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‘Snow White’ review: Rachel Zegler and Gal Gadot fail to lift listless Disney remake
Marc Webb’s live action film is a cynical update of the 1937 animated classic
‘The Alto Knights’ review: Robert De Niro does double duty for Barry Levinson
The actor plays two real-life New York mobsters in this lacklustre gangster drama
‘Child Of Dust’ review: Doc follows Amerasian as he reunites with GI father
Half a century after the Vietnam War, Sang Ngo Thanh finds his dad - and moves to the US
‘Free Leonard Peltier’ review: A 50-year fight for freedom gains momentum
Peltier remains under house arrest as doc wins three awards at Thessaloniki
‘Hallow Road’ review: Babak Anvari drives dangerously with Rosamund Pike, Matthew Rhys
Close-quarters SXSW chiller is also a portrait of a marriage
‘Ash’ review: Flying Lotus sci-fi stars Aaron Paul and Eiza Gonzalez
The musician’s second feature is both visually and aurally distinctive
‘The Goals Of August’ review: Doc follows football tournament in a sleepy Greek village
The annual event unites the mountain villages of northern Greece
‘Ne Zha 2’ review: Energetic Chinese sequel is the highest grossing animated film of all time
Jiaozi’s box office hit is ”made for the big screen”
‘Pangolin: Kulu’s Journey’ review: Rousing follow-up to Oscar winner ‘My Octopus Teacher’
Pippa Ehrlich focuses on the rehabilitation of one South African Pangolin
‘Liza: A Truly Terrific Absolutely True Story’ review: Minnelli in close-up
Bruce David Klein’s documentary features interviews and a wealth of archive footage
‘Holland’ review: Nicole Kidman is a desperate housewife in Mimi Cave’s suburban thriller
Matthew Macfadyen and Gael Garcia Bernal co-star in Prime mystery
‘Make It To Munich’ review: Rousing doc follows injured teen footballer getting back in the saddle
Inspiring comeback story closes Glasgow Film Festival
‘The Accountant 2’ review: Ben Affleck and returns with a wonkily winning formula
Gavin O’Connor follows up his 2016 action hit
‘Another Simple Favor’ review: Anna Kendrick and Blake Lively return for uninspired sequel
Paul Feig’s follow-up to his 2018 frenemy thriller opens SXSW
‘Death Of A Unicorn’ review: Paul Rudd and Jenna Ortega star in mythical monster movie
Alex Scharfman’s uneven debut also stars Richard E Grant and Will Poulter
‘Snow Leopard Sisters’ review: Indigenous conservationists fight for change in the high Himalayas
Nepal-set documentary bows at SXSW
‘Mr Burton’ review: Toby Jones stars in Richard Burton origins story
Drama explores the Welsh actor’s journey from the valleys to stardom
‘Monk In Pieces’ review: Kaleidoscopic portrait of US musician Meredith Monk
Documentary plays Thessaloniki following its Berlin premiere
‘Black Bag’ review: Fassbender, Blanchett spy up a storm for Steven Soderbergh
The American director turns his attention to British secret services
’Gen_’ review: A Milan hormone specialist treats fertility and gender issues
Observational doc plays Thessaloniki after a well-received Sundance premiere
‘True Love, For Once In My Life’ review: Fruit Chan produces smartphone-shot Hong Kong drama
Delon Siu Koon-ho’s debut is a sensitive tale of infidelity
‘That Summer In Paris’ review: Tender debut plays out as the city hosts the 2024 Olympics
Valentine Cadic’s drama premieres in Berlin’s Perspectives
‘Long Day’s Journey Into Night’ review: Jessica Lange and Ed Harris power delayed adaptation
Theatre director Jonathan Kent’s feature debut premieres at Glasgow and Dublin
‘Hill’ review: Intimate portrait of F1 driver Damon Hill
Alex Holmes’ access-all-areas documentary for Sky premieres at Glasgow
‘The Botanist’ review: Award-winning Chinese drama finds magic in nature
Promising debut from Jing Yi takes the top Generation youth prize at Berlin
‘Last Breath’ review: Woody Harrelson dives into real-life survival story
Alex Parkinson turns his 2019 documentary into a straightforward, appealing thriller
‘Four Letters Of Love’ review: Irish eyes a’romancing in heartfelt adaptation
Pierce Brosnan, Gabriel Byrne and Helena Bonham Carter headline
‘Tornado’ review: Tim Roth, Jack Lowden and Kôki do battle in 18th century Britain
John Maclean’s Western/samurai hybrid thriller opens Glasgow Film Festival
’Beat The Lotto’: Gambling hijinks in entertaining Irish doc
Led by a mathemattician, a numbers syndicate attempts to game the Irish Lottery in 1992
‘Holding Liat’ review: Israeli family suffers their own hostage crisis
Berlin doc winner confronts the aftermath of the Hamas attacks of October 7
’Aontas’ review: Irish-language crime puzzle
Carrie Crowley and Brid Brennan anchor Damian McCann’s twisting noir thriller
‘Ready Or Not’ review: Irish rites-of-passage debut is lively and vital
The long days of summer turn increasingly dark for a group of teen girls in late ’90s Dublin
‘The Safe House’ review: Cluttered 1960s Paris-set chamber piece
Lionel Baier makes his first appearance in Berlin competition
‘What Does That Nature Say To You’ review: Long chats and fast zooms with Hong Sangsoo
The 33rd feature from South Korea’s profilic auteur is a little unfocused
‘Ancestral Visions Of The Future’ review: Intricate visual poem from exiled Lesotho filmmaker
Lemohang Mosese follows up his 2019 arthouse hit ’This Is Not A Burial’
‘Timestamp’ review: Doc is a powerful, fractured portrait of school days in Ukraine
Kateryna Gornostai returns to Berlin with this Competition title
‘Kontinental ’25’ review: Radu Jude returns after winning the Golden Bear
Berlin Competition title is a satirical state-of-the-world treatise
‘After This Death’ review: Niche US-set mystery is an 'arch, implausible affair'
Argentianian filmmaker Lucio Castro’s second feature bows as a Berlinale Special
‘Yunan’ review: Enigmatic second film in Ameer Fakher Eldin’s ‘Homeland’ trilogy
German islands-set drama plays in Berlin Competition
‘1001 Frames’ review: Experimental thriller shot clandestinely in Iran
Mehrnoush Alia uses the legend of Scheherazade to explore male power and manipulation
‘Paul’ review: Denis Côté doc explores the surprising benefits of submissive cleaning
Canadian film-maker returns to Berlin with an intriguing character study
‘Dreams (Sex Love)’ review: Dag Johan Haugerud concludes his trilogy at Berlin
Sensitive coming-of-age story is a wisful end to the Norwegian auteur’s work
‘Mother’s Baby’ review: Postpartum stress under the lens in meticulous Berlin title
Marie Leuenberger gives a terrific performance in a drama that leans into horror
‘Honey Bunch’ review: Bold Canadian period genre from the makers of ’Violation’
Madeleine Sims-Fewer and Dusty Mancinelli pay homage to the past
‘Two Times João Liberada’ review: Portuguese LGBTQ+ title is a niche debut
Paula Tomás Marques uses a fictional history to shed light on modern filmmaking conventions
