All Q&A articles – Page 50
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FeaturesJC Chandor
Writer-director JC Chandor talks to Jeremy Kay about making his feature directorial debut with financial thriller Margin Call, one of the first films to sell in Sundance.
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FeaturesMorgan Spurlock
The Super Size Me creator talks to Jeremy Kay about his new film on product placement, POM Wonderful Presents: The Greatest Movie Ever Sold, which is screening in Sundance.
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FeaturesClay Jeter
Tennessee-born Clay Jeter talks to Jeremy Kay about his feature directorial debut Jess + Moss, which screens in Sundance’s New Frontier section this week.
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FeaturesPaddy Considine
UK actor-turned-director Paddy Considine talks to Sarah Cooper about making his directorial debut Tyrannosaur, which has its world premiere at Sundance on Jan 21.
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FeaturesJames Marsh, Simon Chinn
The film-making team behind Man On Wire talk about their latest feature doc, Project Nim, which will have its world premiere in the world cinema documentary competition at Sundance tonight.
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FeaturesCol Spector
Honeymooner director Col Spector talks about non-loutish male characters, shooting on a tight budget and being part of New British Cinema Quarterly.
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FeaturesTeddy Leifer
UK producer Teddy Leifer has two films at Sundance, Steve James’ The Interrupters and Ian Palmer’s Knuckle.
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FeaturesTchavdar Georgiev, Amanda Pope, Joyce Mandell, Michael King
At the inaugural film-maker retreat at the Palm Springs International Film Festival, Jeremy Kay talks to the film-making teams behind two documentaries. Tchavdar Georgiev and Amanda Pope’s who made The Desert Of Forbidden Art and Michael King and Joyce Mandell whose project is The Rescuers.
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FeaturesStewart Till
Stewart Till talks to Screen about his new role as chair of Skillset and the importance of training in the film industry.
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FeaturesPaolo Virzi
The director and co-writer of Italy’s foreign language Oscar submission The First Beautiful Thing, talks to Jeremy Kay about shooting in his home town Livorno and going up against Avatar at the box office.
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FeaturesJohn Smithson
The creative director of London-based factual production company Darlow Smithson talks about working with Danny Boyle on 127 Hours.
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FeaturesAndrew Garfield -- actor, The Social Network
The Golden Globe nominee talks about the process of making The Social Network, and the creative freedom on the current shoot for Spider-Man.
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FeaturesDarryl Macdonald and Helen du Toit
As the 22nd Palm Springs International Film Festival gets underway, festival director Darryl Macdonald and director of programming Helen du Toit talk to Jeremy Kay about the fest’s international scope and this year’s programming trends.
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FeaturesThomas Vinterberg
Dogme co-founder Thomas Vinterberg talks to Andreas Wiseman about his next film, The Formula; his recent departure from Nimbus Film; the state of Danish cinema and his collaboration with Lars von Trier.
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FeaturesAlan Maher
Irish Film Board production executive Alan Maher talks about the resilience of Ireland’s film industry and the rise of Irish documentaries.
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FeaturesFrederick Wiseman
Boston-born documentary film-maker Frederick Wiseman talks about his new project, Crazy Horse, which he shot in the legendary erotic cabaret club in Paris.
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FeaturesBruno Barde
On the 10th anniversary of the Marrakech Film Festival, its artistic director Bruno Barde talks to Screen about choosing films, attracting celebrity guests and the future of the festival.
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FeaturesBen Gibson, London Film School
LFS director Ben Gibson talks about the school’s future as a film hub, why internationalism is important, and the breadth of the new MA in Film Curating.
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FeaturesAmanda Nevill
After this week’s announcement that the BFI would be taking on a number of key activities formerly overseen by the Film Council, Screen’s Wendy Mitchell spoke to BFI Director Amanda Nevill about how the BFI would have to change moving forward.