“The English-language market is key,” says Mediawan Pictures CEO of the group’s ambitious strategy
Elisabeth d’Arvieu, CEO of Mediawan Pictures, explains why leveraging the company’s global reach and talent relationships is key.
How France maintains its vibrant market for arthouse films
“The work of distributors and cinemas has been built up for the past 20 or 30 years, and audiences have evolved with it.”
How indie Oscar contenders flourished at the North American box office
‘Anora’, ‘Flow’ and ‘I’m Still Here’ have also brought in flourishing results.
How local blockbusters helped cinemas in Vietnam recover from the pandemic
Given that major markets such as China and the US are struggling to match pre-pandemic levels, Vietnam has staged a remarkable recovery.
“Donna Langley trusts us”: Focus Features’ Peter Kujawski on Universal relationship
Screen talks to Focus Features chairman about the company’s ethos and future plans.
How North American cinemas are aiming to “eventise” the theatrical experience
After years of under-investment since the pandemic, the top eight North American exhibitors have pledged to spend $2.2bn on upgrades over the next three years.
What next for Ireland’s Omniplex Cinemas after move into UK market?
Screen talks to director Paul John Anderson about the company’s ambitions.
"Plenty of room in the market": What’s next for the thriving premium format cinema sector?
Premium format technologies are creating compelling reasons for audiences to see films on the big screen.
![[Clockwise from L-R]: Swindon Vue, Curzon Kingston, Edinburgh Everyman, Reel Farnham](https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/9/5/6/1446956_ukcinemas_321494.jpg)
UK exhibitors look ahead to 2026: “The end of this horror show”
Screen talks to key players in the UK exhibition space about a sector in flux.
Choppy US Q1 box office has industry hoping for calmer waters
Box office year-to-date trails same period of 2024 by 7% – but there are glimmers of hope.
How UK agents are grappling with US competition and sky-high talent fees
In a joint report, Screen International and sister title Broadcast investigate the present state of play for UK agents.
Distributors and sales agents will find something here for them, says CPH:DOX industry head
Industry head Mara Gourd-Mercardo explains why Roughcut has replaced Work in Progress.
The projects and producers that stood out at Lithuania’s Meeting Point Vilnius 2025
Lithuanian filmmakers are riding high on the local box-office success of ‘Southern Chronicles’.
