All Production articles – Page 543
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NewsContent takes piece of Gibney's Jigsaw
Content Media Corporation is buying a 50% stake in documentarian Alex Gibney’s Jigsaw Productions and plans to help the company expand its film and TV development and production operations.
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NewsPieprzyca lines up Dawid Ogrodnik for The Will To Live
Polish director Maciej Pieprzyca [pictured] will start shooting his second feature, The Will To Live (Chce się żyć) from June 16 to July 31.
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NewsMeirelles plans October start of shoot for Onassis film
EXCLUSIVE: Fernando Meirelles says that Nemesis, his upcoming film about tycoon Aristotle Onassis, will start shooting for 10 weeks in October in Croatia, where location scouting is actually under way.
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NewsFilm London greenlights four new artist films
Now in its third year, Film London’s Artists’ Moving Image Network (FLAMIN) is investing £145,000 of production funding in four new moving image projects from London-based artists.
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NewsGame of Thrones’ Kit Harington to star opposite Vera Farmiga in thriller Greenland Time
EXCLUSIVE: Game of Thrones and The Seventh Son star to play opposite Vera Farmiga in Sigma/Zentropa thriller.
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NewsCinemaNX in talks to merge into Pinewood Shepperton
UPDATED: The Isle of Man government is in negotations to acquire a 19.9% stake in Pinwood Shepperton, whilst Pinewood would advise on film investment opportunities for the Isle of Man’s £25m Media Development Fund.
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NewsRodnyansky expands presence in Russia through launch of A Company's own distribution arm, cooperation with Fox
Company launches this week at Kinotavr Open Russian Film Festival.
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NewsRaleigh Studios to manage China’s Wuxi Studio
US film studio company Raleigh Studios will manage China’s Wuxi Studio, a 6-square-km facility near Shanghai, to provide film production, post-production and tourism services.
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NewsParticipant buys North America on Chavez
Participant Media has acquired all North American rights to director Diego Luna’s Chavez, currently shooting in Sonora, Mexico.
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NewsWeisscam to develop 4K T-CAM with crowdfunding
German high-speed camera developers Weisscam plans to speed the implemention of a 4K sensor into its high-speed T-CAM, based on the positive feedback it received at this year’s NAB in Las Vegas when it showed a non-functional prototype.
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NewsPalatin, Engine to handle international sales on Kick
Marcus Warren’s football thriller is currently shooting in London.
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NewsNew UK EIS rules get EU approval
UK film industry sources have expressed their relief that EU State Aid approval has finally been given to the new UK EIS rules.
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NewsHot projects on Screenbase
Screenbase’s brand new, revamped site features a host of recently updated and new projects including an adaptation of Henning Mankell’s The Troubled Man and UK-Danish co-production Greenland Time.
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FeaturesKate Sinclair
Former UKFC and Film4 book scout Kate Sinclair discusses uncovering gems Salmon Fishing in the Yemen and Q and A and her current slate as a producer, which includes a comedy series from writers Kevin Cecil and Andy Riley and an adaptation of a Giles Foden novel about the D-Day ...
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NewsBahman Ghobadi talks about Turkish-shot drama Rhino Season
Bahman Ghobadi discusses new drama Rhino Season starring Monica Bellucci and Behrouz Vossoughi; as well as religion-themed anthology film Words With Gods.
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NewsSluizer works to resurrect Dark Blood, River Phoenix's last project
Dark Blood, the movie River Phoenix [pictured] was working on at the time of his death, is set to be completed almost 20 years after it was abandoned.
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News
Cunningham, Fetterman launch Pop-Up Films
Director Karen Cunningham and producer Julia Fetterman have launched new independent production company Pop-Up Films.
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NewsBBC secures TV rights to Spanish language feature San Cristobal
The UK-Spanish co-production is being written and directed by UK film-maker James Rogan.
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NewsCool Kids Don't Cry to get Norwegian remake
Norwegian production company Cinenord has bought the rights to the Dutch family film.
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FeaturesDrawing on success
With a record number of European features headed to the Annecy International Animation Film Festival (June 4-9), Leon Forde reports on the growing ambition of the European animation sector.