All articles by Lee Marshall – Page 38

  • Reviews

    Inland (Gabbla)

    2008-09-04T13:17:00Z

    Dir: Tariq Teguia. Algeria-France. 2008. 145mins.For anyone with the strength to sit through the whole 145 minutes of this sadistically-paced cinematic reflection on the state of contemporary Algeria, there are a few small compensations: some moments of visual poetry, particularly in the final desert scenes, and ...

  • Reviews

    The Sky Crawlers

    2008-09-03T13:05:00Z

    Dir: Mamoru Oshii. Japan. 2008. 122mins.Mamoru Oshii’s most meditative feature-length animation to date tells the story of a group of genetically modified eternally-young fighter aces in a world where war has become a company-sponsored reality game. Like the Peter-Pan ‘Kildren’ that it depicts, The Sky Crawlers ...

  • Machan
    Reviews

    Machan

    2008-09-03T09:19:00Z

    Dir: Uberto Pasolini. UK-Italy-Germany-Sri Lanka. 2008. 114mins.

  • Reviews

    Milk (Sut)

    2008-09-02T12:18:00Z

    Dir: Semih Kaplanoglu. Turkey-France-Germany. 2008. 111mins.Painfully slow but at the same time a resonant, elegiac coming of age story, the second installment in Turkish arthouse director Semih Kaplanoglu’s Yusuf trilogy shows him to be something of a magic-realist Terence Davies. But with its overlong shots in ...

  • Birdwatchers.jpg
    Reviews

    Birdwatchers

    2008-09-02T11:27:00Z

    Dir: Marco Bechis. Italy-Brazil. 2008. 103mins.

  • Goodbye Solo
    Reviews

    Goodbye Solo

    2008-09-01T13:43:00Z

    Dir: Ramin Bahrani. US. 2008. 91mins.An odd-couple relationship fuels a slow-burning but ultimately moving emotional and spiritual journey in Ramin Bahrani’s third feature. As in the well-received festival faves Man Push Cart and Chop Shop, the US director of Iranian origins unspools a story set among ...

  • Reviews

    Plastic City (Dangkou)

    2008-09-01T13:35:00Z

    Dir: Yu Lik-wai. Brazil-China-Japan. 2008. 118mins.An underdeveloped yakuza-in-Brazil storyline and a hip- hop VJ sound-and-image assault do not add up to a rounded arthouse film in Yu Lik-wai’s PlasticCity. Despite some moments of visual brilliance, this third directorial outing by Jia Zhangke’s regular cinematographer betrays the ...

  • Reviews

    L'Autre

    2008-09-01T12:49:00Z

    Dirs: Patrick Mario Bernard, Pierre Trividic. France. 2008. 97mins.This rather frosty but nevertheless intriguing study of one woman’s descent into jealousy, which premiered in competition at Venice, is one of those well-crafted exercises that plays better in the viewing than in the recall. That’s because it’s ...

  • Reviews

    Kabuli Kid

    2008-09-01T12:23:00Z

    Dir: Barmak Akram. France-Afghanistan. 2008. 95mins.What makes this small French-backed Afghan charmer, which premiered in Critics’ Week at Venice, more than just a heartwarming quest comedy is its grounding in the everyday chaos and strict social and religious codes of war-ravaged Kabul. Though honed by script ...

  • Reviews

    The Burning Plain

    2008-08-29T16:38:00Z

    Dir: Guillermo Arriaga. USA. 2008. 105 mins.His much-publicised falling out with director Alejandro Gonzalez Inarritu seems to have done Guillermo Arriaga the world of good. The Burning Plain, which the Mexican writer directed from his own script, is a powerful contemporary melodrama, more restrained but also ...

  • Reviews

    Cold Lunch (Lonsj)

    2008-08-29T09:26:00Z

    Dir: Eva Sorhaug. Norway. 2008. 86mins.A few good scenes, some quirky characters and a striking visual style don’t quite add up to a hot meal in Eva Sorhaug’s bite-sized Cold Lunch. Screening as an out of competition title in this year’s Critics’ Week, the Norwegian interlinked ...

  • News

    Critical comment: Literary adaptations

    2008-08-29T00:00:00Z

    Cinema is the most confident and insecure of art forms. When it's on home ground, it's a strutting gang leader, but as soon as it meets one of the old bosses - literature, say, or theatre - it lies down and plays the doormat. And literature and theatre, for their ...

  • Valentino: The Last Emperor
    Reviews

    Valentino: The Last Emperor

    2008-08-28T16:11:00Z

    Dir: Matt Tyrnauer. US. 2008. 97mins.

  • Reviews

    Broken Lines (2007)

    2008-08-28T11:09:00Z

    Dir: Sallie Aprahamian. UK. 2008. 113mins.Immersed in the gritty multicultural realities and historical short-circuits of life in the northern suburb of Finsbury Park, Broken Lines is one of the rare films that nails the odd flavour of contemporary London. Like Shane Meadows’ recent Somers Town, it ...

  • Reviews

    Burn After Reading

    2008-08-27T14:31:00Z

    Dirs/scr: Joel Coen, Ethan Coen. US. 2008. 95mins.

  • News

    The critical view - Minority report

    2008-08-15T00:00:00Z

    Can I say The Dark Knight is, in my opinion, not a very good film' I am puzzled and perturbed by the overwhelmingly positive critical response the film has attracted from fellow critics, especially in the US.Let me list my main objections to Christopher Nolan's latest 'masterpiece'.First, it is a ...

  • News

    The critical view: On the money

    2008-07-11T00:00:00Z

    Critics rarely give much thought to the money side of the film industry. In fact, if I miss a film's national press preview or international festival debut, my desire to see it later, alongside a paying public, is generally in inverse proportion to its box-office success.This isn't just critical petulance ...

  • Reviews

    Eldorado

    2008-07-02T12:53:00Z

    Dir/scr. Bouli Lanners. Belgium/France. 2008. 86 mins.A dysfunctional Belgian pair of Laurel and Hardy loners bond affectingly in Eldorado, Bouli Lanners' second directorial outing which picked up the Europa Cinemas Label and the FIPRESCI Quinzaine award at this year's Cannes festival. Visually striking and musically inventive, Eldorado doses out its ...

  • Reviews

    Il Divo

    2008-05-23T12:31:00Z

    Dir/scr: Paolo Sorrentino. Italy-France. 2008. 117mins.

  • Reviews

    The Stranger In Me (Das Fremde In Mir)

    2008-05-22T13:24:00Z

    Dir: Emily Atef. Germany. 2008. 99mins.One of the most powerful surviving social taboos - a mother's rejection of her new-born baby - is turned into a small but resonant drama in Emily Atef's second feature, which was one of the highlights of this year's Critic's Week in Cannes. With a ...