More news – Page 267
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News
Little Film Company scores sales rights to The Third Half
Robbie Little has taken international sales rights to Darko Mitrevski’s second world war sports drama about a Jewish coach who inspires a football team to win the National Football League in Nazi-occupied Macedonia in 1942.
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eOne, RKO Pictures plan joint US release on A Late Quartet
The partners have earmarked an autumn release for Yaron Zilberman’s debut starring Philip Seymour Hoffman, Catherine Keener and Christopher Walken.
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Visit Films closes deals on Dinotasia, End Of Love
Ryan Kampe’s Visit Films has struck a slew of sales on key titles here, led by a deal with Ascot Elite for German-speaking Europe on dinosaur documentary Dinotasia.
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Raven Banner acquires sales on Rosalind Leigh
Raven Banner has acquired sales rights to Rodrigo Gudiño’s feature debut The Last Will And Testament Of Rosalind Leigh.
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Camelot seals Scavengers deal with Splendid for German-speaking Europe
Camelot Distribution Group president Jess Kelly has announced a slew of sales on the Cannes slate, leading with a sale to Splendid for German-speaking territories and Benelux rights to California Pictures’ sci-fi adventure Scavengers.
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DAR gets ugly with Kashyap, Phantom
India’s DAR Motion Pictures is partnering with Phantom Films to produce Ugly, the next project from Anurag Kashyap, whose Gangs Of Wasseypur is screening in Directors Fortnight.
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Endorphine, Augustus wake up for Sunrise
EXCLUSIVE: Germany’s Endorphine Production and Dutch production company Augustus Film have boarded Indian filmmaker Partho Sen-Gupta’s Sunrise (Arunoday), alongside India’s Independent Movies and the National Film Development Corp (NFDC).
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Isn’t Anyone Alive? sells to the UK’s Third Window
The UK’s Third Window Films has snapped up Isn’t Anyone Alive?, directed by Gakuryu Ishii, which is being handled internationally by Japan’s Phantom Film Co.
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The Documentary Company on board for Green Prince
The Documentary Company, launched by Sheryl Crown and Maggie Monteith last year to back feature docs with EIS funding, is expanding its slate.
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Jiang Wen to shoot Gone With The Bullets
Leading Chinese filmmaker Jiang Wen is likely to reunite with Gong Li in his latest directorial project, Gone With The Bullets, according to Marco Ma, who co-owns Beijing-based Buyilehu Films with the director.
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Film4 goes monster mad with Ben Wheatley
EXCLUSIVE: Film4 is in discussions with potential co-financiers here on Kill List and Sightseers director Ben Wheatley’s planned cops-and-monsters film Freakshift.
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Phanta launches new Dutch finance scheme
In Cannes, Dutch producer Petra Goedings from Phanta Vision has revealed further details of a groundbreaking film financing scheme in the Netherlands.
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Screen South unveils new partnerships in Cannes
The former regional screen agency is still going strong as a separate entity outside Creative England.
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Reel Suspects sells thriller The Second Death
Reel Suspects has sold Argentinian director Santiago Fernandez’s debut The Second Death to Germany/Austria and Turkey.
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Larry Clark preparing Paris-set skateboarding picture
EXCLUSIVE: Larry Clark is set to shoot a French-language picture taking inspiration from the skateboarding scene around Paris’ Trocadero Gardens this summer, the first film for the Kids and Ken Park director shot outside the United States.
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Cannes Market reports 8% hike in attendance
Asia and Latin American lead the rise in partipicants.
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French indie hub Commune Image makes market debut
Production “commune”, which supported indie pictures Donoma and La Désintégration, launches partying road movie En Pays Cannibal at Cannes market.
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CNC reveals details of new World Cinema Fund
The new €6m subsidy is run jointly by the CNC, cultural body the Institut Français, the Ministry of Culture and the Ministry of Foreign and European Affairs.
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Cannes deals roundup: DC Medias, Jinga, Hawthorn, Delacheroy
Deals include Jinga Films selling romantic comedy Timer and Hawthorn selling UK sci fi feature UFO.
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Match Factory strikes groundbreaking distribution initiative
€400,000 initiative is backed by the EU’s Media Mundus.