As audience demand for effects-driven blockbusters grows, the lines 
between animation and live-action, already blurred, will come close to 
disappearing.
That's the prediction of Yair Landau, vice-chairman of 
Sony Pictures Entertainment (SPE) and president of its Sony Pictures 
Digital (SPD) division.
'Visual effects and animation dominate the moviegoing experience like 
at no time in history,' Landau said.
Speaking yesterday (Wednesday) during The Media Summit, backed by Screen International,at BFI Southbank, Landau pointed out that every one of the top 10 films at the 2007 box-office hits was either a digital effects film or an animated movie.
These box-office hits accounted for over a third of the overall 
worldwide box-office in 2007.
More and more films are being made in which the 'environment is 
animated but the people are real or the people are animated but the 
environment is real. That is the broad trend in terms of large-scale 
digital production,' Landau said.
Over half of Spiderman 3 is animation. The traffic, though, is two-way. 
Just as live-action films use more animation, animated movies are 
brorrowing more live action.
'At Sony Pictures Imageworks, we use a lot of love-action technology 
and techniques to try to enhance the animated storytelling.'
In Oscar season, films like Beowulf, I Am Legend and Spiderman 3 may 
not be winning awards but they - Landau asserted - are clearly the 
movies that audiences want to see.
'I see it as a harbinger of where we are going. Obviously, a lot of 
this (digital production) is incredibly expensive, very time-consuming 
and involves a ton of artists and technology,' Landau said. Even so, he 
predicted that the box-office will continue to be dominated by movies 
combining the best of live action and digital animation techniques.
'That is what the world wants from Hollywood,' Landau said. 'I think 
the top 10 films will be like this next year and beyond. What we've 
gotten to is a place where filmmakers and storytellers are not in any 
way limited now by technology from creating anything they can imagine. 
Any story that somebody brings to paper you can make feel real.'
He suggested that a new generation of filmmakers is now comfortable 
'integrating digital production into the basic fabric of the way they 
tell their stories.'
Asked whether cinema will soon see digitally created movie stars, 
Landau suggested that they already exist in animation. 'Mr Incredible 
is a digital star.
Buzz and Woody are digital stars.' However, he suggested that digital movie stars aren't the long-term goal of the digital production revolution.
'We all want to see humans being. We want people looking each other in the eye and emoting. The question is how many CGI characters will they interact with...if you have a love affair between a human and a CGI character, will you feel more strongly for the CGI character than the human'' 








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