All articles by Lee Marshall – Page 52

  • Reviews

    Stranger (Ono)

    24 February 2005

    Dir:Malgosia Szumowska. Ger-Pol. 2005. 98mins.Thesecond full-length feature by Polish film-maker Malgosia Szumowska, Strangeris infused with the spirit of Kieslowski. But this slow, measured film about anunmarried girl who decides to go ahead with an unplanned pregnancy does notfeel derivative.Unsentimental,emotionally intelligent, it gets under the skin, adding up to more than ...

  • Reviews

    Night Watch (Nochnoy Dozor)

    24 February 2005

    Dir: Timur Bekmambetov.Russia. 2004. 114mins.One of the mostimpressive things about Night Watch is the fact that such a stylish andtechnically polished fantasy movie - which can teach Hollywood a trick or twoabout squeezing a great look out of a tight budget - is it is 100% made inRussia. But, as ...

  • Reviews

    Mad Hot Ballroom

    24 February 2005

    Dir: Marilyn Agrelo. US.2005. 114mins.An upbeat, feelgooddocumentary about kids from three New York public elementary schools whocompete in a citywide ballroom dancing competition, Mad Hot Ballroom isthis year's Spellbound, if with a less an ironic take on its subjectsthan the spelling-bee documentary and gutsier motivational verve.One of the hot tickets ...

  • Reviews

    Peacock (Kong Que)

    21 February 2005

    Dir: Gu Changwei China.2005. 161mins.If further proof wereneeded of the technical and emotional maturity of the New Chinese cinema, then Peacocksupplies it. The story of three siblings in a provincial Chinese town at thetail end of the Cultural Revolution, this sensitive, deceptively simple filmtakes a while to establish its authority, ...

  • Reviews

    The Wayward Cloud (Tian Bian Yi Duo Hun)

    21 February 2005

    Dir/scr: Tsai Ming-Liang.Fr-Tai. 2005. 111mins.Taiwan auteur TsaiMing-Liang revisits all his favourite themes in The Wayward Cloud, hiseighth feature. There's his water obsession - here figured in a nationwidewater shortage, which leads to a run on mineral water and watermelons. There'shis exploration of lonely characters lost in a big but strangely ...

  • Reviews

    Dumplings

    18 February 2005

    Dir: Fruit Chan. HK.2005. 91mins.Described by the directoras a "post-feminist horror film", Dumplings is the full-length versionof a 30-minute short presented in Venice last year as part of Three Extremes,an omnibus film which also showcased twisted tales by Asian directors TakeshiMiike and Park Chan-Wook.Dumplings was easily the best thing about ...

  • The Beat That My Heart Skipped
    Reviews

    The Beat That My Heart Skipped (De Battre Mon Coeur S'Est Arrete)

    18 February 2005

    Dir:Jacques Audiard. Fr. 2005. 107mins.

  • News

    All eyes on the Berlinale prizes

    18 February 2005

    Asthe festival awaited news from the jury, the front-runners for prizes wereemerging from a competition that most critics agreed was stimulating, butuneven. Among the favourites were TheBeat That My Heart Skipped, Jacques Audiard's stylish homage to JamesToback's 1970s classic Fingers, which was tipped to net a best actorprize for Romain ...

  • Reviews

    Rabbit On the Moon (Conejo En La Luna)

    16 February 2005

    Dir/scr: JorgeRamirez-Suarez. Mex-UK. 2005. 114mins.A tightly-paced politicalthriller, Rabbit On The Moon opened to peppy reviews and buoyant boxoffice takings on its home release in Mexico last October. A rare Mexico-UKco-production, it proves to be a hardworking film with some rough edges but asurefire genre instinct. Its overseas prospects will not ...

  • Reviews

    Tickets

    15 February 2005

    Dirs:Ermanno Olmi, Abbas Kiarostami, Ken Loach. It-UK. 2005. 118mins.Three famous directors joining forces to direct one film is not new, but Ticketsdiffers from other recent "celebrity trio" showcases (Eros, ThreeExtremes) in that its film-makers share the same setting, some of the samecharacters and the same screenplay (or, in the case ...

  • Reviews

    Asylum

    14 February 2005

    Dir:David Mackenzie. UK-Ire. 2005. 93mins.A dark, assured period piece about passion and madness, and the way societyrestrains them, Asylum is a much slicker product than Scottish directorDavid Mackenzie's previous outing, Young Adam.It has not had an easygestation: US distributor Paramount has been involved since Patrick McGrath'snovel was published in 1997; ...

  • Reviews

    Man To Man

    11 February 2005

    UK-Fr-S Afr. 2004. 125mins.An uninspiring Berlinopener, Man To Man offers audiences an efficient but ultimately rathertrite Technicolor workout for their European post-colonial guilt.Regis Wargnier, director ofIndochine, here returns to a different jungle and a different colonialera with a story of three nineteenth-century Scottish scientists who use twocaptured African pygmies to ...

  • Reviews

    Smalltown, Italy (Provincia Meccanica)

    11 February 2005

    LeeMarshall in RomeDir: Stefano Mordini. Italy. 2005. 107mins.The only Italian film in competition at Berlin this year, Smalltown,Italy depicts a bleak, post-industrial, dysfunctional Bel Paese that is along way from the tourist postcard cliches. Though the film is not without itsflaws, this is a promising debut for first-timer Mordini, a ...

  • Reviews

    Alla Luce Del Sole

    20 January 2005

    Dir/scr: Roberto Faenza.It. 2005. 92mins.A brave voice speaks outagainst the Mafia; the voice gets silenced, but its message remains. AllaLuce Del Sole is not the first committed Italian biopic to fit this pitchline, and is unlikely to be the last.The most obvious differencebetween Roberto Faenza's new film and other examples ...

  • Reviews

    White Noise

    20 December 2004

    Dir:Vinta Nanda. India-UK. 2004. 108mins.A litmus test of how Indian cinema is changing in the MTV and satellite era,White Noise has all the New Bollywood ingredients: a feisty, sexuallyliberated, working heroine, a hip and sensitive male love interest who hasbroken away from his traditional family, satirical digs at contemporary IndianTV ...

  • Reviews

    Eyes Of Crystal (Occhi Di Cristallo)

    24 November 2004

    Dir: Eros Puglielli.It-Sp-UK. 2004. 110mins.The latestCattleya-Alchimia co-production (after Callas Forever, Don't Moveand I'm Not Scared), Eyes Of Crystal is a declared attempt torevive the horror-thriller genre that, in Italy, is virtually synonymous withDario Argento. Though uneven, second-time director Eros Puglielli's serialkiller yarn is a stylish and enjoyable essay in shock ...

  • Reviews

    Cafe Lumiere (Kohi Jikou)

    18 October 2004

    Dir:Hou Hsiao-Hsien. Japan. 2004. 92mins.One of the most consistently interesting of Far Easternarthouse directors, Hou Hsiao-Hsien has a dedicated following on the festivalcircuit and a tiny film-buff fanbase in the real world. It's telling that not asingle Region 2 DVD of any of the Taiwanese director's films is currentlyavailable on ...

  • Reviews

    Low Life

    15 October 2004

    Dir: Im Kwon-Taek.South Korea. 2004. 99 mins.Veteran South Korean filmmaker Im Kwon-Taek spotlights aturbulent period in the history of his country in this fast-paced saga, whichscreened in competition at Venice. But all that history is the film's mainproblem: international audiences, few of whom have a firm grasp of thepolitical landscape ...

  • Reviews

    Three Extremes

    30 September 2004

    Dirs: Fruit Chan, ParkChan-Wook, Takashi Miike. HK-Jap-S Kor. 2004. 127mins.The second of twothree-part omnibus films at this year's Venice Film Festival (the other was theWong Kar-Wai/Soderbergh/Antonioni collaboration Eros), Three Extremes is a tasty showpiece forthree of Asia's hottest directors. In market terms, they are a well-chosen trio- far more so ...

  • Reviews

    The Tulse Luper Suitcases, Part 3: From Sark To Finish

    29 September 2004

    Dir/scr:Peter Greenaway. Neth-Sp-Lux-Hung-It-Ger-Russ. 2004. 120mins.Youmay, to paraphrase a football commentator, have thought it was all over. Wellit is now. The final part of Peter Greenaway's seven-hour Tulse Luperopus, From Sark To Finish, unrolled at the Venice Film Festival. Itssubdued reception came as a marked contrast to the anticipatory buzz that ...