butters and Sophia Hammons
‘Weapons’ review: Julia Garner and Josh Brolin lead ‘Barbarian’ filmmaker’s inventive new horror
Zach Cregger tells a twist-laden tale about a group of missing schoolchildren
‘The Book Of Sijjin And Illiyyin’ review: Indonesian chiller filters possession narrative through Muslim mythology
Hadrah Daeng Ratu’s culturally specific shocker is her fourth collaboration with writer Lele Laila
‘The Naked Gun’ review: Liam Neeson and Pamela Anderson headline pleasingly reverential comedy sequel
Seth MacFarlane produces this latest instalment of the hit cop-comedy franchise
‘Mother Of Flies’ review: Fantasia’s Cheval Noir winner is a visceral, thoughtful folk horror
The latest from cult filmmakers the Adams Family is heading to Shudder
‘The Woman’ review: South Korean filmmaker Hwang Wook delivers ponderous psychological thriller
Follow up to director’s Fantasia 2024 prizewinner ’Mash Ville’ is overstuffed murder mystery
‘Hellcat’ review: Claustrophobic US horror sees woman trapped in Airstream trailer
Editor-turned-director Brock Bodell’s debut features a compelling performance from Dakota Gorman
‘I Live Here Now’ review: Julie Pacino’s vividly realised debut plays out in remote California motel
The director’s highly sylised feature blends elements of Argento, Lynch and ‘Alice In Wonderland’
‘Omniscient Reader: The Prophecy’ review: Ahn Hyo-seop heads adaptation of South Korean web comic sensation
Kim Byung-woo’s uneven creature feature also stars K-pop singers Nana and Jisoo
‘The Fantastic Four: First Steps’ review: Pedro Pascal and Vanessa Kirby head underwhelming Marvel superhero reboot
Ebon Moss-Bachrach and Joseph Quinn also star for director Matt Shakman
‘The Well’ review: Muted Canadian eco-thriller finds humanity on the brink of collapse
Oscar-nominated documentarian Hubert Davis makes the move into fiction with this sombre drama
‘Terrestrial’ review: A Hollywood success story hides a secret in dark US comedy
Latest from ’Hot Tub Time Machine’ director Steve Pink premieres at Fantasia
‘Cielo’ review: A young girl embarks on a quest across Bolivia in this uncertain fable
Alberto Sciamma’s visually inventive feature comes to Fantasia after multiple wins at Fantasporto
‘Adult Children’ review: Galway prizewinner is smart, breezy US coming-of-age drama
Film Fleadh’s best international independent feature is reminiscent of the work of Lynn Shelton
‘Friendship’ review: Tim Robinson and Paul Rudd go head-to-head in bromance gone sour
Cringe comedy is first major feature role for Robinson, creator and star of Netflix series ‘I Think You Should Leave’
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