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‘The Cord’ review: Gritty, urgent doc follows one-woman crusade to fix Venezuela’s maternity system
French filmmaker Nolwenn Hervé’s feature follows Carolina as she fights to support the mothers of Maracaibo
‘Ready Or Not 2: Here I Come’ review: Samara Weaving returns in bloody, bland horror sequel
SXSW premiere also stars David Cronenberg, Sarah Michelle Gellar and Elijah Wood
‘We Are Stardust’ review: Absorbing doc follows Norwegian citizen scientist on hunt for cosmic dust
Filmmaker Elisabeth Rasmussen joins musician Jon Larsen on his 10 year search for valuable micrometeorites
‘I Love Boosters’ review: Keke Palmer, Naomi Ackie and Taylour Paige anchor Boots Riley’s anarchic SXSW opener
LaKeith Stanfield, Demi Moore and Don Cheadle also star in riotous pro-union comedy
‘Just Look Up’ review: US climate activism doc shows passion, but covers familiar ground
Joshua Oppenheimer and Adam McKay executive produce lightweight portrait of protest group Climate Defiance
‘Reminders Of Him’ review: Maika Monroe and Tyriq Withers star in predictable, shallow adaptation of Colleen Hoover novel
Fraught love story follows previous Hoover adaptations ‘It Ends With Us’ and ‘Regretting You’
‘Mariinka’ review: CPH:Dox opener is arresting but tonally uneven account of life in east Ukraine
Belgian filmmaker Pieter-Jan De Pue filmed his observational documentary over 10 years
‘Replica’ review: Fascinating if limited study of Chinese women embarking on AI relationships
Chouwa Liang’s Thessaloniki Documentary Festival premiere is a follow-up to her 2022 short ‘My AI Lover’
‘Project Hail Mary’ review: Ryan Gosling is a wise-cracking hero in Lord and Miller’s irreverent sci-fi
Phil Lord and Christopher Miller’s entertaining space adventure also stars Sandra Huller
‘Derek Vs Derek’ review: A British farming feud roots gentle environmental documentary
James Dawson’s appealing, insightful film bows in Thessaloniki Documentary Film Festival
‘Sinsin And The Mouse’ review: Verbose, meandering two-hander sees strangers connect in Taipei
Yukinori Makabe’s Glasgow Film Festival premiere is adapted from a short story by Banana Yoshimoto
‘Sentient’ review: Powerful, challenging exploration of biomedical animal testing
Tony Jones’ hot-button film plays Thessaloniki Documentary Film Festival after a Sundance premiere
‘Peaky Blinders: The Immortal Man’ review: Cillian Murphy returns as Tommy Shelby in rousing period actioner
Barry Keoghan and Rebecca Ferguson also star in feature set in 1940, six years after the events of the show’s sixth season
‘The Bride!’ review: Jessie Buckley and Christian Bale spark in Maggie Gyllenhaal’s high-voltage horror
Gyllenhaal’s audacious remake of 1935’s ‘Bride Of Frankenstein’ also stars Jake Gyllenhaal, Peter Sarsgaard and Penelope Cruz
‘Psalms Of The People’ review: Affectionate portrait of Gaelic psalm singer Rob MacNeacail
Jack Archer’s film premieres at Glasgow Film Festival
‘Effi o Blaenau’ review: Leisa Gwenllian shines in Marc Evans’ somber Welsh-language drama
The adaptation of Gary Owen’s one-woman play ’Iphigenia In Splott’ premieres in Glasgow ahead of a UK release in June
‘Bucks Harbor’ review: Delicately-woven tapestry of life in rugged New England fishing community
Photojournalist-turned-filmmaker Pete Muller’s documentary plays True/False Film Fest following Berlin premiere
‘Hoppers’ review: Pixar bounces back with charmingly oddball family animation
A teenager goes to extreme lengths to save an endangered glade in Daniel Chong’s warm-hearted environmental comedy
‘500 Miles’ review: Bill Nighy and Maisie Williams star in mawkish Irish drama
Overly-sentimental adaptation of Mark Lowery novel premieres at Dublin
‘Molly Vs The Machines’ review: Emotional docu-drama explores the insidious threat posed by social media
Marc Silver’s film premieres at Glasgow before a UK theatrical run and broadcast on Channel 4
‘Sad Girlz’ review: Two Mexico City teens cope with the fallout from sexual violence in sensitive, authentic debut
Fernanda Tovar’s assured friendship drama won Berlin’s Generation 14Plus strand
‘Scream 7’ review: Returning star Neve Campbell fails to reinvigorate blunt horror franchise
Courteney Cox also makes an appearance in first ’Scream’ film to be directed by original writer Kevin Williamson
‘Ivan & Hadoum’ review: Low-key Spanish LGBTQ+ debut explores issues of class and identity
Ian de la Rosa’s accomplished film premiered in Berlin’s Panorama, where it won the Teddy award for Best Feature
‘Forever Is Now’ review: Immersive, balanced portrait of Ireland Green Party leader Eamon Ryan
Neasa Ni Chianain’s fly-on-the-wall documentary follows 18 months in Ryan’s professional and personal life
‘Samanta Nobody’ review: A homeless girl struggles to make her way in muted Irish drama
Ciaran Creagh’s Dublin title stars newcomer Ruby Jean Lennon as the down-on-her-luck protagonist
‘Yo (Love Is A Rebellious Bird)’ review: Joyful, creative documentary portrait of grief, love and friendship
Anna Fitch pays tribute to her late friend Yolanda Shea in this celebratory Berlin Competition title
‘Once Upon A Time In A Cinema’ review: Dublin opener is nostalgic drama set in 1980s Limerick
David Gleeson bases his feature on his own experiences growing up in a family of Irish cinema owners
‘A Child Of My Own’ review: Intriguing Maite Alberdi Netflix doc on Mexican fake pregnancy case
The Berlinale Special screening follows ‘The Mole Agent’ and ‘Eternal Memory’
‘Soumsoum, The Night Of The Stars’ review: Gentle magical-realist fable follows a spiritual connection in rural Chad
Mahamat-Saleh Haroun’s follow-up to Lingui, The Sacred Bonds is a less propulsive, more pensive work
‘Lali’ review: First all-Pakistani film to play Berlin is heady, tonally disjointed comedy thriller
Sarmad Sultan Khoosat’s Berlin Panorama title is unafraid of defying genre convention
‘The Loneliest Man In Town’ review: Viennese musician Al Cook stars in slow, meditative drama
Berlin Competition title will most appeal to Cook’s existing fans
‘Sleep No More’ review: A decaying Indonesian wig factory hides a dark secret in Edwin’s outré horror
The filmmaker’s follow-up to Locarno winner ’Vengeance Is Mine, All Others Pay Cash’ bows as a Berlin Special Screening
‘The Garden We Dreamed’ review: Mexican migrant drama puts lyrical, affecting spin on a well-worn genre
Joaquin del Paso’s third film stars Nehemie Bastien and Faustin Pierre as a couple attempting to make a forest home
‘The Day She Returns’ review: Hong Sangsoo’s slight, ponderous character study stars Song Sunmi
Sunmi’s expressive performance lifts the director’s slow-burning Berlin Panorama title
‘Wolfram’ review: Warwick Thornton’s period Outback thriller is visually stunning, narratively flat
The acclaimed director’s Berlin Competition title is a sequel-of-sorts to 2017’s ’Sweet Country’
‘Roya’ review: An imprisoned Iranian teacher struggles to hold herself together in vivid, challenging political drama
Mahnaz Mohammadi’s follow-up to ’Son-Mother’ features an expressive performance from Melisa Sözen
‘A New Dawn’ review: Slight Japanese debut pairs delicate 2D animation with story of resistance
Yoshitoshi Shinomiya’s Berlin Competition title is set in a legendary fireworks factory scheduled for destruction
‘Home Stories’ review: Eva Trobisch weaves an ambitious portrait of a modern German family
The director follows ‘Ivo’ and ‘All Is Well’ with meticulously-crafted Berlin Competition title
‘How To Make A Killing’ review: Glen Powell is out for murder in glib, underwritten crime dud
John Patton Ford’s follow-up to ‘Emily The Criminal’ also stars Margaret Qualley, Jessica Henwick and Ed Harris
‘Flies’ review: Fernando Eimbcke’s deadpan Mexico City comedy stars a commanding Teresita Sanchez
Eimbcke’s black-and-white follow-up to ‘Olmo’ premieres in Berlin Competition
‘My Wife Cries’ review: A Berlin couple attempt to connect in Angela Schanelec’s typically inscrutable drama
The director’s Berlin Competition title should appeal to the filmmaker’s devotees
‘Where To?’ review: A Palestinian cab driver in Berlin connects with his Israeli passenger in delicate, resonant debut
Berlin Perspectives title from Israeli filmmaker Assaf Machnes features strong performances from Ehab Salami and Ido Tako
‘Queen At Sea’ review: Juliette Binoche, Tom Courtenay and Anna Calder-Marshall stun in fearless dementia drama
Director Lance Hammer returns with expertly-judged Berlin Competition title
‘Filipiñana’ review: A wealthy Manila country club plays host to this poised, potent study of power and corruption
Filipino director Rafael Manue’s enigmatic debut is executive-produced by Chinese filmmaker Jia Zhiangke
‘Isabel’ review: Brazilian star Marina Person gives a winning performance as an ambitious São Paulo sommelier
Gabe Klinger’s gentle, home-grown Berlin Panorama drama blends earthiness and romance
