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Me, Myself and Mum

Me, Myself and Mum wins Directors' Fortnight

By Melanie Goodfellow

Guillaume Galliennes’s autobiographical comedy about his relationship with his mother scoops unofficial top prize at Cannes.

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Gatsby crosses $100m in US

The Great Gatsby has crossed $100m at the North American box office on its 14th day of release, Warner Bros announced on Friday [24].

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Selfish Giant wins Cannes Europa Cinemas Label

By Wendy Mitchell

Clio Barnard’s UK feature The Selfish Giant has been awarded the Europa Cinemas Label in Cannes.

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Cannes: new leader in Screen jury's scores

By Mark Adams, chief film critic

With the main Cannes competition screenings schedule reaching its end, there is a hot new leader in the annual Screen critics chart.

Robert Redford

Robert Redford joins 3D Wenders project

By

EXCLUSIVE: Wim Wenders has announced that Robert Redford is to direct one of the films in the 3D/2D series Cathedrals Of Culture project.

Read more news here

FEATURES

Future Leaders

Future Leaders: Producers 2013

13-May-2013

The hottest upcoming producers from around the world.

Cannes

Future Leaders: Festival pass

13-May-2013

From targeting the best festival for a premiere to connecting with rising talents, Wendy Mitchell asks the experts how new producers can make the most of festivals

Gareth_Unwin

The keys to unlocking film finance

13-May-2013

Financing independent films is notoriously tough, so how can new producers attract backing? Geoffrey Macnab speaks to the seasoned professionals

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Sales: Pitch Perfect

13-May-2013

First-time producers should understand the commercial appeal of their film and know when to approach a sales company. Andreas Wiseman speaks to key industry sellers about what newcomers need to know about working with them

Interviews

The Canyons Lindsay Lohan

Paul Schrader and Bret Easton Ellis, The Canyons

It began with a lucky calamity. Paul Schrader and Bret Easton Ellis originally came together to work on Bait, a movie backed by Spanish money that was set up at Lionsgate. When that fell apart, the two creative forces got talking about making something else.

David Hasselhoff

David Hasselhoff

David Hasselhoff took to the beach in Cannes this week, this time for business meetings not for Baywatch duty.

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Amit Kumar, Monsoon Shootout

Leon Forde talks to Amit Kumar about his feature debut Monsoon Shootout, which screens in Cannes as a Midnight Screening.

Last Days on Mars

Territory Focus: Ireland

Browse Screen’s focus on film-making in Ireland, including an overview of the industry, the Irish Film Board and the hottest upcoming movies.

In Production

Miss Julie

Set report: Miss Julie

Liv Ullmann’s first film as a director in more than a decade, Miss Julie stars Jessica Chastain, Colin Farrell and Samantha Morton. Mark Salisbury visits the set and speaks to the director about relocating August Strindberg’s masterpiece to Northern Ireland

David_Mackenzie_Starred_Up

In Production: Starred Up

Andreas Wiseman talks to director David Mackenzie, actor Jack O’Connell and producer Gillian Berrie about new prison-drama Starred Up, which Independent will be shopping in Cannes.

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In Production: Hello Carter

Writer-director Anthony Wilcox’s London-set debut feature Hello Carter is a comedy adapted from his buzz short of the same name.

Producers Network 10th anniversary (Cannes)

Cannes 2013: Producers Network 10th anniversary

Cannes Marche’s Producers Network celebrated its 10th anniversary this year, and marked the occassion with a party at Plage des Palmes.

More of The Circuit

Only_Lovers_Left_Alive

Only Lovers Left Alive

By Jonathan Romney

Dir/scr: Jim Jarmusch. UK-Germany 2013. 123mins

Manuscripts Don't Burn

Manuscripts Don't Burn

By Jonathan Romney

Dir/scr: Mohammad Rasoulof. Iran 2013. 134mins

MORE REVIEWS

Blogs

The_Immigrant

Screen's Cannes Competition Blog: Only Lovers Left Alive and Venus in Fur

Screen’s Cannes 2013 Competition blog is now complete with the reaction to Jarmusch and Polanski’s films.

Japan Special 2013

Japan Special 2013

In a big year for Japan at the Cannes Film Festival, Screen offers a detailed insight to the industry, plans for TIFF, the growth of TIFFCOM and a look at Japan on the Croisette.

The_Great_Gatsby_1

Gatsby crosses $100m in US

The Great Gatsby has crossed $100m at the North American box office on its 14th day of release, Warner Bros announced on Friday [24].

See box office news

The_Great_Gatsby_ON_SET

Baz Luhrmann at the box office

Baz Luhrmann’s Cannes opener The Great Gatsby is his first film in 3D. Will it continue the director’s upward trajectory at the global box office?  Ian Sandwell reports.

THE EDITOR

Wendy_Mitchell

What producers need to know about the press

By Wendy Mitchell

Some advice for new producers.

Print Issue

Print Issue

Analysis

blackfish

Cannes: Documentary boom

Documentaries are booming at Cannes, both in selection and the market. Melanie Goodfellow looks at this year’s crop and asks the experts about the current appetite for non-fiction work.

Dimension_3_Inauguration.0028

Dimension 3: viewing the future

The rise of high frame rate and 4K technology will be among the points of discussion at France’s Dimension 3 (June 18-21). By Melanie Goodfellow.

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Pinewood: From stage to screen

The Pinewood Group is eyeing ambitious expansion, with plans to build its first US studio and to double capacity at the UK’s Pinewood Studios. Andreas Wiseman reports.

Hot projects on Screenbase

Chloe Moretz and Asa Butterfield re-unite for White Circus and German director Christian Petzold prepares his new film Phoenix.

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