Laura Poitras’ documentary about Julian Assange and Paul Schrader’s Dog Eat Dog, starring Nicolas Cage and Willem Defoe, among line-up.
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An 18-strong line-up of titles for the 48th Directors’ Fortnight (May 12-22), a parallel section of the Cannes Film Festival run by the French Director’s Guild, has been announced by artistic director Edouard Waintrop at a press conference in Paris this morning.
Opening the section is Sweet Dreams (Fai bei sogni), from six-time Palme d’Or nominated Italian director Marco Bellocchio. The film, based on a novel by Massimo Gramellini, stars Bérénice Bejo and Valerio Mastandrea, with sales handled by The Match Factory.
Closing Directors’ Fortnight is Dog Eat Dog, Paul Schrader’s film starring Nicolas Cage and Willem Defoe that centres on three men fresh out of prison who attempt to adapt to civilian life. Arclight Films handles sales.
Overall, the titles represent a strong mix of filmmakers from around the world. These include Chilean veteran Alejandro Jodorosky, who returns with Endless Poetry. The filmmaker turned to crowdfunding to complete the feature, which marks a continuation of his autobiographical The Dance Of Reality, which premiered in Directors Fortnight in 2013.
US filmmaker Laura Poitras, who previously made Oscar-winning Edward Snowden documentary Citizenfour, returns with Risk, a documentary centred on Wikileaks founder and controversial figure Julian Assange.
Chile’s Pablo Larrain reunites with Gael Garcia Bernal on Neruda, having previously been at Cannes with the actor in 2012 with No. The film centres on the cat-and-mouse game between a police inspector and the dissident Chilean poet Pablo Neruda during the late 1940s.
As previously announced, this year’s Carrosse d’Or (Golden Coach) Prize, awarded to a director from the international filmmaking community for the innovative qualities, courage and independent-mindedness of his or her work, goes to Finnish director Aki Kaurismaki.
While Directors’ Fortnight does not have a jury, prizes are awarded from various associations including the international critics’ FIPRESCI prize, Art Cinema Award, SACD Prize, Europa Cinemas Label and illy Prize.
First-time filmmakers in all of Cannes’ competition categories are in the running for the Camera d’Or.
- Sweet Dreams, Marco Bellocchio (opening film)
- Dog Eat Dog, Paul Schrader (closing film)
- Divines, Houda Benyamina *
- Endless Poetry, Alejandro Jodorowsky
- Fiore, Claudio Giovanessi
- After Love (L’economie du couple), Joachim Lafosse
- L’Effet aquatique, Solveig Anspach
- Like Crazy, Paolo Virzi
- Mean Dreams, Nathan Morlando
- Mercenaire, Sacha Wolff *
- My Life as a Courgette, Claude Barras *
- Neruda, Pablo Larrain
- Pyscho Raman, Anurag Kashyap
- Risk, Laura Poitras
- Tour de France, Rachid Djaidani
- Two Lovers and a Bear, Kim Nguyen
- Les Vies de Therese, Sebastien Lifshitz
- Wolf and Sheep, Shahrbanoo Sadat *
* first film, eligible for the Camera d’Or
- Abigail - Isabel Penoni and Valentina Homem
- Chasse Royale - Lise Akoka and Romane Gueret
- Decorado - Alberto Vazquez
- Habat Shel Hakala - Tamar Rudoy
- Happy End - Jan Saska
- Hitchhiker - Jero Yun
- Import - Ena Sendijarevic
- Kindil el Bahr - Damien Ounouri
- Léthé - Dea Kulumbegashvili
- Listening to Beethoven - Garri Bardine
- Zvir - Miroslav Sikavica