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Philippe Lioret's Welcome takes best film Lumiere Award
The Lumiere Awards were handed out in Paris on Friday [January 15] with the prize for best film going to Philippe Lioret’s Welcome (pictured). The prizes are France’s equivalent to the Golden Globes, given by foreign journalists covering French cinema.
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$15m 3D Jerusalem project set to shoot this year
A $15m 3D film about Jerusalem that aims to promote religious understanding is set to start shooting in the city this year.
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Local and 3D films drive Spanish box office growth
James Cameron’s Avatar and a string of successful local films, led by Alejandro Amenabar’s Agora, boosted Spain’s box office takings from $856.6m (€595.9) in 2008 to $910.6m (€633.3m) last year
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UK braces 44 Inch Chest, Germany embraces Friendship!
ScreenDaily’s weekly round-up of the local and independent openings in key markets this week.
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Edinburgh film festival MD Ginnie Atkinson steps down
Ginnie Atkinson has stepped down as managing director of the Edinburgh International Film Festival (EIFF) after 15 years.
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International distribution chief Anthony Marcoly out at Disney
Disney’s president of international theatrical distribution Anthony Marcoly is leaving the studio after two decades as chairman Rich Ross (pictured) implemented further changes to the executive roster.
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Avatar crosses $1bn overseas, sets sights on Titanic's record
Avatar was on course to cross $1bn through Fox International at the overseas box office last night [January 14] as it bears down on Titanic’s high-water mark.
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Katzenberg teases press with sneaks from DreamWorks Animation slate
DreamWorks Animation chief Jeffrey Katzenberg and his cohorts staged a half-day media presentation in Los Angeles [January 14] as the company heads into the busiest year in its relatively short history.
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Lleju Productions boards political satire The Zero
Lleju Productions has optioned rights to Jess Walter’s satirical novel The Zero and hired director Derrick Borte following the world premiere in Toronto last autumn of The Joneses.
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Avatar crosses $100m global box office on IMAX
IMAX Corporation has scored its first $100m global hit as sources confirmed Avatar had grossed more than $101.3m since the film launched one month ago.
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Celine Rattray leaves Plum to head Mandalay Vision
Former Plum Pictures co-CEO Celine Rattray has moved over to head Mandalay Entertainment’s New York-based independent film financing division Mandalay Vision.
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Lionsgate, Phoenix conceive What To Expect screen project
Lionsgate has acquired from Phoenix Pictures worldwide rights to the screen adaptation of the bestselling pregnancy bible What To Expect When You’re Expecting by Heidi Murkoff.
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Nigel Lythgoe starts one-year term as BAFTA/LA chairman
Nigel Lythgoe has been elected chairman of BAFTA/LA for a one-year term, effective immediately.
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Magnolia nets US rights to Neil Jordan's romance Ondine
Magnolia Pictures has taken US rights to Neil Jordan’s romantic fantasy Ondine starring Colin Farrell, Stephen Rea, and newcomer Alicja Bachleda.
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Jean Perret to leave Visions Du Reel
Jean Perret, director of Visions du Reel - Nyon International Film Festival since its inception in 1995, is leaving in August.
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Berlinale reveals line-up for Perspektive local film section
Dietrich Bruggemann’s Run If You Can and RP Kahl’s Bedways will bookend the Perspektive Deutsches Kino sidebar at the Berlin Film Festival.
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NonStop picks up international sales for David’s Birthday
Swedish company NonStop Sales has picked up international sales rights for David’s Birthday, the second feature by Italian director and actor Marco Filiberti.
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Jeffrey Kirschenbaum promoted to Universal evp production
Jeffrey Kirschenbaum has been promoted to executive vice-president of production at Universal.
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Germany's DFFF awards $11.5m to Emmerich, Collet-Serra
The German Federal Film Fund (DFFF) has paid out $11.5m (€8m) to major international projects by Roland Emmerich and Jaume Collet-Serra.
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John Madden to direct adaptation of Sadie Jones' The Outcast
Shakespeare In Love director John Madden is attached to direct a film version of Sadie Jones’ best selling novel The Outcast.