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FeaturesObsessive research and over 90 sets: creating the look of ‘Elvis’
Screen talks to the film’s design supremos Catherine Martin and Karen Murphy.
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Features
“Everything has changed”: Berlinale co-heads reveal challenges of planning 2023 edition
Carlo Chatrian and Mariette Rissenbeek reflect on the impact of the pandemic, why there are no titles from Russia and receiving a €2.2m funding boost.
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Features
Daryl McCormack on researching ‘Good Luck To You, Leo Grande’ role, auditioning for ‘Star Wars’
Playing the title role in Good Luck To You, Leo Grande has brought recognition and dual Bafta nominations to Ireland’s Daryl McCormack. “To be honest I didn’t anticipate it,” he tells Neil Smith
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Features
Todd Field breaks down four key scenes from ‘TÁR’: “It was an impossible shot”
TÁR gets under the skin of a brilliant, complex talent who is increasingly undone by her deep character flaws.
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Features
How Muayad Alayan filmed ‘A House In Jerusalem’ in Palestine and Israel during the pandemic
The title received its world premiere in the Limelight strand at Rotterdam.
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Features
Awards whispers: Bafta, Oscar voters reflect on this year’s nominations - ‘Women have been shut out again’
”It’s disheartening to see so few female directors nominated in a year where female filmmakers made lots of excellent work.”
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Features
Comment: Young British Cinema excites at an otherwise creatively cautious Sundance
Films by Charlotte Regan, Ella Glendining, Adura Onashile, Nida Manzoor and Raine Allen-Miller all delivered.
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Features
Kerry Condon on becoming an “overnight sensation after 20 years” for ‘The Banshees Of Inisherin’
Condon is an Oscar and Bafta nominee for her role in The Banshees Of Inisherin.
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Features
10 films that stood out at Sundance 2023
Screen’s critics have picked out some of the titles to watch from this year’s festival.
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Features
Ukrainian director Philip Sotnychenko has mixed feelings being at a film festival: “Our fight is on the cultural front”
’La Palisiada’, the debut feature of Kyiv-based filmmaker Philip Sotnychenko, is screening in the Tiger competition at Rotterdam.
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Features
Mood at Sundance “really positive”, but how will festival titles fare in the marketplace?
Sundance 2023 proved its mettle as a launchpad for films that will be in the industry conversation in the year ahead.
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Features
Why a Rotterdam premiere could help an Indian film find an audience at home
Many of the Indian films in IFFR’s The Shape Of Things To Come? sidebar have a political or adversorial slant.
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New talent focus: ‘Wolf And Dog’ director Cláudia Varejão on why she moved from docs to fiction
“I realised fiction can be a place of freedom.”
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Features
Paul Mescal talks ‘Aftersun’, masculinity and coping with fame: “I’m a self-isolator when I’m working”
Paul Mescal’s star is in the ascendant, with a slew of upcoming roles for major directors
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Features
UK awards campaigners react to 2023 Bafta nominations
“I’m disappointed ‘Blue Jean’ didn’t get recognised in [Outstanding British film]”, says one campaigner.
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Features
How IFFR Pro’s Inke Van Loocke is innovating CineMart as co-pro market celebrates its 40th edition
Leading international execs will be in town to see prestigious showcase of new works.
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Features
Dutch production sector looks forward to a buoyant 2023
Close ties are being forged with partners in Indonesia and South Africa.
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Features
Topkapi producer Laurette Schillings on the company’s strategy for reaching international audiences
‘Goodbye Stranger’, the latest film from the Dutch company, is debuting in Rotterdam this month.
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Features
Rotterdam’s Vanja Kaludjercic on diversifying the line-up for her first in-person festival
Kaludjercic talks about the role the festival plays in bringing smaller filmmakers to a global audience.
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