![[Clockwise from top left]: 'The Voice Of Hind Rajab', 'A House Of Dynamite', 'Jay Kelly', 'After The Hunt', 'The Smashing Machine'](https://d1nslcd7m2225b.cloudfront.net/Pictures/274x183/1/7/0/1459170_veniceawards_837515.jpg)
Rome’s Paola Malanga on how the festival is becoming a “buying ground” for Italian distributors
Italian festival kicks off its 20th edition today with the world premiere of Riccardo Milani’s comedy ’La Vita Va Cosi’
‘The Bureau’ showrunner Eric Rochant on scripted series evolution: “We need to find that depth again”
Rochant is currently working on upcoming Netflix series ‘Bandi’.
New Film4 head Farhana Bhula talks ambitions, producer fee deferrals and winning over youth audiences
In her first sit-down interview as the new director of Film4, Farhana Bhula discusses her plans for the UK public funder.
Bangkok film festival director talks reviving the event after 16 years
Donsaron Kovitvaniycha on resurrecting Thailand’s biggest film festival.
Why Angelo Tijssens is known as the “magic bullet’ of Flemish screenwriters
He has worked on films such as Lukas Dhont’s ’Girl’ and ’Close’.
Rebel spirit Emmanuel Anyiam-Osigwe talks about 20 years of the British Urban Film Festival
Anyiam-Osigwe says he was inspired by figures such as Menelik Shabazz and Kanya King.
Flanders Film Days is part of “evolution not revolution” strategy, says VAF head Karla Puttemans
”My first priority is to safeguard stability for our industry during this economic downturn,” says the new VAF head.
LFF head Kristy Matheson on 2025 programme, potential protests and festival’s “next decade”
Matheson is three years into her tenure as director of BFI London Film Festival.
Milan Skrobanek on The Unspoken Language’, about the love affair between a blind man and a deaf woman
Skrobanek explains the challenges he found when casting the feature.
Marlene Bischof and Nicolai Zeitler on how they made buzzy Hamburg title ‘I Am The Greatest’
” I throw dialogue in the air and he integrates it into the structure,” says Bischof of how the rising German filmmakers effectively collaborate.
“French film is not a genre”: American French Film Festival heads on 29th edition’s diverse line-up
‘A Private Life’ to open fest running October 28–November 3 in Los Angeles.
Iris Otten, producer of anticipated Dutch title ‘A Family’, on why she is driven by the spirit of ‘Dirty Dancing’
Mees Peijnenburg’s ’A Family’ is a coproduction with the Dhont brothers Flemish outfit The Reunion.
Why Movistar Plus+ is embracing “risk-taking films” such as ‘Sirât’ and ‘Los Tigres’
“People are tired of ‘safe’, they are hungry for different stories and the unexpected,” says Guillermo Farré.
