‘DNA’: San Sebastian Review
‘Spring Blossom’: San Sebastian Review
‘The Eight Hundred’: Review
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‘Rifkin’s Festival’: San Sebastian Review
Woody Allen’s latest was set in the film festival it now opens
‘Lovers Rock’: NYFF Review
The first of Steve McQueen’s ‘Small Axe’ films opens the New York Film Festival
‘The Water Man’: Toronto Review
David Oyelowo impresses with his family-friendly directorial debut
‘Good Joe Bell’: Toronto Review
Mark Wahlberg plays the father of a bullied gay son in Reinalo Marcus Green’s follow-up to ‘Monsters And Men’
‘76 Days’: Toronto Review
A startling picture from inside Wuhan’s beseiged hospitals at the onset of the pandemic
‘Wildfire’: Toronto Review
Intense debut set in an Irish border town stars Nora-Jane Noone and the late Nika McGuigan
‘Violation’: Toronto Review
This bracing debut tracks a woman’s betrayal and revenge
‘Ghosts’: Venice Review
Venice Critics Week winner is a timely story set in Istanbul of the very near future
‘Concrete Cowboy’: Toronto Review
Idris Elba takes the reins in this story of an inner-city riding school in Philadelphia
‘Beans’: Toronto Review
Tracey Deer’s impressive debut captures the Mohawk people of Canada at a time of crisis
‘MLK/FBI’: Toronto Review
Some sobering truths on how an American hero was treated during his own lifetime
‘Shadow In The Cloud’: Toronto Review
Chloe Grace Moretz headlines this pulpy US/NZ Midnight Madness feature
‘I Care A Lot’: Toronto Review
Rosamund Pike, Peter Dinklage star in J Blakeson’s amoral thriller
‘Another Round’: Toronto Review
’Compelling, and more than a little sobering’
‘Wolfwalkers’: Toronto Review
Cartoon Saloon’s Irish folklore trilogy ends with a film which seems destined to become an instant classic
