Latest – Page 7
-
-
Reviews
‘Never Rarely, Sometimes Always’: Sundance Review
A teenage girl must travel across state lines to get an abortion in this powerful drama
-
Reviews
‘Vivos’: Sundance Review
A powerful and perceptive study of lives invaded by tragedy in Mexico from China’s Ai Weiwei
-
Reviews
‘Bloody Nose, Empty Pockets’: Sundance Review
A unique, albeit rarefied, example of hybrid cinema set on the last day of an American dive bar
-
Reviews
‘Bad Hair’: Sundance Review
Justin Simien follows up Dear White People with this satirical thriller about bloodthirsty hair
-
Reviews
‘Miss Americana’: Sundance Review
Lana Wilson’s portrait of pop megastar Taylor Swift doesn’t give the full picture
-
Reviews
‘Crip Camp’: Sundance Review
Inspirational, moving documentary about a revolutionary 1970s summer camp for children with disabilities
-
Reviews
‘Summertime’: Sundance Review
The follow-up to ‘Blindspotting’ is an absorbing spoken-word sonnet
-
Reviews
‘VHYes’: Rotterdam Review
An engaging absurdist VHS collage which also features the director’s parents, Tim Robbins and Susan Sarandon
-
-
Reviews
‘The Turning’: Review
The latest version of Henry James’ haunted house classic fails to raise a scare
-
Reviews
‘Funny Face’: Review
Cosmo Jarvis takes the lead in this Brooklyn-set outsider romance from director Tim Sutton
-
Reviews
‘The Painter And The Thief’: Review
A burglar ends up stealing his victim’s heart in this unusual documentary from Norway
-
-
Reviews
‘Identifying Features’: Review
A mother searches for her missing son in Mexico’s borderland in a powerful first feature from Fernanda Valadez
-
Reviews
‘Bad Boys For Life’: Review
Will Smith and Martin Lawrence reunite on Sony’s far from fresh franchise
-
Reviews
‘La Fortaleza’: Review
A nervy, feverish follow-up to ‘La Soledad’ from Venezuela’s promising young director Jorge Thielen Armand
-
Reviews
‘Underwater’: Review
Kristen Stewart and Vincent Cassel headline this derivative but effective ’blast of monster mayhem’
-
-
Reviews
‘The Gentlemen’: Review
A British drug lord attempts to do business with an American dynasty in Guy Ritchie’s latest crime caper
