Box office: Data - The critical view - Bad moon rising
At this year's Berlinale, I found myself pitching an idea for a script I'll probably never write to an old friend who is now a leading British producer. I felt a bit guilty: this was supposed to be his one non-working lunch of the festival, and there was me turning all Brutus on him. But he had the grace to sound interested as I enthused about the main character, a beautiful, smart, cynical, high-born woman who mistreats her daughter and steals her best friend's husband.
Registration is required to read the entire article and to gain access to other restricted areas of the website