Latest – Page 79
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Young Brits are proving digital dunces
Amid the calls for the UK film industry to embrace digital innovation, Arvind Ethan David is concerned about the state of digital literacy in the industry’s entry-level employees.
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State of a region
A forum about the state of cinema in south-eastern Europe, held at last week’s Sarajevo Film Festival, reflected a diverse industry struggling to support its exploding talent base.
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Off-balance on online piracy
Online piracy is one of the biggest threats to the film industry yet finding the right approach to tackling it remains a challenge in itself.
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Box office busters
They came, they conquered: who ruled the world in Summer 2009? A look at the tentpole winners and losers…
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The future for film has already been written
The digital revolution is reliant on the relationship with a new type of audience, says Liz Rosenthal, founder and managing director of Power to the Pixel.
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The rise of the fanboys
Film marketing and distribution could be changed forever after Paramount pre-screened GI Joe: The Rise OfCobra to fanboy websites - and not to broadcast and print outlets
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Indies are feeling the chill
If studios are proving resilient to the crisis, the indie sector is feeling the pressure.
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To boycott or not
Some say the role of a festival director is akin to the UN: but Edinburgh and Melbourne went in different directions when it came to Ken Loach, Israel and the Palestinian cultural boycott. Reading the below correspondence - which way would you turn?Every festival director will have a film in ...
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Lido lustre
Venice daze: Marco has something for everyone - including more US titles than Cannes - but the Lido is going to be a “construction site” in September….oh, and, there’ll be no market when the new Palazzo opens, either
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Industry must adapt to market conditions
Producer Kevin Loader’s In The Loop is being released in the US in theatres and on video-on-demand. This is the shape of the future, says the Screenwriters’ Festival chairman.
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The US deal conundrum
With US distributors in crisis, international buyers might be able to fill the gap - except they’re only interested in English-language films that have US distribution sewn up .
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First steps of a box-office giant
The news that China has become the second biggest territory outside the US for Transformers: Revenge Of The Fallen, with a $62m (rmb423m) gross as of July 19, demonstrates the dizzying potential of the country’s box-office market.
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Where's the profit in online distribution?
People have been saying for years that the future of film distribution is online. John Flahive, managing director of Wavelength Pictures, is still waiting for a viable business model.
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A tale of two industries
The British industry has been reported to be doing well, but is it a fair assessment?
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Curse of the time bandits
As Harry Potter racks up its 15th hour of celluloid adventure and the Transformers battle it out for two-and-a-half hours, Mike Goodridge is watching the clock.
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Witch-hunt for the Antichrist
Egged on by the distributor, the UK media would like to ban Lars Von Trier’s Antichrist. But they ain’t seen nothing yet.
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Leaping Leopards: Locarno's line-up
What’s hot at Locarno? - a close look at the titles world-premiering at Switzerland’s August festival
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Marco's Venice daze
Venice, Toronto, Locarno, San Sebastian: they’re all screening right now. What’s on Marco Mueller’s list?