Tokyo International Film Festival

Night Flower

‘Night Flower’ review: A Japanese woman is pushed to the limit in Eiji Uchida’s gritty Tokyo drama

Uchida’s latest feature premieres at Tokyo film festival before opening in Japan at the end of November

Morte Cucina

‘Morte Cucina’ review: A female chef serves up revenge in ambitious, enigmatic Thai thriller

Pen-ek Ratanaruang’s latest has its Asian premiere in Tokyo competition

Halo

‘Halo’ review: Gruelling South Korean debut leans into the grind of the gig economy

A delivery driver is pushed to his limit in Roh Young-hwan’s debut feature

We Are The Fruits Of The Forest

‘We Are The Fruits Of The Forest’ review: Compelling Rithy Panh doc follows Cambodia’s Indigenous Bunong people

The documentarian’s latest film was shot over four years and premieres in Tokyo competition

Mothertongue

‘Mothertongue’ review: Zhang Lu explores Chinese language and identity in meditative drama

The Korean-Chinese director’s follow-up to his Busan-winning ‘Gloaming In Luomu’ features the same cast and crew