![[Clockwise from top left]: 'The Voice Of Hind Rajab', 'A House Of Dynamite', 'Jay Kelly', 'After The Hunt', 'The Smashing Machine'](https://d1nslcd7m2225b.cloudfront.net/Pictures/274x183/1/7/0/1459170_veniceawards_837515.jpg)
Most popular and commented – Page 5899
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NewsRotterdam plans special tributes to Iranian cinema, Dominik Graf and 'the auditory experience'
The International Film Festival Rotterdam has announced several themed programmes for its 42nd edition.
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NewsTobias Lindholm’s A Hijacking wins at Thessaloniki
Danish thriller A Hijacking (Kapringen) has won the Golden Alexander at the 53rd Thessaloniki International Film Festival.
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NewsDoc/Fest’s MeetMarket scores best ever year
Sheffield Doc/Fest’s MeetMarket event has helped raise £27m for new projects since 2006 and has generated the most funds to date in 2012.
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NewsDubai fest to mark Indian Cinema centenary
The Dubai International Film Festival’s ‘Celebration of India’ will mark 100 years of cinema from the region.
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NewsLes Arcs co-pro market reveals project line-up
Placido, Brosens & Woodworth, Robelin, Rohrwacher, Kári and Hadzihalilovic head to Les Arcs co-production village.
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NewsNordic Film Fest line-up revealed
The inaugural Nordic Film Festival has unveiled its programme, comprising 11 independent productions from Denmark, Finland, Iceland, Norway and Sweden.
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NewsIDFA director: Dutch cuts are “a slap in the face”
The world’s biggest doc bazaar International Documentary Festival Amsterdam (IDFA) marked the beginning of its 25th edition last night (Wednesday) with a fiery speech from festival founder and director Ally Derks.
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NewsBellocchio planning opera and period drama
EXCLUSIVE: Marco Bellocchio developing 16th century drama and feature version of opera Pagliacci.
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NewsJarecki adopts “grassroots” release for The House I Live In
US director Eugene Jarecki has spoken about the grassroots campaign for documentary The House I Live In - and the part that Brad Pitt has taken in promoting the film.
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NewsPlus Camerimage to honour Harris Savides
Gus Van Sant will accept the award on behalf of the late cinematographer.
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NewsThe Sugar Bowl wins at Aesthetica
Second edition screened over 200 international short films, as well as hosting masterclasses with industry professionals that were attended by over 1,000 people.
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NewsLarry Clark’s Marfa Girl wins Rome’s top prize
E La Chiamano Estate, booed by critics earlier in festival, takes two awards; Jessica Krummacher wins €30,000 Eurimages development prize.
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NewsMarco Mueller says his first edition of Rome was 'successful' but could have used more investment
EXCLUSIVE: In the wake of a turbulent first edition, Rome festival director vows cheaper tickets and fewer films in 2013, expects to be back for two more years.
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NewsCate Shortland’s Lore wins four Stockholm stallions
Australian writer-director Cate Shortland picked up an armful of prizes at the 23rd Stockholm International Film Festival for her post-war drama Lore.
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NewsCarbone, Edmands, Collins win at US in Progress in Wroclaw
Companies in attendance included Urban Distribution, Wild Bunch, K5, and Artificial Eye.
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NewsIran’s Karimi wins Mannheim-Heidelberg awards
Iranian filmmaker Niki Karimi has received the main award and Newcomer of the Year at the Mannheim-Heidelberg International Film Festival.
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NewsDoha Film Institute offers 27 grants including to filmmakers such as El Batout, Allouache
Global film finance and local finance also discussed at DTFF panel.
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NewsThe Hunt claims Leeds fest award
Danish drama The Hunt took home the Leeds International Film Festival Audience Award at the close of the annual event.
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NewsGlasgow fest unveils three new strands
The ninth Glasgow Film Festival is to introduce a strand looking at the big-screen appeal of video games; a retrospective on James Cagney; and a focus on new cinema from Brazil.
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NewsBerlinale to highlight Weimar Cinema influence
The Berlin International Film Festival’s retrospective strand for its 2013 edition is set to focus on Weimar-era films produced after 1933, when the Nazis had taken control of the German film industry and forced film-makers to fall in line with the regime.