UK BOX OFFICE NEWS
Lionsgate’s adaptation records biggest opening of 2014 to date with confirmed $19.8m (£12.65m), including previews.
Warner Bros’ sci-fi posts strong second weekend of $5.9m (£3.8m) for $18.9m (£12.1m) to date; The Imitation Game posts StudioCanal’s second best-ever UK bow with confirmed $4.29m (£2.74m).
Warner Bros’ sci-fi takes $8.6m (£5.4m) from its 578 sites to dethrone Turtles; eOne’s Mr. Turner climbs up to second with $1.6m (£1.01m).
Paramount’s reboot climbs back to number one on its third weekend; eOne’s Mr. Turner posts strong UK debut of over $1.4m (£900,000) for Mike Leigh’s best-ever opening.
Sony’s war drama posts $4.4m (£2.7m) debut, including previews, to dethrone Turtles; Icon’s The Babadook lands with $557,000 (£345,862) from 147 sites ahead of Halloween.
Paramount’s reboot dethrones Gone Girl with a $7.7m (£4.8m) debut, including previews; Fox’s Gone Girl reaches $22.8m (£14.1m); Munro Films’ Northern Soul records highest three-day opening weekend gross for a British film opening in under 100 sites.
Fox’s adaptation records $4.9m (£3.1m) second weekend to lead chart as stablemate The Maze Runner posts UK bow of $3.3m (£2.04m), including previews, and Warner Bros’ Annabelle scares up $3.1m (£1.93m).
Fox’s adaptation records $6.6m (£4.1m) opening, including previews; Universal’s Dracula Untold bites into $2.7m (£1.7m) on debut.
Universal’s Billy Elliot the Musical - Live sets new Event Cinema record with $3.1m (£1.904m) to become its first-ever number one; Sony’s reboot lands with $3.07m (£1.89m) from its 458 sites.
The Inbetweeners 2 led the way, but the summer period at the UK box office was down in both gross and admissions this year. Screen talks to distributors and exhibitors to find out why.
Universal’s animation adds $2.17m (£1.33m) to remain at number one for second straight week, just ahead of eOne’s A Walk Among the Tombstones’ $2.15m (£1.31m) debut.
Universal’s animation dethrones Sex Tape with $3.3m (£2m), including previews; Fox/Pathe’s Pride opens with non-final $1.2m (£714,119) from 491 sites.
Sony’s comedy debuts top with $2.3m (£1.43m), including previews; Universal’s Lucy crosses £10m and led Fri-Sun with $1.9m (£1.19m).
Universal’s action sci-fi becomes director Luc Besson’s best-ever UK performer as it records a second straight week at the top of the chart.
Universal’s action sci-fi scores excellent $5.1m (£3.1m) bow to dethrone The Inbetweeners 2.
Entertainment’s comedy sequel crosses £20m mark with non-final $7.2m (£4.3m) second weekend.
Entertainment’s comedy sequel opens with over $21m (£12.5m), including previews, for the biggest debut of the year.
The sequel’s £2.75m opening is biggest ever for a comedy in UK.
Disney’s latest Marvel outing scores $10.7m (£6.35m) debut to dethrone Fox’s Dawn of the Planet of the Apes; Secret Cinema’s Back to the Future event grosses $1.2m (£720,000) over first four shows.
Fox’s sequel retains top spot with $6.4m (£3.8m) second weekend; Paramount’s Hercules muscles in with $2.46m (£1.45m).
Fox’s sequel scores $14.9m (£8.7m) debut, including previews, to dethrone Transformers: Age of Extinction, as two event cinema releases – Monty Python and André Rieu – land in the top five.
Paramount’s latest outing records year’s biggest opening to date with $20.1m (£11.75m); Universal’s Boyhood scores strong $565,000 (£330,000) debut.
Universal’s big screen adaptation of TV sitcom adds $3.7m (£2.2m) to record second week as the UK’s number one; Paramount’s Transformers: Age of Extinction previews strongly.
Universal’s big screen outing for the popular TV sitcom scores excellent $7.3m (£4.3m) debut to dethrone Fox’s The Fault in Our Stars.
Fox’s adaptation posts $5.8m (£3.4m) debut, including previews, to dethrone 22 Jump Street; Warner Bros’ Jersey Boys is off-key with $706,000 (£415,000) bow.
Sony’s sequel adds $3.8m (£2.26m) to hold off newcomers and the World Cup; Warner Bros’ Oculus is the highest new entry with $701,000 (£413,000).
Sony’s sequel posts strong $8.1m (£4.85m) bow to dethrone Maleficent; Warner Bros’ Grace of Monaco lands with $400,000 (£238,000).
Disney’s reimagining posts excellent $11m (£6.6m) debut, including previews, to top the chart; Fox’s X-Men: Days of Future Past nears £20m after just 11 days in play.
Fox’s latest X-Men outing posts best debut of the series to date at $15.4m (£9.1m), marking the biggest opening of 2014 in the process.
Warner Bros’ reboot leads a sun-affected market with $10.7m (£6.4m), including previews.
Warner Bros’ reboot leads on overall buzz and intent-to-view; Fox’s latest X-Men outing excites ahead of release next week.
Universal’s comedy scores mighty $14.2m (£8.42m) debut, including previews; StudioCanal’s The Wind Rises posts second-best UK bow for Studio Ghibli.
Universal’s comedy set to knock The Amazing Spider-Man 2 from the top spot.
Sony’s sequel retains top spot for third straight week with $3.4m (£1.98m); Universal’s Bad Neighbours previews strongly; eOne’s Pompeii is the week’s highest new entry.
Fox’s comedy generates more buzz and intent-to-view than week’s new releases; Universal’s Bad Neighbours set for strong preview start.
Sony’s sequel adds $5.7m (£3.36m) for $27.8m (£16.52m) to date; Fox’s The Other Woman posts strong UK bow of $4.5m (£2.7m), including previews.
Sony’s sequel records biggest opening of 2014 with $15.2m (£9m); eOne’s The Love Punch lands with $1m (£611,000) from 373 sites.
Sony’s sequel garners most buzz and intent-to-view.
Disney’s latest Marvel outing leapfrogs Rio 2 with $3m (£1.78m); Lionsgate’s The Quiet Ones posts non-final $1.1m (£681,305) debut for week’s highest new entry; eOne’s Calvary records third best opening of year in Ireland.
Fox’s sequel leads the way thanks to preview-boosted $4.8m (£2.9m) debut; Disney’s Winter Soldier heads up Fri-Sun weekend; Fox’s Grand Budapest Hotel becomes Wes Anderson’s best-ever UK performer.
Disney’s latest superhero outing posts $10.1m (£6.04m) bow, including previews, to lead the way ahead of stablemate Muppets Most Wanted.
Fox’s comedy drama climbs to number one in its third weekend of release.
eOne’s video game adaptation clocks non-final $3.3m (£2m) to dethrone 300: Rise of an Empire; StudioCanal’s Under the Skin posts strong UK bow of $396,000 (£238,203) from just 47 sites.
Warner Bros’ sequel scores $4.6m (£2.8m) debut to top UK chart; Fox’s The Grand Budapest Hotel records Wes Anderson’s best-ever UK bow.
Warner Bros’ animation stays top for third straight week; Non-Stop records second best-ever UK bow for StudioCanal; Universal’s The Wolf of Wall Street becomes UK’s highest grossing 18-rated film.
Warner Bros’ animation crosses £20m as it stays top of the chart; Artificial Eye’s event release of Nymphomaniac grosses $237,000 (£142,922) from 74 sites for Lars von Trier’s best-ever UK bow.
Warner Bros’ animation debuts top with the year’s biggest debut so far; Fox’s The Monuments Men starts off UK run with non-final $2.7m (£1.6m) in second.
Fox’s 3D animation records $6.4m (£3.9m) debut, including previews, to dethrone The Wolf of Wall Street; StudioCanal’s RoboCop arrives with strong $4m (£2.41m) bow in second.
StudioCanal’s reboot delivers strongest overall buzz, but eOne’s Dallas Buyers Club leads intent to view.
Universal’s biopic retains lead for third straight week, becoming Martin Scorsese’s best-ever UK performer in the process; Warner Bros’ Gravity to cross £30m in coming days.