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Number 9’s Elizabeth Karlsen and Stephen Woolley on ‘The Salt Path’, ‘The Assessment’ and future projects
The duo talk first-time filmmakers, female-focused stories and why they’re not changing strategy anytime soon.
Screen critics’ stand-out titles from Venice 2024
We have selected 11 stand-out titles from the Lido, plus five that are bubbling under.
How Ireland’s distribution market is forging its own identity
A quartet of local distribution players are working to ensure the market is never an afterthought.
Chinese arthouse films are back on the world stage, but how are they performing at home?
A trio of Chinese arthouse films stood out with distinctive box-office results last year.
What can TIFF do to draw the French – and European – industry back?
Rising costs, waning world premieres and less business are keeping many French buyers and sellers from making the trans-Atlantic trek.
How Hollywood blockbusters like ‘Beetlejuice 2’ and ‘Deadpool & Wolverine’ were made in the UK
Here are five recent blockbuster projects that have made the most of what the UK has to offer.
The UK film festivals you need to know: 2024 dates, submission and contact details
Screen profiles the major film festivals in the UK.
Joshua Oppenheimer on giving a musical twist to the apocalypse in ‘The End’
‘The End’ stars Tilda Swinton and George MacKay and had its world premiere at Telluride.
Directors Scott Beck, Bryan Woods talk courting Hugh Grant for their TIFF religion horror ‘Heretic’
British star shows dark side in three-hander with Sophie Thatcher, Chloe East.
My Screen Life: 3dot founder, producer Liza Chasin on TIFF selection ‘The Friend’ and how ‘Boogie Nights’ got away
Former longtime Working Title executive’s Naomi Watts crowdpleaser screens on Sunday.
How Colombia is luring high-profile international productions
The depth of Colombia’s rich artistic culture is writ large across this year’s fall festivals.
Why using Colombian talent was key for Netflix’s adaption of ‘One Hundred Years Of Solitude’
“They felt very strongly that we should shoot in Colombia. So did we.”
In conversation: Rachel Morrison and Rodrigo Prieto on making the leap from cinematographer to director
The Oscar-nominated directors of photography both launch their own feature debuts at TIFF this year.
