By continuing to use the site you agree to our Privacy & Cookies policy

Box office: Data - The critical view - Bad moon rising

At this year's Berlinale, I found myself pitching an idea for a script I'll probably never write to an old friend who is now a leading British producer. I felt a bit guilty: this was supposed to be his one non-working lunch of the festival, and there was me turning all Brutus on him. But he had the grace to sound interested as I enthused about the main character, a beautiful, smart, cynical, high-born woman who mistreats her daughter and steals her best friend's husband.

Restricted Content

Registration is required to read the entire article and to gain access to other restricted areas of the website

This content is for registered users only

To check that you are registered please enter your email address below

Our records show you are already a registered user. Please sign-in with your password...

By continuing to use the site you agree to our Privacy & Cookies policy

Not a Screen International subscriber?

Sign up today for immediate and complete access to ScreenDaily.com and Screen International magazine for as little as £19.95 a month!

newsletter+promo