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Oscars

Oscars 2015: nominations analysis

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A day of big surprises confirmed Boyhood, Birdman and The Grand Budapest Hotel as front-runners for the best picture Oscar at the 87th Academy Awards.

Mr. Holmes

Second-look pic: Mr. Holmes

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The second photo is out of Ian McKellen as the elderly sleuth in Mr. Holmes, seen here with youngster Milo Parker.

Golden Globes

Golden Globes winners: analysis

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We learned very little from the 72nd annual Golden Globes ceremony on Sunday night, which is to take nothing away from the joy of the occasion and its proud championing of independent cinema.

Leave to Remain: the end of a long journey

Kate Cook and James Levison reflect on producing indie feature Leave to Remain, starring Toby Jones, the struggle to find an audience and an “impactful” distribution strategy.

Whiplash

Screen's top 10 films of 2014

By Screen staff

Screen’s editorial staff picks their top 10 films of 2014.

Serial storytelling

By Wendy Mitchell

It’s remarkable that during the season of big awards films, the story that most people I know are genuinely buzzing about is the tale of Hae Min, Adnan and Jay.

The Interview

The Interview's cancellation is a 'calamity' for Sony

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US Editor Jeremy Kay analyses the effects of Sony’s decision to pull The Interview from release after threats from hackers.

Knight Of Cups

Knight Of Cups trailer Video

By

The first-look of Terrence Malick’s upcoming Berlinale competition selection has been released.

Insurgent

Insurgent trailer has landed Video

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Shailene Woodley returns as Tris in Lionsgate’s latest YA franchise-elect.

Welcome Back "In Conversation"

Dubai welcomes back Bollywood

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Ear-splitting screams welcomed the cast and crew of Bollywood film Welcome Back, who are filming in Dubai, and dropped in to speak to guests at DIFF.

The Gunman

The Gunman international trailer Video

By

Pierre Morel directs Sean Penn, Javier Bardem, Idris Elba and Ray Winstone. What’s not to like?

THE EDITOR

Jeremy Kay

Respect the producer

By

Precisely what a producer does is one of the murkiest questions in cinema.

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