‘The Face Of Horror’ filmmakers on building a 14th-century English medieval world in the Czech Republic
US filmmaker Anna Biller and producers Mike Goodridge and James Bowsher on the journey to creating their Midnight Madness premiere.
Israeli directors Yuval Abraham and Rachel Szor on their new documentary ‘NAZA’
The hard-hitting documentary premieres in Venice Competition and is executive produced by Jonathan Glazer
My Screen Life: Killer Films’ Christine Vachon talks Todd Haynes and writing reviews of airport lounges
Christine Vachon, one half of the legendary Killer Films producing duo, on launching her career with Todd Haynes and reviewing the wine selection at airline lounges
Lee Chang-dong talks Netflix and long-awaited return with Venice competition title ‘Possible Love’
The director of ‘Burning’ returns after eight years with a relationship drama.
Shinya Tsukamoto talks Venice competition war drama ‘Mr. Nelson, Did You Kill People?’
The Japanese filmmaker behind ‘Fires On The Plain’ and ‘Killing’ on the “definitive work” in his series of features about war.
‘Our Share Of Sand’’s UK filmmakers talk shooting in India, with child actors, in three languages
The Venice Critics’ Week premiere the feature debut of Shalini Adnani and is produced by Sara Bonakdar.
“We should give actors wings so they can fly even higher”: Alexandre Desplat on his scores for ‘Frankenstein’, ‘Jurassic World Rebirth’ and ‘The Social Reckoning’
The prolific French composer has two Oscars, three Baftas and more than 200 screen credits to his name.
“I made a deal with a butcher”: Hildur Gudnadottir on creating a bone orchestra for the ‘28 Years Later’ sequel
The Icelandic composer is guest of honour at this year’s World Soundtrack Awards.
“It’s addictive working with Paul Thomas Anderson”: Jonny Greenwood on their long collaboration and scoring ‘One Battle After Another’
The Radiohead founding member has collaborated with Anderson on six films so far, and says he has started working on the seventh.
From a minimalist flutes-only approach to ‘The Drama’ to a full-on rock score for ‘Masters Of The Universe’, Daniel Pemberton never wants to repeat himself
The UK composer’s scores this year also include Project Hail Mary and animated sequel The Bad Guys 2.
How Slovenia’s Danijel Hočevar became one of Europe’s most prolific coproducers
Through Vertigo Films, he has six films across the Sarajevo festival and CineLink programme this year.
Rising Macedonian filmmaker Kosara Mitić talks working with young non-professionals in ‘17’
The film is screening in the main competition of the Sarajevo Film Festival after a Berlinale Perspectives launch in February.
Moby talks film investment strategy and what the music industry could teach indie film
Moby and Lindsay Hicks’ Little Walnut has backed Edinburgh opener ‘The Incomer’.
