Latest – Page 78
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D-Day for US studio model
Would you pay $250 to have Transformers: Revenge Of The Fallen delivered to your living room on the same day it is released in theatres?
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Metal madness in Athens
The Greek capital’s nimble fest throws up a winner in Until The Light Takes Us
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TIFF: steady as she goes, says Cameron Bailey
TIFF co-director Cameron Bailey says there’s no real change in the numer or size of the deals at his festival this year
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Digital screens unlock alternative content
The rising number of 3D screens is giving exhibitors the opportunity to do much more than just show films. Tim Richards is excited by the prospects of alternative content.
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No bullet-proof vests
While blockbuster movies may be proving recession-proof, the independent sector is feeling the chill and will emerge from the downturn looking very different.
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Precious poised for perfect Push
So far, so good for Precious as the Toronto People’s Choice award continues the film’s positioning on the road to theatres - and awards.
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Where have all the screenwriters gone?
The decline in UK productions based on original screenplays has been caused by a misguided film-industry culture says development consultant Phil Parker
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Small is beautiful at Toronto
Buyers at Toronto were unwilling to bet big on expensive, star-driven films, preferring the low-risk gamble of smaller foreign-language films and smaller distribution costs.
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Boycott the boycotts
The recent spate of cultural boycotts across the festival circuit may start with good intentions but it’s that film-makers the ultimately feel the impact.
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Emerging in the Market
Critics and buyers are happier as Toronto premieres start to ease up. Emerging marketsWith most of the big titles finished their press screenings at least in Toronto, notices have been warming up and some favourites are emerging…To wit-- Scott Hicks’ Australia-set The Boys Are Back, with Clive Owen as the ...
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Toronto: The Coens, Megan, George, Darwin...
Films and their stars are tripping over each other in the Canadian capital….
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Acting for US intelligence
At a time when internet-savvy teenagers are the key movie-going demographic, George Clooney has used his celebrity to become the standard-bearer for smart, political cinema.
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In a free world, how can we make content pay?
There are better ways to deal with the threat from free content than clinging to an antiquated business model. Brian Newman has some suggestions for the film industry.
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Putting art before politics
The recent decision by Taiwan’s Government Information Office to revoke its subsidy for Miao Miao does not help the long-term development of the Taiwanese film industry.
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Get ready for Toronto
Vaporettos land in the Toronto capital; time to get serious about the business of awards.
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Lost in movies
The Venice-Toronto marathon offers such challenges for buyers and press, plenty of films can get lost in the shuffle. So why don’t producers experiment with other festivals?
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Distributing the wealth
Moving into production may seem like an astute move for distributors but they underestimate the challenges they will face.
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Why audiences are key to cross-media creation
New media requires new approaches to storytelling, says Lance Weiler - and seeing the audience as collaborators will enrich their experience and pay dividends in the long term.
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