Latest – Page 364
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FeaturesCase study: Bullhead
The challenges of producing and distributing Belgian drama Bullhead [pictured] were discussed by Savage Film producer Bart Van Langendonck and Celluloid Dreams boss Hengameh Panahi. The pair spoke to Screen at the Les Arcs European Film Festival.
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FeaturesImmersed in the story
With a range of projects continuing to expand the possibilities of 3D, John Hazelton explores the front runners for awards recognition.
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FeaturesHunting the box-office bounty
On the eve of the release of Django Unchained, Ian Sandwell charts the global performance of Quentin Tarantino’s most recent films.
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FeaturesFlying lessons
Robert Zemeckis’ Flight has the feel of a 1970s drama, the budget of an indie film and the box-office trajectory of a sleeper hit. John Hazelton speaks to Zemeckis and stars Denzel Washington and Kelly Reilly.
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FeaturesLes Misérables: a revolutionary new approach
For the veterans behind Les Misérables, it was a film of firsts – including the bold move to capture actors singing live on set. Wendy Mitchell talks to the team that brought the iconic musical to life on screen.
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FeaturesAnurag Basu
Anurag Basu talks to Screen about Barfi!, India’s official entry for consideration in the Academy Awards’ Best Foreign Language Film category.
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FeaturesAlexandre Desplat
Acclaimed composer Alexandre Desplat talks about the challenges of covering a wide range of moods in his score for Rise of the Guardians. By Katherine Krueger.
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FeaturesIbrahim El Batout, Winter Of Discontent
Ibrahim El Batout talks to Screen about his latest film Winter of Discontent.
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FeaturesLes Arcs 2012: snow business
A blend of screenings and skiing is helping to put Les Arcs European Film Festival (Dec 15-22) on the end-of-year calendar.
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FeaturesWill investors join EIS club?
The boosted Enterprise Investment Scheme was expected to be a big bonus for the UK film industry, but financiers say times are tougher than expected. Geoffrey Macnab talks to the experts.
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FeaturesVFX breaks new ground
The shortlisted films for this year’s visual effects category at the Academy Awards reveal how the sector has moved beyond the sci-fi and fantasy realm into comedies and dramas. John Hazelton eyes the field of contenders.
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FeaturesKhairy Beshara
Marking a return to feature filmmaking after 16 years, Khairy Beshara talks to Screen about experimental docu-drama Moondog.
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FeaturesDubai is cast in central role
Dubai International Film Festival (Dec 9-16) is welcoming international stars alongside up-and-coming local talent in its mission to boost cinema and film-making in the region.
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FeaturesThe journey begins
Global grosses rose with each of the three Lord Of The Rings releases. Can Peter Jackson’s The Hobbit [pictured] improve on the original trilogy? Ian Sandwell reports
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FeaturesTripling up on talent
XYZ Films’ Nate Bolotin, Nick Spicer and Aram Tertzakian talk about their busy company,which is building on the global success of The Raid [pictured]. Jeremy Kay reports
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FeaturesBaftas’ glory
As Bafta season intensifies, Geoffrey Macnab looks at the streamlined voting process and how this year’s nominations will be revealed just before those of the Oscars.
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FeaturesBIFAs: the British are voting
Many of this year’s nominated films may be less well known than in previous years, but they lie at the heart of what the BIFAs stand for. Ian Sandwell reports.
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FeaturesJacqueline Durran
UK costume designer Jacqueline Durran continues her collaboration with Joe Wright on Anna Karenina, creating costumes lush enough for 1870s Russia yet with a modern twist. Wendy Mitchell reports