Robert Daniels
- Reviews
‘To A Land Unknown’: Cannes Review
Two Palestinian refugees are stranded in Athens in Mahdi Fleifel’s raw, resonant drama
- Reviews
‘East Of Noon’: Cannes Review
Surrealist-tinged Egyptian fable is Hala Elkoussy’s distinctive follow-up to ‘Cactus Flower’
- Reviews
‘Eat The Night’: Cannes Review
Three French teens juggle edgy real-life with gaming fantasy in this disappointing thriller from the ‘Jessica Forever’ team
- Reviews
‘Ernest Cole, Lost And Found’: Cannes Review
Raoul Peck explores the life and work of exiled South African protest photographer Ernest Cole
- Reviews
‘The Falling Sky’: Cannes Review
Singular, uncompromising documentary details the threat posed to the Indigenous tribes of Brazil
- Reviews
‘Civil War’: SXSW Review
Kirsten Dunst plays a photojournalist facing the horrors of an American civil war in Alex Garland’s new dystopian thriller
- Reviews
‘Arcadian’: SXSW Review
Nicolas Cage faces off against night-time terrors in this Ireland-shot apocalyptic creature feature
- Reviews
‘The Fall Guy’: SXSW Review
Ryan Gosling is on fire in Universal’s kick-off to summer 2024 blockbuster season
- Reviews
‘Monkey Man’: SXSW Review
Dev Patel’s ferocious directorial debut sees him star as a Mumbai underground boxer seeking revenge
- Reviews
‘Dandelion’: SXSW Review
KiKi Layne stars as a musican finding her voice in Nicole Riegel’s dazzling follow-up to ‘Holler’
- Reviews
‘Magpie’: SXSW Review
Sam Yates’s slow-burn debut about a marriage under strain fields an impressive performance from its producer, Daisy Ridley
- Reviews
‘The Monk And The Gun’: Busan Review
’A Yak In The Classroom’ director takes notes from Robert Altman for this Bhutan-set political satire
- Reviews
‘A Difficult Year’: Toronto Review
This French social satire sees two lost souls find some purpose in an environmental action group
- Reviews
‘His Three Daughters’: Toronto Review
Carrie Coon, Natasha Lyonne and Elizabeth Olsen are Azazel Jacobs’ three sisters gathered for the death of their father in a New York Apartment
- Reviews
‘Dream Scenario’: Toronto Review
Nicolas Cage starts to appear in other people’s dreams in this sharp, provocative horror/comedy produced by Ari Aster
- Reviews
‘Woman Of The Hour’: Toronto Review
‘A tremendous directorial debut’ from Anna Kendrick in this true-life serial killer drama which takes unexpected twists and turns
- Reviews
‘We Grown Now’: Toronto Review
Chicago’s Cabrini-Green housing project is the setting for this early 1990s coming of age drama
- Reviews
‘Gonzo Girl’: Toronto Review
Willem Dafoe and Camila Morrone star in Patrica Arquette’s directorial debut, loosely based on Hunter S. Thompson