How Martin Scorsese’s ‘Killers Of The Flower Moon’ was shot on location in Oklahoma: “It was a massive undertaking”
Martin Scorsese’s official selection title Killers Of The Flower Moon was shot mainly on location in Oklahoma. Screen talks to producer Daniel Lupi about filming on the Osage County reservation
“I wanted to work with him”: Maiwenn explains why she cast Johnny Depp as a beloved French king in ‘Jeanne Du Barry’
French director/actor Maïwenn of Cannes opening night film Jeanne Du Barry, tells Rebecca Leffler about bringing the period drama to the biggest arthouse stage.
Sheffield DocFest co-heads talk music, audiences and curation ahead of 30th anniversary edition
Annabel Grundy and Raul Nino Zambrano head the UK doc festival that opens on June 14.
The Dardenne brothers talk upcoming projects, diversity at Cannes and return to cinemas
The two-time Palme d’Or winners are in South Korea with ‘Tori And Lokita’.
“We make filmmakers feel less lonely”, says new Jeonju Project head Park Taejoon
The Korean producer worked with Bong Joon Ho on ‘Mother’ and ‘Snowpiercer’.
My Screen Life: Berlin cinema founder Verena von Stackelberg on how she got her start, her influences and her favourite festival
Programmer and founder of Berlin’s Wolf Kino cinema on who she admires in the industry and her discovery of indie film
Emmys Spotlight: Rachel Weisz and showrunner Alice Birch on reimagining classic thriller ‘Dead Ringers’ as a series
Weisz and Birch talk technical tricks and infusing fun into the horror of the Prime Video series.
Visions du Réel’s Emile Bujès looks ahead to lively festival featuring masterclasses with Lucrecia Martel and Alice Rohrwacher
”The guests represent an idea of cinema that we as a festival want to defend,” sats Bujès.
“It is important our identity is different than other selections,” says Directors’ Fortnight’s Julien Rejl
“My aim is to go beyond the films scouted at co-production markets and residencies,” Rej explained.
The Centrepiece interview: Cinépolis CEO on the future of LatAm exhibition
Alejandro Ramirez Magaña, CEO of the biggest cinema chain in Latin America, talks post-pandemic recovery, the global market and The Whale.
Artistic director Ava Cahen explains what makes a 'Critics’ Week film’
“I live, I eat, I dream, I sleep Critics’ Week,” says Cahen.
“The hardest thing is to say no”: Thierry Fremaux’s hot take on Cannes 2023’s still evolving selection process
Fremaux reveals the film he saw yesterday that he included today.
Gareth Ellis-Unwin to step down from ScreenSkills; reflects on proudest moments, greatest challenges in the sector (exclusive)
Ellis-Unwin is to return to full-time producing having held the post of head of film and animation at ScreenSkills since 2017.
