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FeaturesWhat do fewer blockbusters mean for the UK Christmas gift market?
Fewer tentpole releases in the summer have changed the shape of the rest of the year.
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Features
Ventana Sur 2020 co-heads talk preserving Latin market in pandemic year
Online market runs from November 30-December 4.
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Features
‘Til Kingdom Come’ director Maya Zinshtein on the odd connection between Kentucky, Trump and Israel
’Til Kingdom Come is produced by the Oscar-winning John Battsek.
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Features
International industry ready to log on to Black Nights dynamic industry programme
The Baltics’ leading industry showcase set to launch its biggest edition to date.
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Features
‘The Penultimate’ filmmakers talk creating a new universe on a tight budget
It shared the inaugural Screen International Buyers Choice Award at Rome’s MIA last month.
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Features
Word of Mouth - Sten-Kristian Saluveer: “People describe me as a knowledge scavenger”
The CEO of Storytek on the importance of staying connected.
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Features
Why some Hong Kong documentary filmmakers are staying anonymous for safety
The collective behind two IDFA premieres – Inside The Red Brick Wall and Taking Back the Legislature – are staying anonymous.
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Features
IDFA’s DocLab is taking audiences to existential dance classes and online discos
Caspar Sonnen, IDFA’s head of new media, has been inspired by how interactive artists have been reacting to the pandemic.
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Features
IDFA filmmaker Diane Sara Bouzgarrou on ‘The Last Hillbilly’ about “a town not documented in tourism or art”
French direcrtors Diane Sara Bouzgarrou and Thomas Jenkoe offer an intimate portrait of a hillbilly poet.
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Features
How IDFA is supporting new international documentary talent
The IDFAcademy has moved online to nurture the careers of 60 emerging and directors.
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Features
UK film financiers discuss what investors will be looking for in 2021
Six leading figures from UK independent film discuss the key issues of a challenging year.
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Features
Nordic production in 2020: international shoots, safety protocols, increased budgets
Projects to have shot this year include Ruben Östlund’s Triangle Of Sadness .
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Features
“2020 lets us re-think the core of what we do,” says IDFA’s Orwa Nyrabia
Syrian filmmaker turned festival director talks about the importance of cinema screenings at IDFA’s hybrid edition.
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Features
How is the documentary sector coping with the chaos that is 2020?
International filmmakers and executives speak to Screen about keeping going during the pandemic.
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Features
‘The Crown’ breakout Emma Corrin on playing Princess Diana and her producing plans
Corrin was named a Screen Star of Tomorrow this year.
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Features
How France's "robust and ingenious" production industry rebounded this summer
Production in France was up year-on-year from July to September.
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Features
How local titles have flourished at the Taiwan box office
Taiwan has reported no domestically transmitted Covid-19 cases since mid-April, and box office has continued to fly thanks to a string of local hits.
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Features
European sellers discuss AFM, hybrid realities and a brighter 2021
From tying up deals during AFM to looking ahead to a brighter 2021, European sellers are adapting to a new hybrid world.
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Features
Why a new relationship with public funding is boosting the Russian film industry
Exhibitors are looking for a lucrative January to make up for the losses of 2020.
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Features
Anton’s John Zois on production plans, the market, distribution
The LA-based executive has shepherded projects including ’Greenland’ into production.
